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Visual cultural identity in South Te...

The University of Texas - Pan American.

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Visual cultural identity in South Texas art and design.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Visual cultural identity in South Texas art and design./
Author:	Gonzalez de Martinez, Mirla.
Description:	47 p.
Notes:	Adviser: Richard Phillips.
Contained By:	Masters Abstracts International47-06.
Subject:	Design and Decorative Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1468399
ISBN:	9781109265170

Visual cultural identity in South Texas art and design.
Gonzalez de Martinez, Mirla.

Visual cultural identity in South Texas art and design. - 47 p.

Adviser: Richard Phillips.

Thesis (M.F.A.)--The University of Texas - Pan American, 2009.

Transculturation as the key element in the search for autochthonous visual richness and profundity is the theme for my investigation. In the process, numerous questions arise for the need for authentic cultural expression but also ownership of cultural, social identities. I selected the Rio Grande Valley region having little knowledge of conflicts that surround this border and its territories. I also explored the social and cultural histories that included art making and architectural and graphic design. The transfer of cultural imprints, sometimes accepted but often rejected or unknown, forms the basis of this inquiry. My intent resides in a respect for this culture in general, and for retrieving the cultural values in visual terms that can be conserved and further explored in the field of object-oriented design. This formal investigation would include the appropriation of found artifacts from Texas to the Northern territories of Mexico, integrated in textiles as a means to broaden the collective audience for marketing these ancient forms to a widespread and functional network. Objects elaborated with the design referents of this region would provide content and identity in the marketplace, preserving the imperishable validity of these formal expressions in their appropriate cultural context. An appropriate design paradigm for this local region known as the Rio Grande Valley would demonstrate the ability to produce objects that would be immersed in a discourse with the harmony of this cultural entity characterized by the dynamic nature of its transculturation phenomena between distinct ethnic groups.

ISBN: 9781109265170Subjects--Topical Terms:

1020245
Design and Decorative Arts.

Visual cultural identity in South Texas art and design.
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245 1 0 $a Visual cultural identity in South Texas art and design.
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500 $a Source: Masters Abstracts International, Volume: 47-06, page: .
502 $a Thesis (M.F.A.)--The University of Texas - Pan American, 2009.
520 $a Transculturation as the key element in the search for autochthonous visual richness and profundity is the theme for my investigation. In the process, numerous questions arise for the need for authentic cultural expression but also ownership of cultural, social identities. I selected the Rio Grande Valley region having little knowledge of conflicts that surround this border and its territories. I also explored the social and cultural histories that included art making and architectural and graphic design. The transfer of cultural imprints, sometimes accepted but often rejected or unknown, forms the basis of this inquiry. My intent resides in a respect for this culture in general, and for retrieving the cultural values in visual terms that can be conserved and further explored in the field of object-oriented design. This formal investigation would include the appropriation of found artifacts from Texas to the Northern territories of Mexico, integrated in textiles as a means to broaden the collective audience for marketing these ancient forms to a widespread and functional network. Objects elaborated with the design referents of this region would provide content and identity in the marketplace, preserving the imperishable validity of these formal expressions in their appropriate cultural context. An appropriate design paradigm for this local region known as the Rio Grande Valley would demonstrate the ability to produce objects that would be immersed in a discourse with the harmony of this cultural entity characterized by the dynamic nature of its transculturation phenomena between distinct ethnic groups.
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