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The tension between art and industry...

University of Delaware., Department of History.

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The tension between art and industry: The Art-In-Trades Club of New York, 1906--1935.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The tension between art and industry: The Art-In-Trades Club of New York, 1906--1935./
Author:	Edmonson, Patricia K.
Description:	121 p.
Notes:	Adviser: Linda Eaton.
Contained By:	Masters Abstracts International47-02.
Subject:	American Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1457164
ISBN:	9780549755395

The tension between art and industry: The Art-In-Trades Club of New York, 1906--1935.
Edmonson, Patricia K.

The tension between art and industry: The Art-In-Trades Club of New York, 1906--1935. - 121 p.

Adviser: Linda Eaton.

Thesis (M.A.)--University of Delaware, 2008.

The Art-In-Trades Club of New York was comprised of craftsmen, designers, decorators, and businessmen associated with the industrial arts and related fields. After a successful lecture series on color and design, organized in 1902 with Frank Alvah Parsons, William Sloane Coffin founded the AITC in 1906 on the principles of combining art and industry. The club had close relationships with both the home furnishings manufacturing firms their members represented and the Metropolitan Museum of Art, whose staff and resources in part made their existence possible.

ISBN: 9780549755395Subjects--Topical Terms:

1017604
American Studies.

The tension between art and industry: The Art-In-Trades Club of New York, 1906--1935.
LDR:02312nmm 2200337 a 45 001 868870
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020 $a 9780549755395
035 $a (UMI)AAI1457164
035 $a AAI1457164
040 $a UMI $c UMI
100 1 $a Edmonson, Patricia K. $3 1038027
245 1 4 $a The tension between art and industry: The Art-In-Trades Club of New York, 1906--1935.
300 $a 121 p.
500 $a Adviser: Linda Eaton.
500 $a Source: Masters Abstracts International, Volume: 47-02, page: 0731.
502 $a Thesis (M.A.)--University of Delaware, 2008.
520 $a The Art-In-Trades Club of New York was comprised of craftsmen, designers, decorators, and businessmen associated with the industrial arts and related fields. After a successful lecture series on color and design, organized in 1902 with Frank Alvah Parsons, William Sloane Coffin founded the AITC in 1906 on the principles of combining art and industry. The club had close relationships with both the home furnishings manufacturing firms their members represented and the Metropolitan Museum of Art, whose staff and resources in part made their existence possible.
520 $a Headed by Harry Wearne during the 1920s, they organized an annual exhibition held at the Waldorf-Astoria Hotel. The exhibitions, which occurred annually from 1922-1924, and in 1926, gradually began to showcase "original" designs influenced by the Paris Exposition of 1925 alongside revival design. This thesis will provide a history of the organization, explore its design philosophies, examine the works produced for the club's exhibitions, and place the organization within an American design context. The Art-In-Trades Club of New York and their exhibitions provide an excellent opportunity to discuss the changing concepts of Modernism - both during the period and in scholarship today.
590 $a School code: 0060.
650 4 $a American Studies. $3 1017604
650 4 $a Art History. $3 635474
650 4 $a Design and Decorative Arts. $3 1024640
690 $a 0323
690 $a 0377
690 $a 0389
710 2 0 $a University of Delaware. $b Department of History. $3 1037294
773 0 $t Masters Abstracts International $g 47-02.
790 $a 0060
790 1 0 $a Apple, Thomas M. $e committee member
790 1 0 $a Eaton, Linda, $e advisor
790 1 0 $a Garrison, J. Ritchie $e committee member
790 1 0 $a Thoroughgood, Carolyn A. $e committee member
791 $a M.A.
792 $a 2008
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1457164