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Transnational Chinese cinemas = identity, nationhood, gender /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Transnational Chinese cinemas/ edited by Sheldon Hsiao-peng Lu.
其他題名:	identity, nationhood, gender /
其他作者:	Lu, Sheldon H.
出版者:	Honolulu, HI :University of Hawaii Press, : 1997.,
面頁冊數:	xiii, 414 p. :ill. ;24 cm.
內容註:	pt. I. Nation-Building, National Cinema, Transnational Cinema. Anti-Imperialism and Film Censorship During the Nanjing Decade, 1927-1937 / Zhiwei Xiao -- Two Stage Sisters : the Blossoming of a Revolutionary Aesthetic/ Gina Marchetti -- From "Minority Film" to "Minority Discourse" : Questions of Nationhood and Ethnicity in Chinese Cinema / Yingjin Zhang -- National Cinema, Cultural Critique, Transnational Capital : The Films of Zhang Yimou/ Sheldon Hsiao-peng Lu -- pt. II. The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong. Constructing a Nation : Taiwanese History and the Films of Hou Hsiao-hsien/ June Yip -- The Diaspora in Postmodern Taiwan and Hong Kong Film : Framing Stan Lai's The Peach Blossom Land with Allen Fong's Ah Ying / Jon Kowallis -- Breaking the Soy Sauce Jar : Diaspora and Displacement in the Films of Ang Lee/ Wei Ming Darious, Eileen Fung -- Transnational Action : John Woo, Hong Kong, Hollywood / Anne T. Ciecko -- Jackie Chan and the Cultural Dynamics of Global Entertainment/ Steve Fore -- pt. III. Engendering History and Nationhood : Cross-Cultural and Gendered Perspectives. Reading Formations and Chen Kaige's Farewell My Concubine / E. Ann Kaplan -- The New Woman Incident : Cinema, Scandal, and Spectacle in 1935 Shanghai/ Kristine Harris -- Gendered Perspective : The Construction and Representation of Subjectivity and Sexuality in Ju Dou / Shuqin Cui -- The Concubine and the Figure of History : Chen Kaige's Farewell My Concubine/ Wendy Larson -- Narrative Images of the Historical Passion : Those Other Women On the Alterity in the New Wave of Chinese Cinema / Yi Zheng.
標題:	Motion pictures - China -
電子資源:	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=39154An electronic book accessible through the World Wide Web; click for information
ISBN:	0585288453 (electronic bk.)

Transnational Chinese cinemas = identity, nationhood, gender /
Transnational Chinese cinemasidentity, nationhood, gender /[electronic resource] :edited by Sheldon Hsiao-peng Lu. - Honolulu, HI :University of Hawaii Press,1997. - xiii, 414 p. :ill. ;24 cm.

Includes bibliographical references (p. 369-401) and index.

pt. I. Nation-Building, National Cinema, Transnational Cinema. Anti-Imperialism and Film Censorship During the Nanjing Decade, 1927-1937 / Zhiwei Xiao -- Two Stage Sisters : the Blossoming of a Revolutionary Aesthetic/ Gina Marchetti -- From "Minority Film" to "Minority Discourse" : Questions of Nationhood and Ethnicity in Chinese Cinema / Yingjin Zhang -- National Cinema, Cultural Critique, Transnational Capital : The Films of Zhang Yimou/ Sheldon Hsiao-peng Lu -- pt. II. The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong. Constructing a Nation : Taiwanese History and the Films of Hou Hsiao-hsien/ June Yip -- The Diaspora in Postmodern Taiwan and Hong Kong Film : Framing Stan Lai's The Peach Blossom Land with Allen Fong's Ah Ying / Jon Kowallis -- Breaking the Soy Sauce Jar : Diaspora and Displacement in the Films of Ang Lee/ Wei Ming Darious, Eileen Fung -- Transnational Action : John Woo, Hong Kong, Hollywood / Anne T. Ciecko -- Jackie Chan and the Cultural Dynamics of Global Entertainment/ Steve Fore -- pt. III. Engendering History and Nationhood : Cross-Cultural and Gendered Perspectives. Reading Formations and Chen Kaige's Farewell My Concubine / E. Ann Kaplan -- The New Woman Incident : Cinema, Scandal, and Spectacle in 1935 Shanghai/ Kristine Harris -- Gendered Perspective : The Construction and Representation of Subjectivity and Sexuality in Ju Dou / Shuqin Cui -- The Concubine and the Figure of History : Chen Kaige's Farewell My Concubine/ Wendy Larson -- Narrative Images of the Historical Passion : Those Other Women On the Alterity in the New Wave of Chinese Cinema / Yi Zheng.

Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2000.

Available via World Wide Web.

ISBN: 0585288453 (electronic bk.)Subjects--Topical Terms:

622588
Motion pictures
--ChinaIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.5.C4 / T65 1997eb

Dewey Class. No.: 791.43/0951

Transnational Chinese cinemas = identity, nationhood, gender /
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300 $a xiii, 414 p. : $b ill. ; $c 24 cm.
504 $a Includes bibliographical references (p. 369-401) and index.
505 0 $a pt. I. Nation-Building, National Cinema, Transnational Cinema. Anti-Imperialism and Film Censorship During the Nanjing Decade, 1927-1937 / Zhiwei Xiao -- Two Stage Sisters : the Blossoming of a Revolutionary Aesthetic/ Gina Marchetti -- From "Minority Film" to "Minority Discourse" : Questions of Nationhood and Ethnicity in Chinese Cinema / Yingjin Zhang -- National Cinema, Cultural Critique, Transnational Capital : The Films of Zhang Yimou/ Sheldon Hsiao-peng Lu -- pt. II. The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong. Constructing a Nation : Taiwanese History and the Films of Hou Hsiao-hsien/ June Yip -- The Diaspora in Postmodern Taiwan and Hong Kong Film : Framing Stan Lai's The Peach Blossom Land with Allen Fong's Ah Ying / Jon Kowallis -- Breaking the Soy Sauce Jar : Diaspora and Displacement in the Films of Ang Lee/ Wei Ming Darious, Eileen Fung -- Transnational Action : John Woo, Hong Kong, Hollywood / Anne T. Ciecko -- Jackie Chan and the Cultural Dynamics of Global Entertainment/ Steve Fore -- pt. III. Engendering History and Nationhood : Cross-Cultural and Gendered Perspectives. Reading Formations and Chen Kaige's Farewell My Concubine / E. Ann Kaplan -- The New Woman Incident : Cinema, Scandal, and Spectacle in 1935 Shanghai/ Kristine Harris -- Gendered Perspective : The Construction and Representation of Subjectivity and Sexuality in Ju Dou / Shuqin Cui -- The Concubine and the Figure of History : Chen Kaige's Farewell My Concubine/ Wendy Larson -- Narrative Images of the Historical Passion : Those Other Women On the Alterity in the New Wave of Chinese Cinema / Yi Zheng.
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