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Crafting the nation in colonial India
~
McGowan, Abigail.
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Crafting the nation in colonial India
Record Type:
Electronic resources : Monograph/item
Title/Author:
Crafting the nation in colonial India/ Abigail McGowan.
Author:
McGowan, Abigail.
Published:
New York, NY :Palgrave Macmillan, : 2009.,
Description:
xiii, 265 p. :ill. ;22 cm.
[NT 15003449]:
Demanding knowledge, documenting the body -- The culture of difference : from colonial knowledge to the problem with crafts -- Developing traditions : preservationist design and the independentartisan -- Modernizing artisanship : rationalization, efficiency and the cult of the craftsman -- Conclusion : the long life of difference : Gandhi and the politics of crafts after 1920.
Subject:
Cultural awareness - India. -
Subject:
India - History - British occupation, 1765-1947. -
Online resource:
http://link.springer.com/10.1057/9780230623231access to fulltext (Palgrave)
ISBN:
0230623239
Crafting the nation in colonial India
McGowan, Abigail.
Crafting the nation in colonial India
[electronic resource] /Abigail McGowan. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - xiii, 265 p. :ill. ;22 cm.
Includes bibliographical references and index.
Demanding knowledge, documenting the body -- The culture of difference : from colonial knowledge to the problem with crafts -- Developing traditions : preservationist design and the independentartisan -- Modernizing artisanship : rationalization, efficiency and the cult of the craftsman -- Conclusion : the long life of difference : Gandhi and the politics of crafts after 1920.
"Well before Gandhi popularized hand-spun, hand-woven cloth, Britishand Indian activists had made crafts central to plans for India's economic and cultural revival. Combining tradition and employment at a time of industrial transition, crafts appealed to both government officials and nationalist activists alike - even as they bemoaned artisansas conservative and backwards. That connection between development and cultural judgment was not incidental. Drawing on a wide range ofcraft development initiatives in western India between 1851 and 1922 -from art and industrial schoolsto model factories, pattern books, exhibitions, technical experiments, and cooperatives - McGowan argues thatcrafts came to political prominence through British and Indian negotiations over power: power over the lower classes, over the economy, and over the future of the country.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 0230623239
Standard No.: 10.1057/9780230623231doiSubjects--Topical Terms:
1098311
Cultural awareness
--India.Subjects--Geographical Terms:
558102
India
--History--British occupation, 1765-1947.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: NK1047 / .M38 2009
Dewey Class. No.: 306.4/70954
Crafting the nation in colonial India
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Abigail McGowan.
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1st ed.
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New York, NY :
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2009.
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Palgrave Macmillan,
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xiii, 265 p. :
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ill. ;
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22 cm.
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Includes bibliographical references and index.
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Demanding knowledge, documenting the body -- The culture of difference : from colonial knowledge to the problem with crafts -- Developing traditions : preservationist design and the independentartisan -- Modernizing artisanship : rationalization, efficiency and the cult of the craftsman -- Conclusion : the long life of difference : Gandhi and the politics of crafts after 1920.
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"Well before Gandhi popularized hand-spun, hand-woven cloth, Britishand Indian activists had made crafts central to plans for India's economic and cultural revival. Combining tradition and employment at a time of industrial transition, crafts appealed to both government officials and nationalist activists alike - even as they bemoaned artisansas conservative and backwards. That connection between development and cultural judgment was not incidental. Drawing on a wide range ofcraft development initiatives in western India between 1851 and 1922 -from art and industrial schoolsto model factories, pattern books, exhibitions, technical experiments, and cooperatives - McGowan argues thatcrafts came to political prominence through British and Indian negotiations over power: power over the lower classes, over the economy, and over the future of the country.
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Electronic reproduction.
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Basingstoke, England :
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Palgrave Macmillan,
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2010.
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Mode of access:World Wide Web.
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System requirements: Web browser.
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Title from title screen (viewed on Jan. 11, 2010).
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Access may be restricted to users at subscribing institutions.
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Cultural awareness
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India.
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1098311
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Decorative arts
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India.
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http://link.springer.com/10.1057/9780230623231
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access to fulltext (Palgrave)
based on 0 review(s)
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1 records • Pages 1 •
1
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Opac note
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W9094705
電子資源
11.線上閱覽_V
電子書
EB W9094705
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1 records • Pages 1 •
1
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