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The Poet's Voice: Historical and Reg...
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Qiao, Nini,
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The Poet's Voice: Historical and Regional Dialects as a Resource for the Chinese Art Song Tradition /
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Poet's Voice: Historical and Regional Dialects as a Resource for the Chinese Art Song Tradition // Nini Qiao.
Author:
Qiao, Nini,
Description:
1 electronic resource (167 pages)
Notes:
Source: Dissertations Abstracts International, Volume: 86-04, Section: A.
Contained By:
Dissertations Abstracts International86-04A.
Subject:
Music. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31673978
ISBN:
9798384088271
The Poet's Voice: Historical and Regional Dialects as a Resource for the Chinese Art Song Tradition /
Qiao, Nini,
The Poet's Voice: Historical and Regional Dialects as a Resource for the Chinese Art Song Tradition /
Nini Qiao. - 1 electronic resource (167 pages)
Source: Dissertations Abstracts International, Volume: 86-04, Section: A.
Legato is essential to Western classical singing, in as much as this singing is centered on the sonority and rhythm of words and the demonstration of a cultivated, sustained vocalism. Some Chinese regional dialects retain phonation characteristics from ancient Chinese dialects, which can significantly improve legato and sound quality in singing.The musical appreciation of ancient Chinese poetry - commonly used in modern Chinese art song - is made difficult by the seemingly stark contrast between ancient and modern Chinese spoken language. The present study takes advantage of a wide range of disciplines, including Chinese literature, linguistics, musicology, voice science, and physiology, to explore the value of ancient dialect as an integral aspect of performance practice in modern Chinese art song, and as a tool to assist with the physical demands of singing including the particular difficulties of legato.A comparative analysis will delve into the phonology of ancient Chinese poetry, exploring the character of Mandarin, ancient, and regional dialects, and examining the differences between modern and ancient Chinese words, with a focus on pronunciation. The study of ancient language helps to address the challenge of non-legato singing in Mandarin by identifying new possibilities in both composition and interpretation of art song, as will be discussed in relation to two songs: "Song of the Yue Boatman" and "Night Mooring at Maple Bridge." In so doing, this comparison aims to uncover potential folk and regional influences for future development of Chinese art songs.
English
ISBN: 9798384088271Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Comparative analysis
The Poet's Voice: Historical and Regional Dialects as a Resource for the Chinese Art Song Tradition /
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Legato is essential to Western classical singing, in as much as this singing is centered on the sonority and rhythm of words and the demonstration of a cultivated, sustained vocalism. Some Chinese regional dialects retain phonation characteristics from ancient Chinese dialects, which can significantly improve legato and sound quality in singing.The musical appreciation of ancient Chinese poetry - commonly used in modern Chinese art song - is made difficult by the seemingly stark contrast between ancient and modern Chinese spoken language. The present study takes advantage of a wide range of disciplines, including Chinese literature, linguistics, musicology, voice science, and physiology, to explore the value of ancient dialect as an integral aspect of performance practice in modern Chinese art song, and as a tool to assist with the physical demands of singing including the particular difficulties of legato.A comparative analysis will delve into the phonology of ancient Chinese poetry, exploring the character of Mandarin, ancient, and regional dialects, and examining the differences between modern and ancient Chinese words, with a focus on pronunciation. The study of ancient language helps to address the challenge of non-legato singing in Mandarin by identifying new possibilities in both composition and interpretation of art song, as will be discussed in relation to two songs: "Song of the Yue Boatman" and "Night Mooring at Maple Bridge." In so doing, this comparison aims to uncover potential folk and regional influences for future development of Chinese art songs.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31673978
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