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The Analysis and Performance Interpr...

Chang, Chin-Yu,

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The Analysis and Performance Interpretation of Cho Chi-Jou's "Moonlight Fantasy - For Dizi Solo, Accompanied by Cello and Piano" = = 卓綺柔《夜華印象-為笛獨奏與大提琴、鋼琴雙伴奏》作品分析與詮釋 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Analysis and Performance Interpretation of Cho Chi-Jou's "Moonlight Fantasy - For Dizi Solo, Accompanied by Cello and Piano" =/ Chin-Yu Chang.
Reminder of title:	卓綺柔《夜華印象-為笛獨奏與大提琴、鋼琴雙伴奏》作品分析與詮釋 /
Author:	Chang, Chin-Yu,
Description:	1 electronic resource (73 pages)
Notes:	Source: Masters Abstracts International, Volume: 86-09.
Contained By:	Masters Abstracts International86-09.
Subject:	Music. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31945079
ISBN:	9798308192411

The Analysis and Performance Interpretation of Cho Chi-Jou's "Moonlight Fantasy - For Dizi Solo, Accompanied by Cello and Piano" = = 卓綺柔《夜華印象-為笛獨奏與大提琴、鋼琴雙伴奏》作品分析與詮釋 /
Chang, Chin-Yu,

The Analysis and Performance Interpretation of Cho Chi-Jou's "Moonlight Fantasy - For Dizi Solo, Accompanied by Cello and Piano" =卓綺柔《夜華印象-為笛獨奏與大提琴、鋼琴雙伴奏》作品分析與詮釋 /Chin-Yu Chang. - 1 electronic resource (73 pages)

Source: Masters Abstracts International, Volume: 86-09.

The composition "Moonlight Fantasy for Solo Flute and Accompaniment of Cello and Piano" by Cho Chi-Jou was composed in 2023 as a reimagining of the earlier piece "Moonlight Fantasy Trio for Erhu, Cello, and Piano" from 2021. The piece transforms the trio into a format featuring the flute as the main instrument, accompanied by two others. The material in the piece blends elements from Yu-Wei Hsieh's "Moonlight" and Debussy's "Clair de Lune." It showcases the complete thematic melody of "Moonlight," changes the time signature, and adds more embellishments and variations to the melody, making it sound more extended and lingering. The piece also incorporates the familiar piano accompaniment patterns from Debussy's "Clair de Lune," transforming the second theme's rhythmic progression from a regular eighth-note pattern into a rapidly flowing and extended creation, aligning the sound more closely with the composer's imagination of the changing moonlight. Through Qi-Rou Zhuo's unique compositional style, the piece skillfully merges Eastern Hakka musical elements with Western Debussy compositions, and explores diverse instrumental combinations. This modern piece, "Moonlight Fantasy," offers new attempts and experiences for contemporary bamboo flute performers. This thesis is divided into five chapters. By examining the connection between Qi-Rou Zhuo's background and creative motivations, it explores the various motifs and materials used in "Moonlight Fantasy," and analyzes the structure of the composition, aiming for a deeper understanding of the piece's implications. Finally, the author details their interpretive ideas and opinions on the use and interaction of instrumental timbres, hoping to help future performers gain a more profound understanding and deliver a more nuanced interpretation of the piece.

Chinese

ISBN: 9798308192411Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

夜華印象

The Analysis and Performance Interpretation of Cho Chi-Jou's "Moonlight Fantasy - For Dizi Solo, Accompanied by Cello and Piano" = = 卓綺柔《夜華印象-為笛獨奏與大提琴、鋼琴雙伴奏》作品分析與詮釋 /
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520 $a The composition "Moonlight Fantasy for Solo Flute and Accompaniment of Cello and Piano" by Cho Chi-Jou was composed in 2023 as a reimagining of the earlier piece "Moonlight Fantasy Trio for Erhu, Cello, and Piano" from 2021. The piece transforms the trio into a format featuring the flute as the main instrument, accompanied by two others. The material in the piece blends elements from Yu-Wei Hsieh's "Moonlight" and Debussy's "Clair de Lune." It showcases the complete thematic melody of "Moonlight," changes the time signature, and adds more embellishments and variations to the melody, making it sound more extended and lingering. The piece also incorporates the familiar piano accompaniment patterns from Debussy's "Clair de Lune," transforming the second theme's rhythmic progression from a regular eighth-note pattern into a rapidly flowing and extended creation, aligning the sound more closely with the composer's imagination of the changing moonlight. Through Qi-Rou Zhuo's unique compositional style, the piece skillfully merges Eastern Hakka musical elements with Western Debussy compositions, and explores diverse instrumental combinations. This modern piece, "Moonlight Fantasy," offers new attempts and experiences for contemporary bamboo flute performers. This thesis is divided into five chapters. By examining the connection between Qi-Rou Zhuo's background and creative motivations, it explores the various motifs and materials used in "Moonlight Fantasy," and analyzes the structure of the composition, aiming for a deeper understanding of the piece's implications. Finally, the author details their interpretive ideas and opinions on the use and interaction of instrumental timbres, hoping to help future performers gain a more profound understanding and deliver a more nuanced interpretation of the piece.
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