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Listening Otherwise, Critical Musick...

Allen, Erin T.,

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Listening Otherwise, Critical Musicking, and the Ethics of Engagement in the HONK! Street Band Movement /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Listening Otherwise, Critical Musicking, and the Ethics of Engagement in the HONK! Street Band Movement // Erin T Allen.
作者:	Allen, Erin T.,
面頁冊數:	1 electronic resource (274 pages)
附註:	Source: Dissertations Abstracts International, Volume: 86-11, Section: A.
Contained By:	Dissertations Abstracts International86-11A.
標題:	Music. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=32112007
ISBN:	9798314892206

Listening Otherwise, Critical Musicking, and the Ethics of Engagement in the HONK! Street Band Movement /
Allen, Erin T.,

Listening Otherwise, Critical Musicking, and the Ethics of Engagement in the HONK! Street Band Movement /Erin T Allen. - 1 electronic resource (274 pages)

Source: Dissertations Abstracts International, Volume: 86-11, Section: A.

The HONK! Street Band Movement and its family of festivals ? participatory, grassroots, and non-commercial festivals featuring activist or community-based brass and percussion ensembles ? began in 2006 with the aim of gathering together street bands who share similar musical repertoires, performance practices, and political philosophies in order to share their music and facilitate dialogue about the roles and practices of brass bands in civic and political life. HONK! musicians use sound and music as a means for inviting people to assemble in public, in-person festivals in ways understood by participants as contesting hegemonic power and reclaiming public space. In addition to drawing on longer ludic and resistant histories of brass and festival traditions, HONK! bands draw on music and performance practices associated with the political street theatre of Vermont's Bread and Puppet Theatre and from activist brass bands in America and Europe, which developed as part of alter-globalization movements in the 1990s and antiwar movements in the early 2000s. In the years since the inaugural festival in Somerville, Massachusetts, HONK! musicians, music, and ideas have circulated between new HONK! festivals in other cities and have adapted to situated local dynamics and musical histories. Thus HONK! has become an emergent transnational movement with nearly two dozen festivals on five continents. HONK! musicians perform repertoires as diverse as punk, rock, and reggae; Balkan, Klezmer, and Romani influences from Eastern Europe; the Latin American sounds of samba, cumbia, banda, and salsa; and the New Orleans second line tradition. HONK! festivals include highly energetic, participatory performances in public spaces that aim to bridge distinctions between performers and audiences and foster feelings of inclusivity that may mobilize diverse participants to become (and stay) involved in the movement, as well as in social life more broadly.Based on collaborative, critically engaged ethnography and active participation as a trumpet player, this dissertation focuses on HONK! festivals in the United States and investigates the ethical, moral, and existential possibilities and risks for civically engaged and politically oriented performance. In song and dance, at public squares and in the streets, through the use of loud, acoustic, and mobile instruments, and through practices of listening and sounding, HONK! festivals have the performative potential for mobilizing bodies, affect, and ideas to facilitate civic and political engagement, to foster empathy, and to shape ethical practice and critical thought. Ultimately, I argue that socio-spatial, political, and educational practices grounded in the sonic sensibilities of empathetic sounding and listening otherwise are informed by, musically manifest in, and have the potential to critically transform a public realm characterized by its diversity, inequality, and shifting forms of identity and belonging.

English

ISBN: 9798314892206Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Brass bands

Listening Otherwise, Critical Musicking, and the Ethics of Engagement in the HONK! Street Band Movement /
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