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Directing the story = professional storytelling and storyboarding techniques for live action and animation /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Directing the story/ Francis Glebas.
Reminder of title:	professional storytelling and storyboarding techniques for live action and animation /
Author:	Glebas, Francis.
Published:	Amsterdam ;Elsevier/Focal Press, : c2009.,
Description:	xi, 346 p. :col. ill. ;22x28 cm.
[NT 15003449]:	PART ONE -- INTRODUCTION: -- The Goal -- Audiences watch movies and animations to be entertained through an emotionally satisfying and meaningful experience. This book shows how to entertain, by structuring the elements of film thematically. You can work with images, words and sounds. -- THE PROBLEM -- Beginners work is often boring and confusing- unemotional. -- What do directors direct? Attention -clearly and dramatically to tell an emotional story. -- THE BEGINNING BASICS -- History and uses of storyboarding -- How to tell a story using images. -- How to storyboard a scene -- How to draw for storyboarding -- PART TWO -- STRUCTURAL TACTICS TO REACH THE GOAL -- How direct attention -- How to direct the eye -- How to use images -- How to convey and suggest meaning -- Aiming for the heart. Emotional response -- SUMMARY -- Chart and recapitulation of all of the concepts -- ANALYSIS AND EVOLUTION OF THE SCHEHERAZADE PROJECT -- SCHEHERAZADE and her story will be woven through out, demonstrating 'HOW TO' for each of the concepts being discussed. --.
Subject:	Motion pictures - Production and direction. -
Online resource:	http://www.sciencedirect.com/science/book/9780240810768An electronic book accessible through the World Wide Web; click for information
Online resource:	http://www.loc.gov/catdir/toc/ecip0821/2008026270.html
ISBN:	0240810767

Directing the story = professional storytelling and storyboarding techniques for live action and animation /
Glebas, Francis.

Directing the storyprofessional storytelling and storyboarding techniques for live action and animation /[electronic resource] :Francis Glebas. - Amsterdam ;Elsevier/Focal Press,c2009. - xi, 346 p. :col. ill. ;22x28 cm.

Includes bibliographical references and index.

PART ONE -- INTRODUCTION: -- The Goal -- Audiences watch movies and animations to be entertained through an emotionally satisfying and meaningful experience. This book shows how to entertain, by structuring the elements of film thematically. You can work with images, words and sounds. -- THE PROBLEM -- Beginners work is often boring and confusing- unemotional. -- What do directors direct? Attention -clearly and dramatically to tell an emotional story. -- THE BEGINNING BASICS -- History and uses of storyboarding -- How to tell a story using images. -- How to storyboard a scene -- How to draw for storyboarding -- PART TWO -- STRUCTURAL TACTICS TO REACH THE GOAL -- How direct attention -- How to direct the eye -- How to use images -- How to convey and suggest meaning -- Aiming for the heart. Emotional response -- SUMMARY -- Chart and recapitulation of all of the concepts -- ANALYSIS AND EVOLUTION OF THE SCHEHERAZADE PROJECT -- SCHEHERAZADE and her story will be woven through out, demonstrating 'HOW TO' for each of the concepts being discussed. --.

Francis Glebas, a top Disney storyboard artist, teaches artists a structural approach to clearly and dramatically presenting visual stories. They will learn classic visual storytelling techniques such as conveying meaning with images and directing the viewer's eye. Glebas also teaches how to spot potential problems before they cost time and money, and he offers creative solutions on how to solve them. * Uses the classic story of '1001 Arabian Nights' to show how to storyboard stories that will engage an audience's attention and emotions. * With 1001 drawings in graphic novel format plus teaching concepts and commentary. * All of the storyboarding examples have a real project context rather to engage a very visual audience on their own terms and teaches through demonstration.

Electronic reproduction.
Amsterdam :
Elsevier Science & Technology,
2010.

Mode of access: World Wide Web.

ISBN: 0240810767

Source: 153325:153483Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

546521
Motion pictures
--Production and direction.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.P7 / G448 2009

Dewey Class. No.: 791.4302/3

Directing the story = professional storytelling and storyboarding techniques for live action and animation /
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005 20101126
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020 $a 0240810767
020 $a 9780240810768
035 $a (OCoLC)499051654
035 $a ocn499051654
037 $a 153325:153483 $b Elsevier Science & Technology $n http://www.sciencedirect.com
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050 1 4 $a PN1995.9.P7 $b G448 2009
082 0 4 $a 791.4302/3 $2 22
100 1 $a Glebas, Francis. $3 972825
245 1 0 $a Directing the story $h [electronic resource] : $b professional storytelling and storyboarding techniques for live action and animation / $c Francis Glebas.
260 $a Amsterdam ; $a Boston : $c c2009. $b Elsevier/Focal Press,
300 $a xi, 346 p. : $b col. ill. ; $c 22x28 cm.
504 $a Includes bibliographical references and index.
505 0 $a PART ONE -- INTRODUCTION: -- The Goal -- Audiences watch movies and animations to be entertained through an emotionally satisfying and meaningful experience. This book shows how to entertain, by structuring the elements of film thematically. You can work with images, words and sounds. -- THE PROBLEM -- Beginners work is often boring and confusing- unemotional. -- What do directors direct? Attention -clearly and dramatically to tell an emotional story. -- THE BEGINNING BASICS -- History and uses of storyboarding -- How to tell a story using images. -- How to storyboard a scene -- How to draw for storyboarding -- PART TWO -- STRUCTURAL TACTICS TO REACH THE GOAL -- How direct attention -- How to direct the eye -- How to use images -- How to convey and suggest meaning -- Aiming for the heart. Emotional response -- SUMMARY -- Chart and recapitulation of all of the concepts -- ANALYSIS AND EVOLUTION OF THE SCHEHERAZADE PROJECT -- SCHEHERAZADE and her story will be woven through out, demonstrating 'HOW TO' for each of the concepts being discussed. --.
520 $a Francis Glebas, a top Disney storyboard artist, teaches artists a structural approach to clearly and dramatically presenting visual stories. They will learn classic visual storytelling techniques such as conveying meaning with images and directing the viewer's eye. Glebas also teaches how to spot potential problems before they cost time and money, and he offers creative solutions on how to solve them. * Uses the classic story of '1001 Arabian Nights' to show how to storyboard stories that will engage an audience's attention and emotions. * With 1001 drawings in graphic novel format plus teaching concepts and commentary. * All of the storyboarding examples have a real project context rather to engage a very visual audience on their own terms and teaches through demonstration.
533 $a Electronic reproduction. $b Amsterdam : $c Elsevier Science & Technology, $d 2010. $n Mode of access: World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Jan. 14, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Motion pictures $x Production and direction. $3 546521
650 0 $a Storyboards. $3 620638
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a ScienceDirect (Online service) $3 848416
856 4 0 $3 ScienceDirect $u http://www.sciencedirect.com/science/book/9780240810768 $z An electronic book accessible through the World Wide Web; click for information
856 4 1 $3 Table of contents only $u http://www.loc.gov/catdir/toc/ecip0821/2008026270.html
994 $a C0 $b TEF