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Embodied Technology: Human Machine C...

Wolfe, Hannah Elizabeth,

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Embodied Technology: Human Machine Communication from the Media Arts Perspective /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Embodied Technology: Human Machine Communication from the Media Arts Perspective // Hannah Elizabeth Wolfe.
Author:	Wolfe, Hannah Elizabeth,
Description:	1 electronic resource (199 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 81-09, Section: B.
Contained By:	Dissertations Abstracts International81-09B.
Subject:	Multimedia communications. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27668408
ISBN:	9781392652701

Embodied Technology: Human Machine Communication from the Media Arts Perspective /
Wolfe, Hannah Elizabeth,

Embodied Technology: Human Machine Communication from the Media Arts Perspective /Hannah Elizabeth Wolfe. - 1 electronic resource (199 pages)

Source: Dissertations Abstracts International, Volume: 81-09, Section: B.

This dissertation is the study of a series of media art installations that deal with embodied technology which allows humans to interact with computers in different contexts. It explores the social effects of ubiquitous technology and the role for embodied media arts as a critique of interactive digital technologies which are replacing physically present forms of communication with our environment and with each other. In these works I examined the affordances of different physical spaces and observed how the social dynamics were affected. To probe these systems, I am using affective computing (computational expression of emotion) and tangible computing (objects with computational power). Intimate spaces allow for the ability to touch and to hold technology. Here the emotive haptic and emotive sonic response of a robot changed the way that people interacted with and viewed the robot and each other. Whether someone was directly interacting with the robot or simply observing drastically changed the emotion they thought the robot was expressing. Social spaces allow for the ability to interact interpersonally with technology. I explore how interactions change when they are embodied and public, while examining gender roles, female agency, and the line between human and machine. Interactive environments allow for movement and for multiple people interacting with large amounts of information and therefore each other. Personal mobile technology, multimodal interfaces, and distributed interfaces were used to allow multiple people to interact with the system and each other. Through these works, I show that media artworks, which embody technology and give it emotive qualities, critique the way that technology is used and change the way that people interact with it.

English

ISBN: 9781392652701Subjects--Topical Terms:

590562
Multimedia communications.
Subjects--Index Terms:

Human machine communication

Embodied Technology: Human Machine Communication from the Media Arts Perspective /
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100 1 $a Wolfe, Hannah Elizabeth, $e author. $3 3829021
245 1 0 $a Embodied Technology: Human Machine Communication from the Media Arts Perspective / $c Hannah Elizabeth Wolfe.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 1 electronic resource (199 pages)
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500 $a Source: Dissertations Abstracts International, Volume: 81-09, Section: B.
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500 $a Advisors: Kuchera-Morin, JoAnn; Peljhan, Marko Committee members: Visell, Yon .
502 $b Ph.D. $c University of California, Santa Barbara $d 2019.
520 $a This dissertation is the study of a series of media art installations that deal with embodied technology which allows humans to interact with computers in different contexts. It explores the social effects of ubiquitous technology and the role for embodied media arts as a critique of interactive digital technologies which are replacing physically present forms of communication with our environment and with each other. In these works I examined the affordances of different physical spaces and observed how the social dynamics were affected. To probe these systems, I am using affective computing (computational expression of emotion) and tangible computing (objects with computational power). Intimate spaces allow for the ability to touch and to hold technology. Here the emotive haptic and emotive sonic response of a robot changed the way that people interacted with and viewed the robot and each other. Whether someone was directly interacting with the robot or simply observing drastically changed the emotion they thought the robot was expressing. Social spaces allow for the ability to interact interpersonally with technology. I explore how interactions change when they are embodied and public, while examining gender roles, female agency, and the line between human and machine. Interactive environments allow for movement and for multiple people interacting with large amounts of information and therefore each other. Personal mobile technology, multimodal interfaces, and distributed interfaces were used to allow multiple people to interact with the system and each other. Through these works, I show that media artworks, which embody technology and give it emotive qualities, critique the way that technology is used and change the way that people interact with it.
546 $a English
590 $a School code: 0035
650 4 $a Multimedia communications. $3 590562
650 4 $a Fine arts. $3 2122690
650 4 $a Computer science. $3 523869
653 $a Human machine communication
690 $a 0558
690 $a 0357
690 $a 0984
710 2 $a University of California, Santa Barbara. $b Media Arts and Technology. $e degree granting institution. $3 3818721
720 1 $a Kuchera-Morin, JoAnn $e degree supervisor.
720 1 $a Peljhan, Marko $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 81-09B.
790 $a 0035
791 $a Ph.D.
792 $a 2019
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