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Archival storytelling = a filmmaker'...

Rabin, Kenn.

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Archival storytelling = a filmmaker's guide to finding, using, and licensing third-party visuals and music /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Archival storytelling/ Sheila Curran Bernard, Kenn Rabin.
Reminder of title:	a filmmaker's guide to finding, using, and licensing third-party visuals and music /
Author:	Bernard, Sheila Curran.
other author:	Rabin, Kenn.
Published:	Amsterdam ;Focal Press, : c2009.,
Description:	ix, 326 p. :ill. ;23 cm.
[NT 15003449]:	1 Introduction; PART I FINDING IT; 2 What are archival materials?; 3 Finding what you need; 4 Should you hire a professional?; 5 A global perspective: Conversations with researchers in Moscow, Sydney, Toronto, and Washington; PART II USING IT; 6 Practical considerations; 7 Ordering what you need; 8 Creative considerations; 9 An ongoing process: A conversation with Geoffrey C. Ward; 10 Ethical considerations: A roundtable; PART III LICENSING IT; 11 Introduction to rights and licenses; 12 The public domain; 13 Getting theings right: A conversation with Lawrence Lessig; 14 Fair use; 15 Fair dealing, moral rights, and more: A conversation with Hubert Best; 16 Licensing visuals; 17 Licensing music; 18 Legal considerations: A roundtable; 19 Afterword; PART IV ADDITIONAL MATERIALS; Sources and Notes; Books and Films; About the authors; Index.
Subject:	Archival materials. -
Online resource:	http://www.sciencedirect.com/science/book/9780240809731An electronic book accessible through the World Wide Web; click for information
Online resource:	http://www.loc.gov/catdir/toc/ecip0816/2008017431.html
ISBN:	0240809734

Archival storytelling = a filmmaker's guide to finding, using, and licensing third-party visuals and music /
Bernard, Sheila Curran.

Archival storytellinga filmmaker's guide to finding, using, and licensing third-party visuals and music /[electronic resource] :Sheila Curran Bernard, Kenn Rabin. - Amsterdam ;Focal Press,c2009. - ix, 326 p. :ill. ;23 cm.

Includes bibliographical references (p. 309-315) and index.

1 Introduction; PART I FINDING IT; 2 What are archival materials?; 3 Finding what you need; 4 Should you hire a professional?; 5 A global perspective: Conversations with researchers in Moscow, Sydney, Toronto, and Washington; PART II USING IT; 6 Practical considerations; 7 Ordering what you need; 8 Creative considerations; 9 An ongoing process: A conversation with Geoffrey C. Ward; 10 Ethical considerations: A roundtable; PART III LICENSING IT; 11 Introduction to rights and licenses; 12 The public domain; 13 Getting theings right: A conversation with Lawrence Lessig; 14 Fair use; 15 Fair dealing, moral rights, and more: A conversation with Hubert Best; 16 Licensing visuals; 17 Licensing music; 18 Legal considerations: A roundtable; 19 Afterword; PART IV ADDITIONAL MATERIALS; Sources and Notes; Books and Films; About the authors; Index.

Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do �vri�t producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement? Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them. Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others. * Nearly all filmmakers, at some point in their careers, will want to use third-party materials, or will be asked to license their own work to someone else. This book will show you how to do it (and stay on-time and within budget) * This book, by clarifying and defining such terms as fair use, copyright, intellectual property, and Creative Commons, can better prepare media makers to not only protect their own creative rights but to understand and respect those of others. * Additional resources are available on the authors' website: http://www.archivalstorytelling.com.

Electronic reproduction.
Amsterdam :
Elsevier Science & Technology,
2010.

Mode of access: World Wide Web.

ISBN: 0240809734

Source: 141023:141165Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

1067933
Archival materials.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.D6 / B393 2009

Dewey Class. No.: 070.1/8

Archival storytelling = a filmmaker's guide to finding, using, and licensing third-party visuals and music /
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245 1 0 $a Archival storytelling $h [electronic resource] : $b a filmmaker's guide to finding, using, and licensing third-party visuals and music / $c Sheila Curran Bernard, Kenn Rabin.
260 $a Amsterdam ; $a Boston : $c c2009. $b Focal Press,
300 $a ix, 326 p. : $b ill. ; $c 23 cm.
504 $a Includes bibliographical references (p. 309-315) and index.
505 0 $a 1 Introduction; PART I FINDING IT; 2 What are archival materials?; 3 Finding what you need; 4 Should you hire a professional?; 5 A global perspective: Conversations with researchers in Moscow, Sydney, Toronto, and Washington; PART II USING IT; 6 Practical considerations; 7 Ordering what you need; 8 Creative considerations; 9 An ongoing process: A conversation with Geoffrey C. Ward; 10 Ethical considerations: A roundtable; PART III LICENSING IT; 11 Introduction to rights and licenses; 12 The public domain; 13 Getting theings right: A conversation with Lawrence Lessig; 14 Fair use; 15 Fair dealing, moral rights, and more: A conversation with Hubert Best; 16 Licensing visuals; 17 Licensing music; 18 Legal considerations: A roundtable; 19 Afterword; PART IV ADDITIONAL MATERIALS; Sources and Notes; Books and Films; About the authors; Index.
520 $a Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do �vri�t producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement? Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them. Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others. * Nearly all filmmakers, at some point in their careers, will want to use third-party materials, or will be asked to license their own work to someone else. This book will show you how to do it (and stay on-time and within budget) * This book, by clarifying and defining such terms as fair use, copyright, intellectual property, and Creative Commons, can better prepare media makers to not only protect their own creative rights but to understand and respect those of others. * Additional resources are available on the authors' website: http://www.archivalstorytelling.com.
533 $a Electronic reproduction. $b Amsterdam : $c Elsevier Science & Technology, $d 2010. $n Mode of access: World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Jan. 14, 2010). $n Access may be restricted to users at subscribing institutions.
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650 0 $a Documentary films $x Production and direction. $3 605364
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