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Rogue performances = staging the und...

Reed, Peter P.

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Rogue performances = staging the underclasses in early American theatre culture /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Rogue performances/ Peter P. Reed.
Reminder of title:	staging the underclasses in early American theatre culture /
Author:	Reed, Peter P.
Published:	New York, NY :Palgrave Macmillan, : 2009.,
Description:	xii, 249 p. :ill. ;25 cm.
[NT 15003449]:	Atlantic underclasses and early American theatre culture -- Gallows performance, excarceration, and The beggar's opera -- Algerians, renegades, and transnational rogues in Slaves in Algiers -- Treason and popular patriotism in The glory of Columbia -- Pantomime and blackface banditry in Three-finger'd Jack -- Class, patronage, and urban scenes in Tomand Jerry -- Slave revolt and classical blackness in The gladiator -- Epilogue: escape artists and spectatorial mobs.
Subject:	American drama - History and criticism. - 18th century -
Online resource:	http://link.springer.com/10.1057/9780230622715access to fulltext (Palgrave)
ISBN:	0230622712

Rogue performances = staging the underclasses in early American theatre culture /
Reed, Peter P.

Rogue performancesstaging the underclasses in early American theatre culture /[electronic resource] :Peter P. Reed. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - xii, 249 p. :ill. ;25 cm. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..

Includes bibliographical references and index.

Atlantic underclasses and early American theatre culture -- Gallows performance, excarceration, and The beggar's opera -- Algerians, renegades, and transnational rogues in Slaves in Algiers -- Treason and popular patriotism in The glory of Columbia -- Pantomime and blackface banditry in Three-finger'd Jack -- Class, patronage, and urban scenes in Tomand Jerry -- Slave revolt and classical blackness in The gladiator -- Epilogue: escape artists and spectatorial mobs.

Rogue Performances recovers eighteenth and nineteenth-century American culture's fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period's most popular plays. Peter Reed alsoexplores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230622712

Standard No.: 10.1057/9780230622715doiSubjects--Topical Terms:

1100282
American drama
--History and criticism.--18th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS341 / .R44 2009

Dewey Class. No.: 812.009

Rogue performances = staging the underclasses in early American theatre culture /
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100 1 $a Reed, Peter P. $3 1100281
245 1 0 $a Rogue performances $h [electronic resource] : $b staging the underclasses in early American theatre culture / $c Peter P. Reed.
250 $a 1st ed.
260 $a New York, NY : $c 2009. $b Palgrave Macmillan,
300 $a xii, 249 p. : $b ill. ; $c 25 cm.
490 1 $a Palgrave studies in theatre and performance history
504 $a Includes bibliographical references and index.
505 0 $a Atlantic underclasses and early American theatre culture -- Gallows performance, excarceration, and The beggar's opera -- Algerians, renegades, and transnational rogues in Slaves in Algiers -- Treason and popular patriotism in The glory of Columbia -- Pantomime and blackface banditry in Three-finger'd Jack -- Class, patronage, and urban scenes in Tomand Jerry -- Slave revolt and classical blackness in The gladiator -- Epilogue: escape artists and spectatorial mobs.
520 $a Rogue Performances recovers eighteenth and nineteenth-century American culture's fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period's most popular plays. Peter Reed alsoexplores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Jan. 11, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a American drama $y 18th century $x History and criticism. $3 1100282
650 0 $a American drama $y 19th century $x History and criticism. $3 523064
650 0 $a Poor in literature. $3 701075
650 0 $a Rogues and vagabonds in literature. $3 856884
650 0 $a Theater and society $z United States $x History $y 18th century. $3 1100283
650 0 $a Theater and society $z United States $x History $y 19th century. $3 891915
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830 0 $a Palgrave studies in theatre and performance history. $3 1098893
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230622715 $z access to fulltext (Palgrave)