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Jonathan Harvey's Anglican Choral Wo...

Pekel, Michael,

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Jonathan Harvey's Anglican Choral Works: Contexts, Musical Elements, and Analyses of Five Selected Works /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Jonathan Harvey's Anglican Choral Works: Contexts, Musical Elements, and Analyses of Five Selected Works // Michael Pekel.
Author:	Pekel, Michael,
Description:	1 electronic resource (117 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 86-08, Section: A.
Contained By:	Dissertations Abstracts International86-08A.
Subject:	Music. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31763983
ISBN:	9798302862099

Jonathan Harvey's Anglican Choral Works: Contexts, Musical Elements, and Analyses of Five Selected Works /
Pekel, Michael,

Jonathan Harvey's Anglican Choral Works: Contexts, Musical Elements, and Analyses of Five Selected Works /Michael Pekel. - 1 electronic resource (117 pages)

Source: Dissertations Abstracts International, Volume: 86-08, Section: A.

The Anglican choral works of English composer Jonathan Harvey (1939-2012) occupy a distinctive place in the world of modern sacred choral music. The musical language that Harvey employed in his Anglican choral works depends on musical features of pitch symmetry, spectralism, and dramatic variation forms, all of which are described as having distinctive spiritual symbolism in Harvey's expansive published writings. This thesis discusses Harvey's Anglican choral works in two broad brushstrokes. First, the thesis examines the historical context of the works with a focus on Harvey's initial movement into the world of Anglican cathedral music at Winchester Cathedral in the 1970s. Harvey's spirited friendship with choirmaster Martin Neary brought about a string of works written for the Winchester Cathedral Choir. The second part of the thesis discusses Harvey's aesthetics as well as aspects of the compositional language of the church works, such as spectralism and pitch symmetry, that are informed by those aesthetics. Through his prose and compositions, Harvey sought to articulate a vision of music as a mirror of spiritual practices with reference to concepts involving Buddhist teachings and meditation. Analyses of five selected works, including I love the Lord (1977), Come, Holy Ghost (1986), The Angels (1995), Missa Brevis (1995), and The Annunciation (2011), show how Harvey's unified compositional language is employed to shape dramatic musical meditations on sacred and poetic texts.

English

ISBN: 9798302862099Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Anglican choral works

Jonathan Harvey's Anglican Choral Works: Contexts, Musical Elements, and Analyses of Five Selected Works /
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520 $a The Anglican choral works of English composer Jonathan Harvey (1939-2012) occupy a distinctive place in the world of modern sacred choral music. The musical language that Harvey employed in his Anglican choral works depends on musical features of pitch symmetry, spectralism, and dramatic variation forms, all of which are described as having distinctive spiritual symbolism in Harvey's expansive published writings. This thesis discusses Harvey's Anglican choral works in two broad brushstrokes. First, the thesis examines the historical context of the works with a focus on Harvey's initial movement into the world of Anglican cathedral music at Winchester Cathedral in the 1970s. Harvey's spirited friendship with choirmaster Martin Neary brought about a string of works written for the Winchester Cathedral Choir. The second part of the thesis discusses Harvey's aesthetics as well as aspects of the compositional language of the church works, such as spectralism and pitch symmetry, that are informed by those aesthetics. Through his prose and compositions, Harvey sought to articulate a vision of music as a mirror of spiritual practices with reference to concepts involving Buddhist teachings and meditation. Analyses of five selected works, including I love the Lord (1977), Come, Holy Ghost (1986), The Angels (1995), Missa Brevis (1995), and The Annunciation (2011), show how Harvey's unified compositional language is employed to shape dramatic musical meditations on sacred and poetic texts.
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653 $a Anglican choral works
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653 $a Neary, Martin
653 $a Spectralism
653 $a Pitch symmetry
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