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The manufactured experience.

Rochester Institute of Technology., Glass.

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The manufactured experience.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The manufactured experience./
Author:	Ruzinsky, Debra.
Description:	44 p.
Notes:	Adviser: Michael Rogers.
Contained By:	Masters Abstracts International46-06.
Subject:	Design and Decorative Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1453215
ISBN:	9780549544876

The manufactured experience.
Ruzinsky, Debra.

The manufactured experience. - 44 p.

Adviser: Michael Rogers.

Thesis (M.F.A.)--Rochester Institute of Technology, 2008.

My interest has been in molding, combining, and transforming real objects into something other, to create an idiosyncratic visual language.

ISBN: 9780549544876Subjects--Topical Terms:

1024640
Design and Decorative Arts.

The manufactured experience.
LDR:02216nam 2200325 a 45 001 857750
005 20100712
008 100712s2008 ||||||||||||||||| ||eng d
020 $a 9780549544876
035 $a (UMI)AAI1453215
035 $a AAI1453215
040 $a UMI $c UMI
100 1 $a Ruzinsky, Debra. $3 1024742
245 1 4 $a The manufactured experience.
300 $a 44 p.
500 $a Adviser: Michael Rogers.
500 $a Source: Masters Abstracts International, Volume: 46-06, page: 2911.
502 $a Thesis (M.F.A.)--Rochester Institute of Technology, 2008.
520 $a My interest has been in molding, combining, and transforming real objects into something other, to create an idiosyncratic visual language.
520 $a Repeatedly what I see around me are places and messages that generate manufactured experiences, manipulated by someone with an agenda to promote. My thesis work, entitled "Sweet Reassurance," is a personal approach to re-invention; a conceptually driven body of work that explores my obsession with irony, a need to vent frustration with public policy, complacency, and misguided priorities. The work springs from a notion to create proposals for architectural projects that are rather absurd and could never really be realized. They are my brand of visionary architecture, existing somewhere between the Utopian and the Dystopian.
520 $a I have developed a vocabulary of elements-representations of the tools of war, of ways of "sugar-coating" the truth, of advertising-style graphic elements with which to sell the message. I resist the notion that I or anyone else should be so easily manipulated by pretty pictures that cover horrific truths. I am drawn to the "how" and the "why" behind the creation of places where nothing existed before. Layout, hierarchy, and placement of objects in the work address the nature of power.
590 $a School code: 0465.
650 4 $a Design and Decorative Arts. $3 1024640
650 4 $a Fine Arts. $3 891065
690 $a 0357
690 $a 0389
710 2 $a Rochester Institute of Technology. $b Glass. $3 1024741
773 0 $t Masters Abstracts International $g 46-06.
790 $a 0465
790 1 0 $a Cass, Robin $e committee member
790 1 0 $a Rogers, Michael, $e advisor
790 1 0 $a Sheffield, Clarence B. $e committee member
791 $a M.F.A.
792 $a 2008
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1453215