東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Rock music in performance

Pattie, David, (1963-)

Linked to FindBook

Google Book

Amazon

博客來

Rock music in performance

Record Type:	Electronic resources : Monograph/item
Title/Author:	Rock music in performance/ David Pattie.
Author:	Pattie, David,
Published:	Basingstoke, Hampshire [England] ;Palgrave Macmillan, : 2007.,
Description:	viii, 188 p.
[NT 15003449]:	PART 1: PERFORMANCE AND THE PRACTICE OF AUTHENTICITY -- 4:Real: Performance and Authenticity -- Performance and Mediation: Performance, Space and Technology -- Performance, Gender and Rock Music -- PART 2: PERFORMANCE, AUTHENTICITY AND HISTORY -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 21st Century.
Subject:	Rock concerts. -
Online resource:	http://link.springer.com/10.1057/9780230593305access to fulltext (Palgrave)
ISBN:	0230593305

Rock music in performance
Pattie, David,1963-

Rock music in performance[electronic resource] /David Pattie. - Basingstoke, Hampshire [England] ;Palgrave Macmillan,2007. - viii, 188 p.

Includes bibliographical references (p. 172-176), filmography (p. 177-179), web resources (p.180), and index.

PART 1: PERFORMANCE AND THE PRACTICE OF AUTHENTICITY -- 4:Real: Performance and Authenticity -- Performance and Mediation: Performance, Space and Technology -- Performance, Gender and Rock Music -- PART 2: PERFORMANCE, AUTHENTICITY AND HISTORY -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 21st Century.

Rock Music in Performance examines an apparent contradiction which is central to the performance of rock music. Rock musicians are supposedto be real - their music is a reflection, either of their essential selves, or of the true history of the genre they represent. At the same time, musicians have to put on a show, with all the associations that term brings with it - of theatricality, of commercialized entertainment. David Pattie looks at the way in which various performers have dealt with this paradox, from the time that Rock music developed in the late 1960s to the present day. He argues that this paradox is in fact central to the way in which Rock music in performance has developed; and that it continues to shape the way in which both bands and audiences engage with the live event.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230593305

Standard No.: 10.1057/9780230593305doiSubjects--Topical Terms:

932018
Rock concerts.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: ML3534 / .P3697 2007eb

Dewey Class. No.: 781.66143

Rock music in performance
LDR:02305cmm 2200301 a 45 001 903130
003 OCoLC
005 20101207
006 m d
007 cr nn muauu
008 231227s2007 enk sbq 001 0 eng d
020 $a 0230593305
020 $a 9780230593305
024 7 $a 10.1057/9780230593305 $2 doi
035 $a Palgrave
035 $a 903130
040 $a UKPGM $b eng $c UKPGM $d IDEBK
041 0 $a eng
049 $a APTA
050 1 4 $a ML3534 $b .P3697 2007eb
082 0 4 $a 781.66143 $2 22
100 1 $a Pattie, David, $d 1963- $3 1082235
245 1 0 $a Rock music in performance $h [electronic resource] / $c David Pattie.
260 $a Basingstoke, Hampshire [England] ; $a New York : $c 2007. $b Palgrave Macmillan,
300 $a viii, 188 p.
504 $a Includes bibliographical references (p. 172-176), filmography (p. 177-179), web resources (p.180), and index.
505 0 $a PART 1: PERFORMANCE AND THE PRACTICE OF AUTHENTICITY -- 4:Real: Performance and Authenticity -- Performance and Mediation: Performance, Space and Technology -- Performance, Gender and Rock Music -- PART 2: PERFORMANCE, AUTHENTICITY AND HISTORY -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 21st Century.
520 $a Rock Music in Performance examines an apparent contradiction which is central to the performance of rock music. Rock musicians are supposedto be real - their music is a reflection, either of their essential selves, or of the true history of the genre they represent. At the same time, musicians have to put on a show, with all the associations that term brings with it - of theatricality, of commercialized entertainment. David Pattie looks at the way in which various performers have dealt with this paradox, from the time that Rock music developed in the late 1960s to the present day. He argues that this paradox is in fact central to the way in which Rock music in performance has developed; and that it continues to shape the way in which both bands and audiences engage with the live event.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Rock concerts. $3 932018
650 0 $a Rock music $x History and criticism. $3 629249
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230593305 $z access to fulltext (Palgrave)