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Negativity, transition and crossing:...

University of Michigan.

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Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire./
Author:	Pon, Cynthia.
Description:	143 p.
Notes:	Chair: Timothy Bahti.
Contained By:	Dissertation Abstracts International56-01A.
Subject:	Literature, Comparative. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9513457

Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire.
Pon, Cynthia.

Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire. - 143 p.

Chair: Timothy Bahti.

Thesis (Ph.D.)--University of Michigan, 1994.

This dissertation examines the works of Shelley, Holderlin and Baudelaire to show a practice of poetic mediation that arises from their particular cultural-historical locations. This study focuses on the rhetorical and social gaps of misunderstanding and the shifting balances of forms and power that are constitutive of the work of the three poets. In the chapter on Shelley, the poet's drive toward obscurity and incompleteness and the antagonistic responses of the critical institution demonstrate a negative mediating process that begins precisely with the bankrupting of an ideal, reflexive communis. A second chapter examines Holderlin's poetry as an example of communication in times of transition. His poetry illustrates a dynamic reciprocity that, far from taking hold of signs firmly and unilaterally, is a composition that in-forms and dissolves. Baudelaire describes the city of Paris in the mid-nineteenth century as a "crossing of innumerable relations" as well as a city of disjunctions. My reading focuses on the duplicity of irony and allegory and their implications for the crossing of identity and difference in social relations. The poetic communication of differences, such as exemplified by the works of the three poets, brings about a dynamic (supplementary, transitory and heterogeneous) composition. As such, it bears significant analogies for changes toward a more open, mutually implicated system of social relations.Subjects--Topical Terms:

530051
Literature, Comparative.

Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire.
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008 100804s1994 ||||||||||||||||| ||eng d
035 $a (UMI)AAI9513457
035 $a AAI9513457
040 $a UMI $c UMI
100 1 $a Pon, Cynthia. $3 1036127
245 1 0 $a Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire.
300 $a 143 p.
500 $a Chair: Timothy Bahti.
500 $a Source: Dissertation Abstracts International, Volume: 56-01, Section: A, page: 0185.
502 $a Thesis (Ph.D.)--University of Michigan, 1994.
520 $a This dissertation examines the works of Shelley, Holderlin and Baudelaire to show a practice of poetic mediation that arises from their particular cultural-historical locations. This study focuses on the rhetorical and social gaps of misunderstanding and the shifting balances of forms and power that are constitutive of the work of the three poets. In the chapter on Shelley, the poet's drive toward obscurity and incompleteness and the antagonistic responses of the critical institution demonstrate a negative mediating process that begins precisely with the bankrupting of an ideal, reflexive communis. A second chapter examines Holderlin's poetry as an example of communication in times of transition. His poetry illustrates a dynamic reciprocity that, far from taking hold of signs firmly and unilaterally, is a composition that in-forms and dissolves. Baudelaire describes the city of Paris in the mid-nineteenth century as a "crossing of innumerable relations" as well as a city of disjunctions. My reading focuses on the duplicity of irony and allegory and their implications for the crossing of identity and difference in social relations. The poetic communication of differences, such as exemplified by the works of the three poets, brings about a dynamic (supplementary, transitory and heterogeneous) composition. As such, it bears significant analogies for changes toward a more open, mutually implicated system of social relations.
590 $a School code: 0127.
650 4 $a Literature, Comparative. $3 530051
650 4 $a Literature, English. $3 1017709
650 4 $a Literature, Germanic. $3 1019072
650 4 $a Literature, Romance. $3 1019014
690 $a 0295
690 $a 0311
690 $a 0313
690 $a 0593
710 2 $a University of Michigan. $3 777416
773 0 $t Dissertation Abstracts International $g 56-01A.
790 $a 0127
790 1 0 $a Bahti, Timothy, $e advisor
791 $a Ph.D.
792 $a 1994
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9513457