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Lyrical passages through crime: An A...
~
Indiana University., Criminal Justice.
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Lyrical passages through crime: An Afrobeat, Hip Hop and Reggae production, featuring black criminology.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Lyrical passages through crime: An Afrobeat, Hip Hop and Reggae production, featuring black criminology./
Author:
Saleh-Hanna, Viviane.
Description:
414 p.
Notes:
Adviser: Philip C. Parnell.
Contained By:
Dissertation Abstracts International68-10A.
Subject:
Black Studies. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3278476
ISBN:
9780549235712
Lyrical passages through crime: An Afrobeat, Hip Hop and Reggae production, featuring black criminology.
Saleh-Hanna, Viviane.
Lyrical passages through crime: An Afrobeat, Hip Hop and Reggae production, featuring black criminology.
- 414 p.
Adviser: Philip C. Parnell.
Thesis (Ph.D.)--Indiana University, 2007.
1Davies James B., Sandstorm Susanna, Shorrocks Anthony, Wolff Edward N. (2006) The World Distribution of Household Wealth . WIDER [World University For Development Economics Research] Helsinkin, Finland: United Nations University.
ISBN: 9780549235712Subjects--Topical Terms:
1017673
Black Studies.
Lyrical passages through crime: An Afrobeat, Hip Hop and Reggae production, featuring black criminology.
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414 p.
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Adviser: Philip C. Parnell.
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Source: Dissertation Abstracts International, Volume: 68-10, Section: A, page: 4488.
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Thesis (Ph.D.)--Indiana University, 2007.
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1Davies James B., Sandstorm Susanna, Shorrocks Anthony, Wolff Edward N. (2006) The World Distribution of Household Wealth . WIDER [World University For Development Economics Research] Helsinkin, Finland: United Nations University.
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In 2006, The United Nations reported that the "global distribution of income is very unequal and the inequality has not been falling over time" (Davies et al 2006:1)1. Visibly, these inequalities are overwhelmingly racialized. Black people all over the world continue to be subjected to extreme poverty and denied access to basic resources; simultaneously, black people are over-represented in punitive, exploitative state institutions enforcing a long history of involuntary black confinement through the laws and institutions of slavery, colonialism and, more recently, criminal justice. In this dissertation, I present an analysis of black oppression produced through the lyrics of black musicians who create socially conscious black liberation musicianship. In the lyrics, black oppression is understood to exist through an ongoing war on blackness: "Until the color of a man's skin is of no more significance than the color of his eyes, Me say war. That until the basic human rights are equally guaranteed to all without regard to race, There is a war" (Bob Marley, "War" on Natural Mystic, 1995).
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Tracing the geographical route of the European cross-Atlantic slave trade, I document black musicianship's ideologies as they are recorded in the lyrics of Afrobeat in Nigeria, Reggae in Jamaica and Hip Hop in the United States. In the lyrics I find thematic, intersecting analyses that de-fragment understanding of black oppression: poverty (classism) and racism are heavily inter-related; historically exploitative and violent institutions laid foundations for contemporary racist and violent criminal justice and economic institutions. Keeping with the spirit of de-fragmentation, I have conducted this research in order to desegregate academic scholarship on blackness from the analyses and knowledges present in black musicianship. The result has been the initiation of a Black Criminology through which black oppressions and resistance efforts can be accurately and humanely contextualized and understood.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3278476
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