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Philosophy of the arts : = an introd...
~
Graham, Gordon, (1949 July 15-)
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Philosophy of the arts : = an introduction to aesthetics /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Philosophy of the arts :/ Gordon Graham.
Reminder of title:
an introduction to aesthetics /
Author:
Graham, Gordon,
Published:
London ;Routledge, : 2005.,
Description:
xi, 268 p. ;24 cm.
[NT 15003449]:
Art and pleasure -- Hume on taste and tragedy -- Collingwood on art as amusement -- Mill on higher and lower pleasures -- The nature of pleasure -- Art and beauty -- Beauty and pleasure -- Kant on beauty -- The aesthetic attitude and the sublime -- Art and the aesthetic -- Gadamer and art as play -- Art and sport -- Art and emotion -- Tolstoy and everyday expressivism -- Aristotle and Katharsis -- Expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism -- Expression versus expressiveness -- Art and understanding -- Hegel, art and mind -- Art, science and knowledge -- Aesthetic -- Cognitivism, for and against -- Imagination and experience -- The objects of imagination -- Art and the world -- Understanding as a norm -- Art and -- Human nature -- Music and sonic art -- Music and pleasure -- Music and emotion -- Music as language -- Music and representation -- Musical vocabulary and musical grammar -- The uniqueness of music -- Music and beauty -- Music as the exploration of sound -- Sonic art and digital technology -- The visual arts -- What is representation? -- Representation and artistic value - Art and the visual -- Visual art and the non-visual -- Film as art -- Montage versus Longshot -- Talkies -- The 'auteur' in film -- The literary arts -- Poetry and prose -- The unity of form and content -- Figures of speech -- Expressive language -- Poetic devices -- Narrative and fiction -- Literature and understanding -- The performing arts -- Artist, audience, and performer -- Painting as the paradigm of art -- Nietzsche and the birth of tragedy -- Performance and participation -- The art of the actor -- Architecture as an art -- The peculiarities of architecture -- Form and function and 'the decorated -- Shed' facade, deception, and the 'Zeitgeist' -- Functionalism -- Formalism and 'space' -- Architectural expression -- Architecture and understanding -- Modern art -- The break with tradition -- Experimental art and the avant-garde - The
[NT 15003449]:
art of the readymade -- Conceptual art -- The market in art -- Art and leisure -- The aesthetics of nature -- The objectivity of aesthetic evaluation -- The artist's intention -- The intentionalist -- 'Fallacy' -- Natural beauty -- Environmentalism and the aesthetics of nature -- Theories of art -- Defining art -- Art as an institution -- Sociology and the marxist theory of art - Lukacs and realism -- Levy-Strauss and structuralism -- Derrida and deconstruction -- Hegel and Schopenhauer : normative theory of art.
Subject:
Aesthetics. -
Online resource:
http://www.loc.gov/catdir/toc/ecip057/2005002568.htmlhttp://www.loc.gov/catdir/toc/ecip057/2005002568.html
Online resource:
http://www.loc.gov/catdir/enhancements/fy0653/2005002568-d.htmlhttp://www.loc.gov/catdir/enhancements/fy0653/2005002568-d.html
ISBN:
0415349788$b(hbk. : alk. paper)
Philosophy of the arts : = an introduction to aesthetics /
Graham, Gordon,1949 July 15-
Philosophy of the arts :
an introduction to aesthetics /Gordon Graham. - 3rd ed. - London ;Routledge,2005. - xi, 268 p. ;24 cm.
Includes bibliographical references (p. 252-255) and index.
