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Women through the lens = gender and nation in a century of Chinese cinema /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Women through the lens/ Shuqin Cui.
其他題名:	gender and nation in a century of Chinese cinema /
作者:	Cui, Shuqin.
出版者:	Honolulu :University of Hawai迺 Press, : c2003.,
面頁冊數:	xxvi, 304 p. :ill.
內容註:	Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.
標題:	Motion pictures - History. - China -
電子資源:	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=100389An electronic book accessible through the World Wide Web; click for information
ISBN:	0585479143 (electronic bk.)

Women through the lens = gender and nation in a century of Chinese cinema /
Cui, Shuqin.

Women through the lensgender and nation in a century of Chinese cinema /[electronic resource] :Shuqin Cui. - Honolulu :University of Hawai迺 Press,c2003. - xxvi, 304 p. :ill.

Filmography: p. [249]-267.

Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.

Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2003.

Available via World Wide Web.

ISBN: 0585479143 (electronic bk.)Subjects--Topical Terms:

571884
Motion pictures
--History.--ChinaIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.5.C4 / C85 2003eb

Dewey Class. No.: 791.43/0951

Women through the lens = gender and nation in a century of Chinese cinema /
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504 $a Filmography: p. [249]-267.
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