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Sound Designs for Four Dominant Type...

Cantelon, Matthew,

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Sound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive // Matthew Cantelon.
Author:	Cantelon, Matthew,
Description:	1 electronic resource (251 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 86-04, Section: A.
Contained By:	Dissertations Abstracts International86-04A.
Subject:	Theater. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31673901
ISBN:	9798384087601

Sound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive /
Cantelon, Matthew,

Sound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive /Matthew Cantelon. - 1 electronic resource (251 pages)

Source: Dissertations Abstracts International, Volume: 86-04, Section: A.

This dissertation project uses a phenomenological approach to better understand the aural experience of audiences in theatrical productions and to advance the study of the art of sound design beyond the level of technical manuals. The arrangement of the audience within the theatre space is an often-overlooked variable that affects how the audience listens to and contextualizes the performance. In addition to aural framing, this dissertation explores the concepts of noise, silence, aural intimacy, mediatization, immersive audio, audience reception, and the communal experience of listening in thrust, arena, proscenium, and immersive stages.

English

ISBN: 9798384087601Subjects--Topical Terms:

522973
Theater.
Subjects--Index Terms:

Sound design

Sound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive /
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100 1 $a Cantelon, Matthew, $e author. $3 3827722
245 1 0 $a Sound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive / $c Matthew Cantelon.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2024
300 $a 1 electronic resource (251 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 86-04, Section: A.
500 $a Advisors: Constantinidis, Stratos Committee members: Kattelman, Beth; Oliszewski, Alex.
502 $b Ph.D. $c The Ohio State University $d 2024.
520 $a This dissertation project uses a phenomenological approach to better understand the aural experience of audiences in theatrical productions and to advance the study of the art of sound design beyond the level of technical manuals. The arrangement of the audience within the theatre space is an often-overlooked variable that affects how the audience listens to and contextualizes the performance. In addition to aural framing, this dissertation explores the concepts of noise, silence, aural intimacy, mediatization, immersive audio, audience reception, and the communal experience of listening in thrust, arena, proscenium, and immersive stages.
546 $a English
590 $a School code: 0168
650 4 $a Theater. $3 522973
650 4 $a Theater studies. $3 3179019
650 4 $a Theater history. $3 2144911
650 4 $a Performing arts. $3 523119
653 $a Sound design
653 $a Theatre spaces
653 $a Phenomenology of sound
653 $a Theatre noise
690 $a 0644
690 $a 0465
690 $a 0641
710 2 $a The Ohio State University. $b Theatre. $e degree granting institution. $3 3827723
720 1 $a Constantinidis, Stratos $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 86-04A.
790 $a 0168
791 $a Ph.D.
792 $a 2024
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31673901