Art and pleasure -- Hume on taste and tragedy -- Collingwood on art as amusement -- Mill on higher and lower pleasures -- The nature of pleasure -- Art and beauty -- Beauty and pleasure -- Kant on beauty -- The aesthetic attitude and the sublime -- Art and the aesthetic -- Gadamer and art as play -- Art and sport -- Art and emotion -- Tolstoy and everyday expressivism -- Aristotle and Katharsis -- Expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism -- Expression versus expressiveness -- Art and understanding -- Hegel, art and mind -- Art, science and knowledge -- Aesthetic -- Cognitivism, for and against -- Imagination and experience -- The objects of imagination -- Art and the world -- Understanding as a norm -- Art and -- Human nature -- Music and sonic art -- Music and pleasure -- Music and emotion -- Music as language -- Music and representation -- Musical vocabulary and musical grammar -- The uniqueness of music -- Music and beauty -- Music as the exploration of sound -- Sonic art and digital technology -- The visual arts -- What is representation? -- Representation and artistic value - Art and the visual -- Visual art and the non-visual -- Film as art -- Montage versus Longshot -- Talkies -- The 'auteur' in film -- The literary arts -- Poetry and prose -- The unity of form and content -- Figures of speech -- Expressive language -- Poetic devices -- Narrative and fiction -- Literature and understanding -- The performing arts -- Artist, audience, and performer -- Painting as the paradigm of art -- Nietzsche and the birth of tragedy -- Performance and participation -- The art of the actor -- Architecture as an art -- The peculiarities of architecture -- Form and function and 'the decorated -- Shed' facade, deception, and the 'Zeitgeist' -- Functionalism -- Formalism and 'space' -- Architectural expression -- Architecture and understanding -- Modern art -- The break with tradition -- Experimental art and the avant-garde - The
ISBN: 0415349788$b(hbk. : alk. paper)
LCCN: 2005002568Subjects--Topical Terms:
523036
Aesthetics.
LC Class. No.: BH39 / .G67 2005
Dewey Class. No.: 111/.85
Philosophy of the arts : = an introduction to aesthetics /
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an introduction to aesthetics /
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Includes bibliographical references (p. 252-255) and index.
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Art and pleasure -- Hume on taste and tragedy -- Collingwood on art as amusement -- Mill on higher and lower pleasures -- The nature of pleasure -- Art and beauty -- Beauty and pleasure -- Kant on beauty -- The aesthetic attitude and the sublime -- Art and the aesthetic -- Gadamer and art as play -- Art and sport -- Art and emotion -- Tolstoy and everyday expressivism -- Aristotle and Katharsis -- Expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism -- Expression versus expressiveness -- Art and understanding -- Hegel, art and mind -- Art, science and knowledge -- Aesthetic -- Cognitivism, for and against -- Imagination and experience -- The objects of imagination -- Art and the world -- Understanding as a norm -- Art and -- Human nature -- Music and sonic art -- Music and pleasure -- Music and emotion -- Music as language -- Music and representation -- Musical vocabulary and musical grammar -- The uniqueness of music -- Music and beauty -- Music as the exploration of sound -- Sonic art and digital technology -- The visual arts -- What is representation? -- Representation and artistic value - Art and the visual -- Visual art and the non-visual -- Film as art -- Montage versus Longshot -- Talkies -- The 'auteur' in film -- The literary arts -- Poetry and prose -- The unity of form and content -- Figures of speech -- Expressive language -- Poetic devices -- Narrative and fiction -- Literature and understanding -- The performing arts -- Artist, audience, and performer -- Painting as the paradigm of art -- Nietzsche and the birth of tragedy -- Performance and participation -- The art of the actor -- Architecture as an art -- The peculiarities of architecture -- Form and function and 'the decorated -- Shed' facade, deception, and the 'Zeitgeist' -- Functionalism -- Formalism and 'space' -- Architectural expression -- Architecture and understanding -- Modern art -- The break with tradition -- Experimental art and the avant-garde - The
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art of the readymade -- Conceptual art -- The market in art -- Art and leisure -- The aesthetics of nature -- The objectivity of aesthetic evaluation -- The artist's intention -- The intentionalist -- 'Fallacy' -- Natural beauty -- Environmentalism and the aesthetics of nature -- Theories of art -- Defining art -- Art as an institution -- Sociology and the marxist theory of art - Lukacs and realism -- Levy-Strauss and structuralism -- Derrida and deconstruction -- Hegel and Schopenhauer : normative theory of art.
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五樓西文書區A-HB(5F Western Language Books)
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F0055967
五樓西文書區A-HB(5F Western Language Books)
01.外借(書)_YB
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BH39 G67 2005
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