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Dancing With Stanislavsky: An Applic...

Novak, Deborah,

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Dancing With Stanislavsky: An Application of the Method of Physical Action to a Contemporary Ballet /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Dancing With Stanislavsky: An Application of the Method of Physical Action to a Contemporary Ballet // Deborah Novak.
作者:	Novak, Deborah,
面頁冊數:	1 electronic resource (235 pages)
附註:	Source: Dissertations Abstracts International, Volume: 87-01, Section: B.
Contained By:	Dissertations Abstracts International87-01B.
標題:	Theater. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=32184355
ISBN:	9798286450442

Dancing With Stanislavsky: An Application of the Method of Physical Action to a Contemporary Ballet /
Novak, Deborah,

Dancing With Stanislavsky: An Application of the Method of Physical Action to a Contemporary Ballet /Deborah Novak. - 1 electronic resource (235 pages)

Source: Dissertations Abstracts International, Volume: 87-01, Section: B.

For over 50 years, I have observed ballet dancers bifurcating themselves in class and performance. Focusing on the external body shapes of classical technique, they ignore their internal thoughts, feelings, and emotions. In the 1920s and 30s, Konstantin Stanislavsky faced a similar situation with opera singers, who concentrated on producing beautiful vocal tones and ignored the interior life of their roles. Through his system of acting technique, he attempted to merge "the inner and the outer" in order to create holistic performances onstage.In this paper, I will apply major elements of Stanislavsky's Method of Physical Action to an original contemporary ballet. By doing actions, in the form of verb infinitives, the dancer's interiority and exteriority are engaged simultaneously. I will argue that this method can counteract the external focus of ballet dancers, stimulate their inner lives, and produce embodied movement.

English

ISBN: 9798286450442Subjects--Topical Terms:

522973
Theater.
Subjects--Index Terms:

Stanislavsky

Dancing With Stanislavsky: An Application of the Method of Physical Action to a Contemporary Ballet /
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520 $a For over 50 years, I have observed ballet dancers bifurcating themselves in class and performance. Focusing on the external body shapes of classical technique, they ignore their internal thoughts, feelings, and emotions. In the 1920s and 30s, Konstantin Stanislavsky faced a similar situation with opera singers, who concentrated on producing beautiful vocal tones and ignored the interior life of their roles. Through his system of acting technique, he attempted to merge "the inner and the outer" in order to create holistic performances onstage.In this paper, I will apply major elements of Stanislavsky's Method of Physical Action to an original contemporary ballet. By doing actions, in the form of verb infinitives, the dancer's interiority and exteriority are engaged simultaneously. I will argue that this method can counteract the external focus of ballet dancers, stimulate their inner lives, and produce embodied movement.
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650 4 $a Theater. $3 522973
650 4 $a Dance. $3 610547
650 4 $a Cognitive psychology. $3 523881
653 $a Stanislavsky
653 $a Acting
653 $a Holistic performances
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690 $a 0378
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