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The silent cinema reader /

Grieveson, Lee., (1969-)

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The silent cinema reader /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The silent cinema reader // edited by Lee Grieveson and Peter Kramer.
other author:	Grieveson, Lee.,
Published:	London ;Routledge, : 2004.,
Description:	xviii, 423 p. :ill. ;26 cm.
[NT 15003449]:	1. Introduction -- 2. Prologue: introduction -- 3. At the beginning: motion picture production, representation and ideology at the Edison and Lumiere Companies/ Charles Musser -- 4. Film projection and variety shows: introduction -- 5. Now you see it, now you don't: the temporality of the cinema of attractions/ Tom Gunning -- 6. The Kiss in the tunnel (1899), G.A. Smith and the emergence of the edited film in England / Frank Gray -- 7. The cinema of attractions in France, 1896-1904/ Richard Abel -- 8. Storytelling and the nickelodeon: introduction -- 9. Moving towards fictional narratives: story films become the dominant product, 1903-1904/ Charles Musser -- 10. Path歋 goes to town : French films create a market for the nickelodeon, 1903-1906 / Richard Abel -- 11. Manhattan nickelodeons: new data on audiences and exhibitors/ Ben Singer -- 12. Cinema and reform: introduction -- 13. From the opium den to the theatre of morality: moral discourse and the film process in early American cinema/ Tom Gunning -- 14. How many times shall Caesar bleed in sport: Shakespeare and the cultural debate about moving pictures / Roberta E. Pearson and William Uricchio -- 15. Fighting films: race, morality, and the governing of cinema, 1912-1915/ Lee Grieveson -- 16. Feature films and cinema programmes: introduction -- 17. A Star is born: American culture and the dynamics of Charlie Chaplin's star image, 1913-1916/ Charles J. Maland -- 18. An awful struggle between love and ambition: serial heroines, serial stars and their female fans / Shelley Stamp -- 19. Traffic in souls (1913): an experiment in feature-length narrative construction/ Ben Brewster -- 20. Race, melodrama and The birth of a nation (1915) / Linda Williams -- 21. The international exploration of cinematic expressivity/ Kristin Thompson --22. Classical Hollywood cinema: introduction -- 23. The making of a comic star: Buster Keaton and The Saphead (1920) / Peter Kramer -- 24. The perfect lover?: Valentino and ethnic masculinity in the 1920s/ Gaylyn Studlar -- 25. The new woman and consumer culture: Cecil B. DeMille's sex comedies / Sumiko Higashi -- 26. The open door: Hollywood's public relations at home and abroad, 1922-1928/ Ruth Vasey -- 27. European cinemas: introduction -- 28. New notes on Russian film culture between 1908 and 1919 / Yuri Tsivian. -- 29. Early alternatives to the Hollywood mode of production: implications for Europe's avant-gardes/ Kristin Thompson -- 30. Monumental heroics: form and style in Eisenstein's silent films / David Bordwell -- 31. Art and industry: German cinema of the 1920s / Joseph Garncarz.
Subject:	Motion pictures - History. -
Online resource:	http://www.loc.gov/catdir/toc/ecip045/2003013504.htmlhttp://www.loc.gov/catdir/toc/ecip045/2003013504.html
Online resource:	http://www.loc.gov/catdir/enhancements/fy0650/2003013504-d.htmlhttp://www.loc.gov/catdir/enhancements/fy0650/2003013504-d.html
ISBN:	0415252830

The silent cinema reader /
The silent cinema reader /edited by Lee Grieveson and Peter Kramer. - London ;Routledge,2004. - xviii, 423 p. :ill. ;26 cm.

Includes bibliographical references (p. [401]-415) and index.

1. Introduction -- 2. Prologue: introduction -- 3. At the beginning: motion picture production, representation and ideology at the Edison and Lumiere Companies/ Charles Musser -- 4. Film projection and variety shows: introduction -- 5. Now you see it, now you don't: the temporality of the cinema of attractions/ Tom Gunning -- 6. The Kiss in the tunnel (1899), G.A. Smith and the emergence of the edited film in England / Frank Gray -- 7. The cinema of attractions in France, 1896-1904/ Richard Abel -- 8. Storytelling and the nickelodeon: introduction -- 9. Moving towards fictional narratives: story films become the dominant product, 1903-1904/ Charles Musser -- 10. Path歋 goes to town : French films create a market for the nickelodeon, 1903-1906 / Richard Abel -- 11. Manhattan nickelodeons: new data on audiences and exhibitors/ Ben Singer -- 12. Cinema and reform: introduction -- 13. From the opium den to the theatre of morality: moral discourse and the film process in early American cinema/ Tom Gunning -- 14. How many times shall Caesar bleed in sport: Shakespeare and the cultural debate about moving pictures / Roberta E. Pearson and William Uricchio -- 15. Fighting films: race, morality, and the governing of cinema, 1912-1915/ Lee Grieveson -- 16. Feature films and cinema programmes: introduction -- 17. A Star is born: American culture and the dynamics of Charlie Chaplin's star image, 1913-1916/ Charles J. Maland -- 18. An awful struggle between love and ambition: serial heroines, serial stars and their female fans / Shelley Stamp -- 19. Traffic in souls (1913): an experiment in feature-length narrative construction/ Ben Brewster -- 20. Race, melodrama and The birth of a nation (1915) / Linda Williams -- 21. The international exploration of cinematic expressivity/ Kristin Thompson --22. Classical Hollywood cinema: introduction -- 23. The making of a comic star: Buster Keaton and The Saphead (1920) / Peter Kramer -- 24. The perfect lover?: Valentino and ethnic masculinity in the 1920s/ Gaylyn Studlar -- 25. The new woman and consumer culture: Cecil B. DeMille's sex comedies / Sumiko Higashi -- 26. The open door: Hollywood's public relations at home and abroad, 1922-1928/ Ruth Vasey -- 27. European cinemas: introduction -- 28. New notes on Russian film culture between 1908 and 1919 / Yuri Tsivian. -- 29. Early alternatives to the Hollywood mode of production: implications for Europe's avant-gardes/ Kristin Thompson -- 30. Monumental heroics: form and style in Eisenstein's silent films / David Bordwell -- 31. Art and industry: German cinema of the 1920s / Joseph Garncarz.

