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Intercultural theatre: Transferring ...

University of Alberta (Canada).

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Intercultural theatre: Transferring plays from Africa to Canada.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Intercultural theatre: Transferring plays from Africa to Canada./
Author:	Fitzsimmons Frey, Heather Marie.
Description:	127 p.
Notes:	Adviser: Rosalind Kerr.
Contained By:	Masters Abstracts International42-02.
Subject:	Literature, Canadian (English). -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ82203
ISBN:	9780612822030

Intercultural theatre: Transferring plays from Africa to Canada.
Fitzsimmons Frey, Heather Marie.

Intercultural theatre: Transferring plays from Africa to Canada. - 127 p.

Adviser: Rosalind Kerr.

Thesis (M.A.)--University of Alberta (Canada), 2003.

This thesis examines the process of creating intercultural theatre and the transfer of theatre from Africa to Canada. I use Patrice Pavis' "hourglass of cultures" as a tool to examine that process, and integrate theories of hybridity, third space, and translation into the analysis. The plays I use as case studies are Wole Soyinka's Madmen and Specialists, Ola Rotimi's The Gods Are Not To Blame, and Zakes Mda's And the Girls in their Sunday Dresses. All three plays were produced and performed in Toronto between 1999 and 2001.

ISBN: 9780612822030Subjects--Topical Terms:

1022372
Literature, Canadian (English).

Intercultural theatre: Transferring plays from Africa to Canada.
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245 1 0 $a Intercultural theatre: Transferring plays from Africa to Canada.
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500 $a Source: Masters Abstracts International, Volume: 42-02, page: 0364.
502 $a Thesis (M.A.)--University of Alberta (Canada), 2003.
520 $a This thesis examines the process of creating intercultural theatre and the transfer of theatre from Africa to Canada. I use Patrice Pavis' "hourglass of cultures" as a tool to examine that process, and integrate theories of hybridity, third space, and translation into the analysis. The plays I use as case studies are Wole Soyinka's Madmen and Specialists, Ola Rotimi's The Gods Are Not To Blame, and Zakes Mda's And the Girls in their Sunday Dresses. All three plays were produced and performed in Toronto between 1999 and 2001.
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