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Modular narratives in contemporary c...

Cameron, Allan, (1973-)

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Modular narratives in contemporary cinema

Record Type:	Electronic resources : Monograph/item
Title/Author:	Modular narratives in contemporary cinema/ Allan Cameron.
Author:	Cameron, Allan,
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2008.,
Description:	ix, 211 p. :ill.
[NT 15003449]:	Modular narratives in contemporary cinema -- The shape of narrative time : subjective, schismatic and modular -- Projecting the future : order, chaos and modularity -- Navigating memory : temporal anchoring andthe modular subject -- Articulating history : archival aesthetics and the national narrative -- Deciphering the present : simultaneity, succession and mediation -- Coda : playing games with cinema.
Subject:	Motion pictures and literature. -
Online resource:	http://link.springer.com/10.1057/9780230594197access to fulltext (Palgrave)
ISBN:	0230594190

Modular narratives in contemporary cinema
Cameron, Allan,1973-

Modular narratives in contemporary cinema[electronic resource] /Allan Cameron. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 211 p. :ill.

Includes bibliographical references (p. 185-205) and index.

Modular narratives in contemporary cinema -- The shape of narrative time : subjective, schismatic and modular -- Projecting the future : order, chaos and modularity -- Navigating memory : temporal anchoring andthe modular subject -- Articulating history : archival aesthetics and the national narrative -- Deciphering the present : simultaneity, succession and mediation -- Coda : playing games with cinema.

Since the early 1990s there has been a trend towards narrative complexity within popular cinema, as evidenced by the successes of such films as Pulp Fiction, Memento and Run Lola Run. Modular Narratives in Contemporary Cinema looks at the way a number of these films play with timeand narrative. Allan Cameron shows how this formal play reflects a persistent fascination with questions of chance and destiny, memory and history, and the representation of simultaneous events. Collectively, modular narratives represent encounters between linearity and non-linearity, narrative and database, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. Ultimately, they stage the crisis and redemption of time, exploring the relationships among past, present and future in the context of contemporary media and database aesthetics.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230594190

Standard No.: 10.1057/9780230594197doiSubjects--Topical Terms:

611073
Motion pictures and literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.3 / .C36 2008eb

Dewey Class. No.: 791.43/6

Modular narratives in contemporary cinema
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245 1 0 $a Modular narratives in contemporary cinema $h [electronic resource] / $c Allan Cameron.
260 $a Basingstoke [England] ; $a New York : $c 2008. $b Palgrave Macmillan,
300 $a ix, 211 p. : $b ill.
504 $a Includes bibliographical references (p. 185-205) and index.
505 0 $a Modular narratives in contemporary cinema -- The shape of narrative time : subjective, schismatic and modular -- Projecting the future : order, chaos and modularity -- Navigating memory : temporal anchoring andthe modular subject -- Articulating history : archival aesthetics and the national narrative -- Deciphering the present : simultaneity, succession and mediation -- Coda : playing games with cinema.
520 $a Since the early 1990s there has been a trend towards narrative complexity within popular cinema, as evidenced by the successes of such films as Pulp Fiction, Memento and Run Lola Run. Modular Narratives in Contemporary Cinema looks at the way a number of these films play with timeand narrative. Allan Cameron shows how this formal play reflects a persistent fascination with questions of chance and destiny, memory and history, and the representation of simultaneous events. Collectively, modular narratives represent encounters between linearity and non-linearity, narrative and database, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. Ultimately, they stage the crisis and redemption of time, exploring the relationships among past, present and future in the context of contemporary media and database aesthetics.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Motion pictures and literature. $3 611073
650 0 $a Narration (Rhetoric) $3 525025
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230594197 $z access to fulltext (Palgrave)