ISBN: 0415252830

LCCN: 2003013504Subjects--Topical Terms:

592918
Motion pictures
--History.

LC Class. No.: PN1995.75 / .S547 2004

Dewey Class. No.: 791.43/09

The silent cinema reader /
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008 071217s2004 nyua b 000 0 eng
010 $a 2003013504
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020 $a 9780415252836
020 $a 9780415252843 (pbk.) : $c UK19.99
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245 0 4 $a The silent cinema reader / $c edited by Lee Grieveson and Peter Kramer.
260 $a London ; $a New York : $c 2004. $b Routledge,
300 $a xviii, 423 p. : $b ill. ; $c 26 cm.
504 $a Includes bibliographical references (p. [401]-415) and index.
505 1 $a 1. Introduction -- 2. Prologue: introduction -- 3. At the beginning: motion picture production, representation and ideology at the Edison and Lumiere Companies/ Charles Musser -- 4. Film projection and variety shows: introduction -- 5. Now you see it, now you don't: the temporality of the cinema of attractions/ Tom Gunning -- 6. The Kiss in the tunnel (1899), G.A. Smith and the emergence of the edited film in England / Frank Gray -- 7. The cinema of attractions in France, 1896-1904/ Richard Abel -- 8. Storytelling and the nickelodeon: introduction -- 9. Moving towards fictional narratives: story films become the dominant product, 1903-1904/ Charles Musser -- 10. Path歋 goes to town : French films create a market for the nickelodeon, 1903-1906 / Richard Abel -- 11. Manhattan nickelodeons: new data on audiences and exhibitors/ Ben Singer -- 12. Cinema and reform: introduction -- 13. From the opium den to the theatre of morality: moral discourse and the film process in early American cinema/ Tom Gunning -- 14. How many times shall Caesar bleed in sport: Shakespeare and the cultural debate about moving pictures / Roberta E. Pearson and William Uricchio -- 15. Fighting films: race, morality, and the governing of cinema, 1912-1915/ Lee Grieveson -- 16. Feature films and cinema programmes: introduction -- 17. A Star is born: American culture and the dynamics of Charlie Chaplin's star image, 1913-1916/ Charles J. Maland -- 18. An awful struggle between love and ambition: serial heroines, serial stars and their female fans / Shelley Stamp -- 19. Traffic in souls (1913): an experiment in feature-length narrative construction/ Ben Brewster -- 20. Race, melodrama and The birth of a nation (1915) / Linda Williams -- 21. The international exploration of cinematic expressivity/ Kristin Thompson --22. Classical Hollywood cinema: introduction -- 23. The making of a comic star: Buster Keaton and The Saphead (1920) / Peter Kramer -- 24. The perfect lover?: Valentino and ethnic masculinity in the 1920s/ Gaylyn Studlar -- 25. The new woman and consumer culture: Cecil B. DeMille's sex comedies / Sumiko Higashi -- 26. The open door: Hollywood's public relations at home and abroad, 1922-1928/ Ruth Vasey -- 27. European cinemas: introduction -- 28. New notes on Russian film culture between 1908 and 1919 / Yuri Tsivian. -- 29. Early alternatives to the Hollywood mode of production: implications for Europe's avant-gardes/ Kristin Thompson -- 30. Monumental heroics: form and style in Eisenstein's silent films / David Bordwell -- 31. Art and industry: German cinema of the 1920s / Joseph Garncarz.
650 $a Motion pictures $x History. $3 592918
650 $a Silent films $x History and criticism. $3 618170
650 $a Filmkunst. $2 gtt $3 611078
650 $a Stomme films. $2 gtt $3 854572
700 $a Grieveson, Lee., $d 1969- $3 618168
700 $a Kramer, Peter, $d 1961- $3 618169
856 4 1 $3 Table of contents only $u http://www.loc.gov/catdir/toc/ecip045/2003013504.html $z http://www.loc.gov/catdir/toc/ecip045/2003013504.html
856 4 2 $3 Publisher description $u http://www.loc.gov/catdir/enhancements/fy0650/2003013504-d.html $z http://www.loc.gov/catdir/enhancements/fy0650/2003013504-d.html