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Call and recall: Hybridity, mobility...

University of Guelph (Canada).

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Call and recall: Hybridity, mobility, and dialogue between jazz and hip hop cultures.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Call and recall: Hybridity, mobility, and dialogue between jazz and hip hop cultures./
Author:	Stewart, Jesse L. MacBurnie.
Description:	312 p.
Notes:	Source: Dissertation Abstracts International, Volume: 70-03, Section: A, page: 0735.
Contained By:	Dissertation Abstracts International70-03A.
Subject:	American Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NR47619
ISBN:	9780494476192

Call and recall: Hybridity, mobility, and dialogue between jazz and hip hop cultures.
Stewart, Jesse L. MacBurnie.

Call and recall: Hybridity, mobility, and dialogue between jazz and hip hop cultures. - 312 p.

Source: Dissertation Abstracts International, Volume: 70-03, Section: A, page: 0735.

Thesis (Ph.D.)--University of Guelph (Canada), 2008.

This thesis examines intersections between jazz and hip hop cultures through a close reading and analysis of several specific points of contact between them. Chapter one examines the impact of bebop, its emphasis on musical abstraction and creative mobility in particular, on future musical forms including hybridized forms of jazz and hip hop. Chapter two examines the identity politics of several jazz/hip hop hybrids originating in the extended jazz world. Chapter three examines the politics of difference associated with "jazz-rap" in the late 1980s and early 1990s, a sub-genre of hip hop characterized by the incorporation of jazz, either live or through sampled recordings. Chapter four considers the role of jazz in several hip hop documentary films, focusing in particular on filmic representations of turntablism as "the new jazz." Chapter five focuses on the work of musician, artist, writer, and theorist DJ Spooky that Subliminal Kid. Through an analysis of Spooky's music, art, and discourse about his own creative practice, I examine some of the ways in which he constructs and performs his Afro-postmodern identity as DJ Spooky in and across jazz and hip hop cultures.

ISBN: 9780494476192Subjects--Topical Terms:

1017604
American Studies.

Call and recall: Hybridity, mobility, and dialogue between jazz and hip hop cultures.
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502 $a Thesis (Ph.D.)--University of Guelph (Canada), 2008.
520 $a This thesis examines intersections between jazz and hip hop cultures through a close reading and analysis of several specific points of contact between them. Chapter one examines the impact of bebop, its emphasis on musical abstraction and creative mobility in particular, on future musical forms including hybridized forms of jazz and hip hop. Chapter two examines the identity politics of several jazz/hip hop hybrids originating in the extended jazz world. Chapter three examines the politics of difference associated with "jazz-rap" in the late 1980s and early 1990s, a sub-genre of hip hop characterized by the incorporation of jazz, either live or through sampled recordings. Chapter four considers the role of jazz in several hip hop documentary films, focusing in particular on filmic representations of turntablism as "the new jazz." Chapter five focuses on the work of musician, artist, writer, and theorist DJ Spooky that Subliminal Kid. Through an analysis of Spooky's music, art, and discourse about his own creative practice, I examine some of the ways in which he constructs and performs his Afro-postmodern identity as DJ Spooky in and across jazz and hip hop cultures.
520 $a Intersections between jazz and hip hop challenge hegemonic narratives concerning the "jazz tradition" or "authentic" hip hop. By examining the ways in which jazz and hip hop have been mutually constitutive, this thesis similarly challenges dominant narratives, which all too often construct narrow, linear histories of the musics as separate spheres of endeavour.
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