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Technologies of memory in the arts

Plate, Liedeke.

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Technologies of memory in the arts

Record Type:	Electronic resources : Monograph/item
Title/Author:	Technologies of memory in the arts/ edited by Liedeke Plate and Anneke Smelik.
other author:	Plate, Liedeke.
Published:	Houndmills, Basingstoke ;Palgrave Macmillan, : 2009.,
Description:	xii, 241 p. :ill. ;23 cm.
[NT 15003449]:	Technologies of Memory in the Arts: An Introduction / L.Plate & A.Smelik -- Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory / M.Sturken -- Minimalism, Memory, and the Reflection of Absence/ W.Weijers -- The Virtuality of Time: Memory in Science Fiction Films /A.Smelik -- The Astonishing Return of Blake and Mortimer: Francophone Fantasies of Britain as Imperial Power and Retrospective Rewritings/ A.Miller -- Writing Back Together: The Hidden Memories of Rochester and Antoinette in Wide Sargasso Sea / N.Haliloglu -- Liquid Memories: Women's Rewriting in the Present / L.Plate -- The Matter and Meaning of Childhood through Objects/ E.Wood -- The Force of Recalling: Pain in Visual Arts / M.Zarzycka -- Photographs that Forget: Contemporary Recyclings ofthe Hitler-Hoffmann Oratory Poses/ F.Guerin -- Facing Forward with Found Footage: Displacing Colonial Footage in Documentaries and Video Art / J.Noordegraaf -- Mediated Popular Histories in Slovenia: Shaping Memories of the Past/ M.Pu b( snik -- Impossible Histories: Violence, Identity, and Memory in Columbian Visual Arts / M.Cabrera.
Subject:	Arts and society. -
Online resource:	http://link.springer.com/10.1057/9780230239562access to fulltext (Palgrave)
ISBN:	0230239560

Technologies of memory in the arts
Technologies of memory in the arts[electronic resource] /edited by Liedeke Plate and Anneke Smelik. - Houndmills, Basingstoke ;Palgrave Macmillan,2009. - xii, 241 p. :ill. ;23 cm.

Includes bibliographical references and index.

Technologies of Memory in the Arts: An Introduction / L.Plate & A.Smelik -- Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory / M.Sturken -- Minimalism, Memory, and the Reflection of Absence/ W.Weijers -- The Virtuality of Time: Memory in Science Fiction Films /A.Smelik -- The Astonishing Return of Blake and Mortimer: Francophone Fantasies of Britain as Imperial Power and Retrospective Rewritings/ A.Miller -- Writing Back Together: The Hidden Memories of Rochester and Antoinette in Wide Sargasso Sea / N.Haliloglu -- Liquid Memories: Women's Rewriting in the Present / L.Plate -- The Matter and Meaning of Childhood through Objects/ E.Wood -- The Force of Recalling: Pain in Visual Arts / M.Zarzycka -- Photographs that Forget: Contemporary Recyclings ofthe Hitler-Hoffmann Oratory Poses/ F.Guerin -- Facing Forward with Found Footage: Displacing Colonial Footage in Documentaries and Video Art / J.Noordegraaf -- Mediated Popular Histories in Slovenia: Shaping Memories of the Past/ M.Pu b( snik -- Impossible Histories: Violence, Identity, and Memory in Columbian Visual Arts / M.Cabrera.

Technologies of Memory in the Arts covers the interdisciplinary field of Cultural Studies of Memory and Trauma from an international spectrum. It focuses on art and artistic practices as technologies of memory:paintings, souvenirs, science fiction films, memorials, novels, documentaries, comic strips, and toys. Exploring the varied ways in which artproduces and processes the past in global present, the book examines how art has a particular stake in the complex processes of cultural remembrance and amnesia. Memories are shaped by the social context in which they are produced, as well as by the material and technologicalmeans available to produce and reproduce, store, archive, and retrievethem. The essays in the volume explore technologies of memory in both traditional and newmedia. Focusing on the materiality of representation, they are especially concerned with the relation between the medium and the construction of cultural memory.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230239560Subjects--Topical Terms:

549580
Arts and society.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: NX180.S6 / T43 2009

Dewey Class. No.: 700.103

Technologies of memory in the arts
LDR:03212cmm 2200289 a 45 001 912314
003 OCoLC
005 20110114
006 m d
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008 231227s2009 enka sb 001 0 eng d
020 $a 0230239560
020 $a 9780230239562
035 $a (OCoLC)449912445
035 $a ocn449912445
035 $a 912314
040 $a UKPGM $b eng $c UKPGM $d EBLCP
049 $a APTA
050 1 4 $a NX180.S6 $b T43 2009
082 0 4 $a 700.103 $2 22
245 0 0 $a Technologies of memory in the arts $h [electronic resource] / $c edited by Liedeke Plate and Anneke Smelik.
260 $a Houndmills, Basingstoke ; $a New York : $c 2009. $b Palgrave Macmillan,
300 $a xii, 241 p. : $b ill. ; $c 23 cm.
504 $a Includes bibliographical references and index.
505 0 $a Technologies of Memory in the Arts: An Introduction / L.Plate & A.Smelik -- Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory / M.Sturken -- Minimalism, Memory, and the Reflection of Absence/ W.Weijers -- The Virtuality of Time: Memory in Science Fiction Films /A.Smelik -- The Astonishing Return of Blake and Mortimer: Francophone Fantasies of Britain as Imperial Power and Retrospective Rewritings/ A.Miller -- Writing Back Together: The Hidden Memories of Rochester and Antoinette in Wide Sargasso Sea / N.Haliloglu -- Liquid Memories: Women's Rewriting in the Present / L.Plate -- The Matter and Meaning of Childhood through Objects/ E.Wood -- The Force of Recalling: Pain in Visual Arts / M.Zarzycka -- Photographs that Forget: Contemporary Recyclings ofthe Hitler-Hoffmann Oratory Poses/ F.Guerin -- Facing Forward with Found Footage: Displacing Colonial Footage in Documentaries and Video Art / J.Noordegraaf -- Mediated Popular Histories in Slovenia: Shaping Memories of the Past/ M.Pu b( snik -- Impossible Histories: Violence, Identity, and Memory in Columbian Visual Arts / M.Cabrera.
520 $a Technologies of Memory in the Arts covers the interdisciplinary field of Cultural Studies of Memory and Trauma from an international spectrum. It focuses on art and artistic practices as technologies of memory:paintings, souvenirs, science fiction films, memorials, novels, documentaries, comic strips, and toys. Exploring the varied ways in which artproduces and processes the past in global present, the book examines how art has a particular stake in the complex processes of cultural remembrance and amnesia. Memories are shaped by the social context in which they are produced, as well as by the material and technologicalmeans available to produce and reproduce, store, archive, and retrievethem. The essays in the volume explore technologies of memory in both traditional and newmedia. Focusing on the materiality of representation, they are especially concerned with the relation between the medium and the construction of cultural memory.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Oct. 6, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Arts and society. $3 549580
650 0 $a Memory in art. $3 589476
650 0 $a Memory in literature. $3 571692
655 7 $a Electronic books. $2 lcsh $3 542853
700 1 $a Plate, Liedeke. $3 1100127
700 1 $a Smelik, Anneke. $3 721079
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230239562 $z access to fulltext (Palgrave)