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Diatonic Chord Loops in Post-Millenn...

Park, Jinny,

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Diatonic Chord Loops in Post-Millennial Pop Harmony /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Diatonic Chord Loops in Post-Millennial Pop Harmony // Jinny Park.
Author:	Park, Jinny,
Description:	1 electronic resource (458 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 86-11, Section: A.
Contained By:	Dissertations Abstracts International86-11A.
Subject:	Music theory. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=32001511
ISBN:	9798314899854

Diatonic Chord Loops in Post-Millennial Pop Harmony /
Park, Jinny,

Diatonic Chord Loops in Post-Millennial Pop Harmony /Jinny Park. - 1 electronic resource (458 pages)

Source: Dissertations Abstracts International, Volume: 86-11, Section: A.

In post-millennial pop, formal sections adapted from Electronic Popular Music (EDM)-riser, drop, and dance chorus-create musical tension and closure through their sonic function instead of scale-degree-based functional harmony. While chord loops in EDM-pop mostly consist of major or minor triads of a single diatonic collection, their harmonic syntax diverges from common-practice idioms; a melody often appears independently above the cyclic repetitions of the chord loop, where multiple tonal centers are perpetually in non-alignment with each other. There have been several case studies of ambiguous tonality for notable chord-loop schemas; however, there is no expert-encoded harmony dataset of the post-millennial pop to corroborate these harmonic theories.By building the metacorpus-a metacorpus study of an expert-encoded dataset of over two hundred songs-I uncovered a shift in the harmonic syntax of chord loops after 2000. The harmony is encoded in Nashville numbers using the "relative key" approach which flattens potential tonics into equivocal positions in a single diatonic collection (diatonic positions). This approach allows multiple interpretations of a chord loop while ensuring unequivocal identification of the chord-loop schemas, thus revealing a shared harmonic grammar consistent within a style.I defined four prominent trends (categories) in the metacorpus. Each category is determined by the degree to which the main chord loop is transformed, ranging from literal repetition of a single chord loop to multiple contrasting chord loops in a song. I provided in-depth example analyses for each category to demonstrate how varying degrees of chord-loop transformations within a song can generate different types of formal syntax and phrase structure. Moreover, I discovered style-specific post-millennial pop trends common across all categories. Notably, what I denote as the chord-loop-pairs-two related chord progressions that form a chord loop-are normative to EDM-pop, especially for the Axis and Plateau loop families. Formal functions were established by transformations of the chord loop; substituting a chord-loop member with a silence functioned as a "drop," anticipating the upcoming formal boundary. I conclude that the transformations of chord loops across formal sections determine perception of formal functions and musical tension.

English

ISBN: 9798314899854Subjects--Topical Terms:

547155
Music theory.
Subjects--Index Terms:

Chord loops

Diatonic Chord Loops in Post-Millennial Pop Harmony /
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520 $a In post-millennial pop, formal sections adapted from Electronic Popular Music (EDM)-riser, drop, and dance chorus-create musical tension and closure through their sonic function instead of scale-degree-based functional harmony. While chord loops in EDM-pop mostly consist of major or minor triads of a single diatonic collection, their harmonic syntax diverges from common-practice idioms; a melody often appears independently above the cyclic repetitions of the chord loop, where multiple tonal centers are perpetually in non-alignment with each other. There have been several case studies of ambiguous tonality for notable chord-loop schemas; however, there is no expert-encoded harmony dataset of the post-millennial pop to corroborate these harmonic theories.By building the metacorpus-a metacorpus study of an expert-encoded dataset of over two hundred songs-I uncovered a shift in the harmonic syntax of chord loops after 2000. The harmony is encoded in Nashville numbers using the "relative key" approach which flattens potential tonics into equivocal positions in a single diatonic collection (diatonic positions). This approach allows multiple interpretations of a chord loop while ensuring unequivocal identification of the chord-loop schemas, thus revealing a shared harmonic grammar consistent within a style.I defined four prominent trends (categories) in the metacorpus. Each category is determined by the degree to which the main chord loop is transformed, ranging from literal repetition of a single chord loop to multiple contrasting chord loops in a song. I provided in-depth example analyses for each category to demonstrate how varying degrees of chord-loop transformations within a song can generate different types of formal syntax and phrase structure. Moreover, I discovered style-specific post-millennial pop trends common across all categories. Notably, what I denote as the chord-loop-pairs-two related chord progressions that form a chord loop-are normative to EDM-pop, especially for the Axis and Plateau loop families. Formal functions were established by transformations of the chord loop; substituting a chord-loop member with a silence functioned as a "drop," anticipating the upcoming formal boundary. I conclude that the transformations of chord loops across formal sections determine perception of formal functions and musical tension.
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650 4 $a Music. $3 516178
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653 $a Data analysis
653 $a Popular music
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