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Artistic Practice-Based/Autoethnogra...

Mancic, Ivana,

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Artistic Practice-Based/Autoethnographic Exploration into the Issues of Belongings, Identity, Loss, and Trauma Through Photography: The Yugoslav Case /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Artistic Practice-Based/Autoethnographic Exploration into the Issues of Belongings, Identity, Loss, and Trauma Through Photography: The Yugoslav Case // Ivana Mancic.
作者:	Mancic, Ivana,
面頁冊數:	1 electronic resource (288 pages)
附註:	Source: Dissertations Abstracts International, Volume: 86-05, Section: A.
Contained By:	Dissertations Abstracts International86-05A.
標題:	History. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31673871
ISBN:	9798346393207

Artistic Practice-Based/Autoethnographic Exploration into the Issues of Belongings, Identity, Loss, and Trauma Through Photography: The Yugoslav Case /
Mancic, Ivana,

Artistic Practice-Based/Autoethnographic Exploration into the Issues of Belongings, Identity, Loss, and Trauma Through Photography: The Yugoslav Case /Ivana Mancic. - 1 electronic resource (288 pages)

Source: Dissertations Abstracts International, Volume: 86-05, Section: A.

This PhD thesis addresses the issues surrounding the Yugoslav Civil war by offering my personal narrative in relation to loss and disappearance resulting from the exposure to war and sanctions in the nineties and the "Merciful Angel" bombing operation of Serbia by NATO in 1999. It thus focuses on the female interpretation of people, ways of life, buildings and human artefacts belonging to the historical period of communist Yugoslavia which once were, yet no longer remain. The research tackles different issues concerning life during Yugoslavia and the subsequent reestablishment of patriarchal values which occurred at the start of Yugoslav Civil war and conflicts that marked it. Photographic practice-based research allows an insight into individual stories which form a deeper understanding of the pre- and post- war Yugoslav society and the political circumstances surrounding it. The usage of photography as a vehicle for meaning making, allows an insight into the lives of people during communism through the lens of my closest family members. The work with archives, especially the photographs which originate from my personal family possession, brings closer these ghosts of the past times to the present moment. Microscope photography, as an element of practice-based research, offers a unique contribution by conveying my emotional response to what Yugoslavia represents in my experience. Furthermore, photography as a visual narrative is a means to investigate the society during and after the period of Yugoslavia. Autoethnography and site writing, as research methods combined with personal narrative, are also employed to allow a deeper understanding of culture and values of Yugoslav society and their subsequent clash. In addition, this research celebrates the importance of female voice and activism in the constant battle against patriarchy by acknowledging responsibility and patriarchal nature of war.

English

ISBN: 9798346393207Subjects--Topical Terms:

516518
History.

Artistic Practice-Based/Autoethnographic Exploration into the Issues of Belongings, Identity, Loss, and Trauma Through Photography: The Yugoslav Case /
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