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Popular feminist fiction as American...

Elliott, Jane, (1969-)

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Popular feminist fiction as American allegory = representing national time /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Popular feminist fiction as American allegory/ Jane Elliott.
Reminder of title:	representing national time /
Author:	Elliott, Jane,
Published:	New York :Palgrave Macmillan, : 2008.,
Description:	ix, 225 p.
[NT 15003449]:	The problem of static time : totalization, the end of history, and the end of the 1960s -- Heir apparent : legacies of the 1960s in The women's room and Vida -- Dead-end job : The Stepford wives, domestic labor, and the end of history -- Promiscuous times : Rubyfruit jungle, Fear of flying, and the desire for the event -- Alice Walker's hindsight : Meridian, The color purple, and the production of prolepsis -- My mother, myself : sentiment and the transcendence of time in The Joy Luck Cluband The divine secrets of the Ya-Ya Sisterhood -- Coda : hurried womantales.
Subject:	American fiction - Women authors -
Subject:	United States - Civilization - 1970- -
Online resource:	http://link.springer.com/10.1057/9780230612808access to fulltext (Palgrave)
ISBN:	0230612806

Popular feminist fiction as American allegory = representing national time /
Elliott, Jane,1969-

Popular feminist fiction as American allegoryrepresenting national time /[electronic resource]:Jane Elliott. - 1st ed. - New York :Palgrave Macmillan,2008. - ix, 225 p.

Includes bibliographical references (p. [199]-217) and index.

The problem of static time : totalization, the end of history, and the end of the 1960s -- Heir apparent : legacies of the 1960s in The women's room and Vida -- Dead-end job : The Stepford wives, domestic labor, and the end of history -- Promiscuous times : Rubyfruit jungle, Fear of flying, and the desire for the event -- Alice Walker's hindsight : Meridian, The color purple, and the production of prolepsis -- My mother, myself : sentiment and the transcendence of time in The Joy Luck Cluband The divine secrets of the Ya-Ya Sisterhood -- Coda : hurried womantales.

Offering a strikingly original treatment of feminist literature, Popular Feminist Fiction as American Allegory argues that feminist novels served as a means of narrating and negotiating the perceived decline ofAmerican progress after the 1960s. Elliott analyzes popular tropes ranging from thewhite middle class housewife trapped in endless domestic labor to the woman of color haunted by a traumatic past--exploring the way in which feminist narratives represented women as unable to access positive futures. In a powerful new reading of temporality in contemporary fiction, Elliott posits that feminism's image of women trapped in time operated as a potent allegory for the apparent breakdown of futurity in postmodernity.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230612806

Standard No.: 10.1057/9780230612808doiSubjects--Topical Terms:

584212
American fiction
--Women authorsSubjects--Geographical Terms:

547518
United States
--Civilization--1970-Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS374.F45 / E45 2008eb

Dewey Class. No.: 813/.54093522

Popular feminist fiction as American allegory = representing national time /
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100 1 $a Elliott, Jane, $d 1969- $3 1082764
245 1 0 $a Popular feminist fiction as American allegory $h [electronic resource]: $b representing national time / $c Jane Elliott.
250 $a 1st ed.
260 $a New York : $c 2008. $b Palgrave Macmillan,
300 $a ix, 225 p.
504 $a Includes bibliographical references (p. [199]-217) and index.
505 0 $a The problem of static time : totalization, the end of history, and the end of the 1960s -- Heir apparent : legacies of the 1960s in The women's room and Vida -- Dead-end job : The Stepford wives, domestic labor, and the end of history -- Promiscuous times : Rubyfruit jungle, Fear of flying, and the desire for the event -- Alice Walker's hindsight : Meridian, The color purple, and the production of prolepsis -- My mother, myself : sentiment and the transcendence of time in The Joy Luck Cluband The divine secrets of the Ya-Ya Sisterhood -- Coda : hurried womantales.
520 $a Offering a strikingly original treatment of feminist literature, Popular Feminist Fiction as American Allegory argues that feminist novels served as a means of narrating and negotiating the perceived decline ofAmerican progress after the 1960s. Elliott analyzes popular tropes ranging from thewhite middle class housewife trapped in endless domestic labor to the woman of color haunted by a traumatic past--exploring the way in which feminist narratives represented women as unable to access positive futures. In a powerful new reading of temporality in contemporary fiction, Elliott posits that feminism's image of women trapped in time operated as a potent allegory for the apparent breakdown of futurity in postmodernity.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a American fiction $x Women authors $x History and criticism. $3 584212
650 0 $a American fiction $y 20th century $x History and criticism. $3 541495
650 0 $a Feminism and literature $z United States. $3 549641
650 0 $a Feminist fiction, American $x History and criticism. $3 739404
651 0 $a United States $x Civilization $y 1970- $3 547518
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230612808 $z access to fulltext (Palgrave)