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Ruskin, the theatre and Victorian vi...
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Ruskin, the theatre and Victorian visual culture
Record Type:
Electronic resources : Monograph/item
Title/Author:
Ruskin, the theatre and Victorian visual culture/ edited by Anselm Heinrich, Katherine Newey and Jeffrey Richards.
other author:
Heinrich, Anselm.
Published:
Basingstoke ;Palgrave Macmillan ; : 2009.,
Description:
xiii, 242 p. :ill. ;23 cm.
[NT 15003449]:
Introduction: The Victorian Stage and Visual Culture / K.Newey -- John Ruskin, Olympian Painters and the Amateur Stage / J.Richards -- Ruskin at the Savoy / T.Hilton -- Ruskinian Moral Authority and Theatre's Ideal Woman/ R.Dickinson -- Re-interpreting Ruskin and Browning's Dramatic 'Art-poems' / A.Leng -- Ruskin and the National Theatre / A.Heinrich -- The First Theatrical Pre-Raphaelite?Ruskin's Molèire/ A.Tate -- The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatre / J.Norwood -- Supernumeraries: decorating the late-Victorian stage with lots (& lots & lots) of live bodies/ D.Mayer -- 'A truer peepat Old Venice'. The Merchant of Venice on the Victorian stage / R.Foulkes -- The Photographic Portraiture of Henry Irving and Ellen Terry/ S.West -- 'Auntie, can you do that?' or 'Ibsen in Brixton': Representingthe Victorian Stage through Cartoon and Caricature / J.Davis.
Subject:
Theater and society - History - 19th century. - Great Britain -
Subject:
Great Britain - Social life and customs - 19th century. -
Online resource:
http://link.springer.com/10.1057/9780230236790access to fulltext (Palgrave)
ISBN:
0230236790
Ruskin, the theatre and Victorian visual culture
Ruskin, the theatre and Victorian visual culture
[electronic resource] /edited by Anselm Heinrich, Katherine Newey and Jeffrey Richards. - Basingstoke ;Palgrave Macmillan ;2009. - xiii, 242 p. :ill. ;23 cm.
Includes bibliographical references and index.
Introduction: The Victorian Stage and Visual Culture / K.Newey -- John Ruskin, Olympian Painters and the Amateur Stage / J.Richards -- Ruskin at the Savoy / T.Hilton -- Ruskinian Moral Authority and Theatre's Ideal Woman/ R.Dickinson -- Re-interpreting Ruskin and Browning's Dramatic 'Art-poems' / A.Leng -- Ruskin and the National Theatre / A.Heinrich -- The First Theatrical Pre-Raphaelite?Ruskin's Molèire/ A.Tate -- The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatre / J.Norwood -- Supernumeraries: decorating the late-Victorian stage with lots (& lots & lots) of live bodies/ D.Mayer -- 'A truer peepat Old Venice'. The Merchant of Venice on the Victorian stage / R.Foulkes -- The Photographic Portraiture of Henry Irving and Ellen Terry/ S.West -- 'Auntie, can you do that?' or 'Ibsen in Brixton': Representingthe Victorian Stage through Cartoon and Caricature / J.Davis.
This book brings together original research in theatre and the visual arts, around the commonobject of a revaluation of the intersections of the theatre and visual culture. Contributors are drawn from a stimulating mix of highly-esteemed and established scholars (such as Shearer West, Jim Davis, Richard Foulkes and David Mayer) and new scholars, bringing fresh research materials into the mix. The collection offers a set of essays around a theme of emerging interest in Victorian studies. There are few books focused on the theatre and the visual arts since Martin Meisel's Realizations. Since then, essay length pieces have been published by prominent theatre and art historians, several of whom are contributors to this work. The multi-author nature of this collection of essays allows abroader range of original material to be examined, and a number of critical approaches to be pursued. The collection is made coherent by the focus on John Ruskin's aesthetic and cultural theories, and their application to a re-evaluation of the popular theatre of the late nineteenth century. All contributors are working within a theoretical framework which challenges Modernist historiographical assumptions about a theatre in moral and aesthetic decline in this period.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 0230236790Subjects--Personal Names:
653712
Ruskin, John,
1819-1900.Subjects--Topical Terms:
1065562
Theater and society
--History--Great Britain--19th century.Subjects--Geographical Terms:
598575
Great Britain
--Social life and customs--19th century.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN2594 / .R86 2009
Dewey Class. No.: 792.094109034
Ruskin, the theatre and Victorian visual culture
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edited by Anselm Heinrich, Katherine Newey and Jeffrey Richards.
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2009.
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xiii, 242 p. :
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Includes bibliographical references and index.
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Introduction: The Victorian Stage and Visual Culture / K.Newey -- John Ruskin, Olympian Painters and the Amateur Stage / J.Richards -- Ruskin at the Savoy / T.Hilton -- Ruskinian Moral Authority and Theatre's Ideal Woman/ R.Dickinson -- Re-interpreting Ruskin and Browning's Dramatic 'Art-poems' / A.Leng -- Ruskin and the National Theatre / A.Heinrich -- The First Theatrical Pre-Raphaelite?Ruskin's Molèire/ A.Tate -- The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatre / J.Norwood -- Supernumeraries: decorating the late-Victorian stage with lots (& lots & lots) of live bodies/ D.Mayer -- 'A truer peepat Old Venice'. The Merchant of Venice on the Victorian stage / R.Foulkes -- The Photographic Portraiture of Henry Irving and Ellen Terry/ S.West -- 'Auntie, can you do that?' or 'Ibsen in Brixton': Representingthe Victorian Stage through Cartoon and Caricature / J.Davis.
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This book brings together original research in theatre and the visual arts, around the commonobject of a revaluation of the intersections of the theatre and visual culture. Contributors are drawn from a stimulating mix of highly-esteemed and established scholars (such as Shearer West, Jim Davis, Richard Foulkes and David Mayer) and new scholars, bringing fresh research materials into the mix. The collection offers a set of essays around a theme of emerging interest in Victorian studies. There are few books focused on the theatre and the visual arts since Martin Meisel's Realizations. Since then, essay length pieces have been published by prominent theatre and art historians, several of whom are contributors to this work. The multi-author nature of this collection of essays allows abroader range of original material to be examined, and a number of critical approaches to be pursued. The collection is made coherent by the focus on John Ruskin's aesthetic and cultural theories, and their application to a re-evaluation of the popular theatre of the late nineteenth century. All contributors are working within a theoretical framework which challenges Modernist historiographical assumptions about a theatre in moral and aesthetic decline in this period.
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2009.
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access to fulltext (Palgrave)
based on 0 review(s)
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