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English historical drama, 1500-1660 ...
~
Grant, Teresa, (1972-)
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English historical drama, 1500-1660 = forms outside the canon /
Record Type:
Electronic resources : Monograph/item
Title/Author:
English historical drama, 1500-1660/ edited by Teresa Grant and Barbara Ravelhofer.
Reminder of title:
forms outside the canon /
other author:
Grant, Teresa,
Published:
Basingstoke :Palgrave Macmillan, : 2008.,
Description:
x, 206 p.
Series:
Early modern literature in history
[NT 15003449]:
The early Tudor history play / Janette Dillon -- The reformation of history in John Bale's biblical dramas / Andrew W. Taylor -- Seneca andthe early Elizabethan history play/ Michael Ullyot --History in the making: the case of Samuel Rowley's when you see me you know me (1604/5) / Teresa Grant -- The stage historicizes the Turk: convention and contradiction in the Turkish history play/ Mark Hutchings -- News drama: the tragic subject of Charles I / Barbara Ravelhofer.
Subject:
English drama - History and criticism. - 17th century -
Online resource:
http://link.springer.com/10.1057/9780230593268access to fulltext (Palgrave)
ISBN:
0230593267
English historical drama, 1500-1660 = forms outside the canon /
English historical drama, 1500-1660
forms outside the canon /[electronic resource] :edited by Teresa Grant and Barbara Ravelhofer. - Basingstoke :Palgrave Macmillan,2008. - x, 206 p. - Early modern literature in history.
Includes bibliographical references and index.
The early Tudor history play / Janette Dillon -- The reformation of history in John Bale's biblical dramas / Andrew W. Taylor -- Seneca andthe early Elizabethan history play/ Michael Ullyot --History in the making: the case of Samuel Rowley's when you see me you know me (1604/5) / Teresa Grant -- The stage historicizes the Turk: convention and contradiction in the Turkish history play/ Mark Hutchings -- News drama: the tragic subject of Charles I / Barbara Ravelhofer.
Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, thiscollection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats outside the canon of 1590s history cycles. The introduction provides a survey of current criticism, including both early modern and contemporary definitions of the 'history play'. Individual essays in chronological order discuss a widevariety of possible sources for historical drama, ranging from oral traditions to chronicles. They explore genres which think of 'history' indifferent ways, such as shows, moralities and closet drama.Finally, the book investigates the way sources are turned into script and performance, and the way playwrights spin history-in-performance, establishingexciting alternative paradigms of early historical drama.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 0230593267
Standard No.: 10.1057/9780230593268doiSubjects--Topical Terms:
592975
English drama
--History and criticism.--17th centuryIndex Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PR635.H5 / E54 2008eb
Dewey Class. No.: 822.051409031
English historical drama, 1500-1660 = forms outside the canon /
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edited by Teresa Grant and Barbara Ravelhofer.
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2008.
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Includes bibliographical references and index.
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The early Tudor history play / Janette Dillon -- The reformation of history in John Bale's biblical dramas / Andrew W. Taylor -- Seneca andthe early Elizabethan history play/ Michael Ullyot --History in the making: the case of Samuel Rowley's when you see me you know me (1604/5) / Teresa Grant -- The stage historicizes the Turk: convention and contradiction in the Turkish history play/ Mark Hutchings -- News drama: the tragic subject of Charles I / Barbara Ravelhofer.
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Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, thiscollection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats outside the canon of 1590s history cycles. The introduction provides a survey of current criticism, including both early modern and contemporary definitions of the 'history play'. Individual essays in chronological order discuss a widevariety of possible sources for historical drama, ranging from oral traditions to chronicles. They explore genres which think of 'history' indifferent ways, such as shows, moralities and closet drama.Finally, the book investigates the way sources are turned into script and performance, and the way playwrights spin history-in-performance, establishingexciting alternative paradigms of early historical drama.
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http://link.springer.com/10.1057/9780230593268
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access to fulltext (Palgrave)
based on 0 review(s)
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W9089131
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EB W9089131
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