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My mother was a computer : = digital...

Hayles, N. Katherine.

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My mother was a computer : = digital subjects and literary texts /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	My mother was a computer :/ N. Katherine Hayles.
Reminder of title:	digital subjects and literary texts /
Author:	Hayles, N. Katherine.
Published:	Chicago :University of Chicago Press, : 2005.,
Description:	x, 290 p. ;23 cm.
[NT 15003449]:	Prologue: computing kin -- Part I. Making: language and code. Intermediation: textuality and the regime of computation ; Speech, writing, code: three worldviews ; The dream of information: escape and constraint in the bodies of three fictions -- Part II. Storing: print and etext. Translating media ; Performative code and figurative language: Neal Stephenson's Cryptonomicon ; Flickering connectivities in Shelley Jackson's Patchwork girl -- Part III. Transmitting: analog and digital. (Un)masking the agent: Stanislaw Lem's "The mask" ; Simulating narratives: what virtual creatures can teach us ; Subjective cosmology and the regime of computation: intermediation in Greg Egan's fiction -- Epilogue: recursion and emergence.
Subject:	Computational intelligence. -
Online resource:	http://www.loc.gov/catdir/toc/ecip059/2005006276.html
Online resource:	http://www.loc.gov/catdir/enhancements/fy0621/2005006276-b.html
Online resource:	http://www.loc.gov/catdir/enhancements/fy0621/2005006276-d.html
ISBN:	0226321479 (cloth : alk. paper)

My mother was a computer : = digital subjects and literary texts /
Hayles, N. Katherine.

My mother was a computer :digital subjects and literary texts /N. Katherine Hayles. - Chicago :University of Chicago Press,2005. - x, 290 p. ;23 cm.

Includes bibliographical references (p. [265]-278) and index.

Prologue: computing kin -- Part I. Making: language and code. Intermediation: textuality and the regime of computation ; Speech, writing, code: three worldviews ; The dream of information: escape and constraint in the bodies of three fictions -- Part II. Storing: print and etext. Translating media ; Performative code and figurative language: Neal Stephenson's Cryptonomicon ; Flickering connectivities in Shelley Jackson's Patchwork girl -- Part III. Transmitting: analog and digital. (Un)masking the agent: Stanislaw Lem's "The mask" ; Simulating narratives: what virtual creatures can teach us ; Subjective cosmology and the regime of computation: intermediation in Greg Egan's fiction -- Epilogue: recursion and emergence.

ISBN: 0226321479 (cloth : alk. paper)

LCCN: 2005006276

Nat. Bib. No.: GBA566786bnbSubjects--Topical Terms:

595739
Computational intelligence.

LC Class. No.: Q342 / .H39 2005

Dewey Class. No.: 006.3

My mother was a computer : = digital subjects and literary texts /
LDR:01971cam 22003134a 450 001 807240
003 OCoLC
005 20091026112637.0
008 091023s2005 ilu b 001 0 eng
010 $a 2005006276
015 $a GBA566786 $2 bnb
020 $a 0226321479 (cloth : alk. paper)
020 $a 9780226321479 (cloth : alk. paper)
020 $a 0226321487 (pbk. : alk. paper) : $c US22.00
020 $a 9780226321486 (pbk. : alk. paper)
035 $a 00502824
040 $a DLC $c DLC $d BAKER $d UKM $d C#P $d COO $d NBU $d PUL $d YDXCP $d OCLCQ $d BTCTA $d LVB $d NLGGC $d UBA $d IG#
042 $a pcc
050 0 0 $a Q342 $b .H39 2005
082 0 0 $a 006.3 $2 22
084 $a 17.90 $2 bcl
100 1 $a Hayles, N. Katherine. $3 552668
245 1 0 $a My mother was a computer : $b digital subjects and literary texts / $c N. Katherine Hayles.
260 $a Chicago : $c 2005. $b University of Chicago Press,
300 $a x, 290 p. ; $c 23 cm.
504 $a Includes bibliographical references (p. [265]-278) and index.
505 0 $a Prologue: computing kin -- Part I. Making: language and code. Intermediation: textuality and the regime of computation ; Speech, writing, code: three worldviews ; The dream of information: escape and constraint in the bodies of three fictions -- Part II. Storing: print and etext. Translating media ; Performative code and figurative language: Neal Stephenson's Cryptonomicon ; Flickering connectivities in Shelley Jackson's Patchwork girl -- Part III. Transmitting: analog and digital. (Un)masking the agent: Stanislaw Lem's "The mask" ; Simulating narratives: what virtual creatures can teach us ; Subjective cosmology and the regime of computation: intermediation in Greg Egan's fiction -- Epilogue: recursion and emergence.
650 0 $a Computational intelligence. $3 595739
650 0 $a Human-computer interaction. $3 560071
650 0 $a Computers in literature. $3 854073
650 0 $a Virtual reality. $3 527460
650 0 $a American literature $y 20th century $x History and criticism. $3 543702
809 $p BOOK $d Q342 $e H39 $y 2005
856 4 1 $3 Table of contents only $u http://www.loc.gov/catdir/toc/ecip059/2005006276.html
856 4 2 $3 Contributor biographical information $u http://www.loc.gov/catdir/enhancements/fy0621/2005006276-b.html
856 4 2 $3 Publisher description $u http://www.loc.gov/catdir/enhancements/fy0621/2005006276-d.html