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New theories for old music: An analy...

University of Louisville.

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New theories for old music: An analysis of Lamentations settings by Thomas Tallis and William Byrd.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	New theories for old music: An analysis of Lamentations settings by Thomas Tallis and William Byrd./
Author:	Jacobus, Enoch Samuel Alan.
Description:	103 p.
Notes:	Source: Masters Abstracts International, Volume: 47-02, page: .
Contained By:	Masters Abstracts International47-02.
Subject:	History, General. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1458908
ISBN:	9780549806202

New theories for old music: An analysis of Lamentations settings by Thomas Tallis and William Byrd.
Jacobus, Enoch Samuel Alan.

New theories for old music: An analysis of Lamentations settings by Thomas Tallis and William Byrd. - 103 p.

Source: Masters Abstracts International, Volume: 47-02, page: .

Thesis (M.M.)--University of Louisville, 2008.

Movement through pitch space in the Common Practice Period is generally acknowledged as being structured on the fifth relation, whereas movement through the pitch space of the highly chromatic music of the nineteenth century is thought of as being structured on the third relation. Pitch-space structures in pre-tonal music are rarely if ever discussed. This study presents an alternative method for the analysis of pre-tonal music primarily by defining criteria for an examination of long-term movement through pitch space, as seen in the settings from the Lamentations of Jeremiah by English composers Thomas Tallis and William Byrd. It is the author's hypothesis that composers in the latter half of the sixteenth century increasingly organized musical pitch space into circle-of-fifths substructures. Even though third relations continued to persist to some extent, it was the fifth relation that was to prevail for the next two centuries.

ISBN: 9780549806202Subjects--Topical Terms:

1017448
History, General.

New theories for old music: An analysis of Lamentations settings by Thomas Tallis and William Byrd.
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020 $a 9780549806202
035 $a (UMI)AAI1458908
035 $a AAI1458908
040 $a UMI $c UMI
100 1 $a Jacobus, Enoch Samuel Alan. $3 1024821
245 1 0 $a New theories for old music: An analysis of Lamentations settings by Thomas Tallis and William Byrd.
300 $a 103 p.
500 $a Source: Masters Abstracts International, Volume: 47-02, page: .
502 $a Thesis (M.M.)--University of Louisville, 2008.
520 $a Movement through pitch space in the Common Practice Period is generally acknowledged as being structured on the fifth relation, whereas movement through the pitch space of the highly chromatic music of the nineteenth century is thought of as being structured on the third relation. Pitch-space structures in pre-tonal music are rarely if ever discussed. This study presents an alternative method for the analysis of pre-tonal music primarily by defining criteria for an examination of long-term movement through pitch space, as seen in the settings from the Lamentations of Jeremiah by English composers Thomas Tallis and William Byrd. It is the author's hypothesis that composers in the latter half of the sixteenth century increasingly organized musical pitch space into circle-of-fifths substructures. Even though third relations continued to persist to some extent, it was the fifth relation that was to prevail for the next two centuries.
590 $a School code: 0110.
650 4 $a History, General. $3 1017448
650 4 $a Music. $3 516178
690 $a 0413
690 $a 0578
710 2 $a University of Louisville. $3 1017614
773 0 $t Masters Abstracts International $g 47-02.
790 $a 0110
791 $a M.M.
792 $a 2008
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1458908