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Rethinking the femme fatale in film ...

Grossman, Julie, (1962-)

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Rethinking the femme fatale in film noir = ready for her close-up /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Rethinking the femme fatale in film noir/ Julie Grossman.
Reminder of title:	ready for her close-up /
Author:	Grossman, Julie,
Published:	Basingstoke :Palgrave Macmillan, : c2009.,
Description:	xi, 176 p. :ill. ;23 cm.
[NT 15003449]:	Introduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? :desire, domesticity, and the "femme fatale" -- Psychological disordersand "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale".
Subject:	Femmes fatales in motion pictures. -
Online resource:	http://link.springer.com/10.1057/9780230274983access to fulltext (Palgrave)
ISBN:	0230274986

Rethinking the femme fatale in film noir = ready for her close-up /
Grossman, Julie,1962-

Rethinking the femme fatale in film noirready for her close-up /[electronic resource] :Julie Grossman. - Basingstoke :Palgrave Macmillan,c2009. - xi, 176 p. :ill. ;23 cm.

Introduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? :desire, domesticity, and the "femme fatale" -- Psychological disordersand "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale".

The 'femme fatale' figure in film noir has long served as a central defining feature of theserich and compelling films of the post-war American period. In Rethinking the Femme Fatale in Film Noir, Julie Grossman shows the extent to which the women often labelled as 'femmes fatales' are in fact sympathetic modern women, whose stories of strength, witand privation command fascination. This study undertakes to erode the category of the 'femme fatale' in favour of careful close readings of film noir and a larger consideration of the drawbacks of labelling womenas angels and 'femmes fatales', a perverse cultural inheritance from the Victorian era. Moreover, the book offers a case for reorienting attention in studies of film noir away from the narrow construction of the 'femme fatale' phantom and toward a more open receptivity to the vibrant women, the compelling female narrative, and the imagery sympathetic to both that, Grossman argues, are all commonly on offer in film noir.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230274986

Standard No.: 10.1057/9780230274983doiSubjects--Topical Terms:

715772
Femmes fatales in motion pictures.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9

Dewey Class. No.: 791.436522

Rethinking the femme fatale in film noir = ready for her close-up /
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100 1 $a Grossman, Julie, $d 1962- $3 1099144
245 1 0 $a Rethinking the femme fatale in film noir $h [electronic resource] : $b ready for her close-up / $c Julie Grossman.
260 $a Basingstoke : $c c2009. $b Palgrave Macmillan,
300 $a xi, 176 p. : $b ill. ; $c 23 cm.
505 0 $a Introduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? :desire, domesticity, and the "femme fatale" -- Psychological disordersand "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale".
520 $a The 'femme fatale' figure in film noir has long served as a central defining feature of theserich and compelling films of the post-war American period. In Rethinking the Femme Fatale in Film Noir, Julie Grossman shows the extent to which the women often labelled as 'femmes fatales' are in fact sympathetic modern women, whose stories of strength, witand privation command fascination. This study undertakes to erode the category of the 'femme fatale' in favour of careful close readings of film noir and a larger consideration of the drawbacks of labelling womenas angels and 'femmes fatales', a perverse cultural inheritance from the Victorian era. Moreover, the book offers a case for reorienting attention in studies of film noir away from the narrow construction of the 'femme fatale' phantom and toward a more open receptivity to the vibrant women, the compelling female narrative, and the imagery sympathetic to both that, Grossman argues, are all commonly on offer in film noir.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Apr. 12, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Femmes fatales in motion pictures. $3 715772
650 0 $a Film noir $x History and criticism. $3 803147
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230274983 $z access to fulltext (Palgrave)