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Allegories of Seeing From German Rom...

Kauder, Theresa Naomi,

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Allegories of Seeing From German Romanticism to (Post-)Cinematic Media Art: Novalis, Wim Wenders, Peter Handke, and Matthew Barney /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Allegories of Seeing From German Romanticism to (Post-)Cinematic Media Art: Novalis, Wim Wenders, Peter Handke, and Matthew Barney // Theresa Naomi Kauder.
作者:	Kauder, Theresa Naomi,
面頁冊數:	1 electronic resource (240 pages)
附註:	Source: Dissertations Abstracts International, Volume: 86-08, Section: A.
Contained By:	Dissertations Abstracts International86-08A.
標題:	German literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31564290
ISBN:	9798302887610

Allegories of Seeing From German Romanticism to (Post-)Cinematic Media Art: Novalis, Wim Wenders, Peter Handke, and Matthew Barney /
Kauder, Theresa Naomi,

Allegories of Seeing From German Romanticism to (Post-)Cinematic Media Art: Novalis, Wim Wenders, Peter Handke, and Matthew Barney /Theresa Naomi Kauder. - 1 electronic resource (240 pages)

Source: Dissertations Abstracts International, Volume: 86-08, Section: A.

My dissertation traces the legacy of German Romanticism in contemporary literature, film, media, and performance art. It emphasizes German Romanticism's resonance in German-European cinema and literature since 1945 as well as in current North American ecological aesthetics by focusing on three pivotal works across three chapters: Novalis's 1800-2 novel Heinrich von Ofterdingen (Henry of Ofterdingen), Wim Wenders's 1991 film Until the End of the World, and Matthew Barney's 2019 film and multi-media installation Redoubt, as shown at Yale University Art Gallery. The dissertation intervenes in the debate about German Romanticism's anticipation of twentieth-century literary and critical theory, alongside the significant discussions within film and media studies concerning the end of cinema in twenty-first-century digital environments. Furthermore, it contributes to the emerging Anthropocene and environmental humanities fields from a German literature and film and media studies perspective. In my dissertation, I argue that Romantic aesthetics endures in contemporary contexts and offer a novel contribution to scholarship through transdisciplinary conceptual interpretations and the inclusion of underexplored contemporary works across diverse media and artforms. My dissertation posits three key arguments: First, it argues that the legacy of Romantic poetry is a vital form of aesthetic critique and an allegory of seeing in the present, challenging the perception of German Romanticism as a merely irrational, sentimental period. Second, my dissertation asserts that cinema, or the twentieth-century cinematic experience, persists as a form of (post-)Romantic aesthetics in today's post-cinematic media landscape. In doing so, I draw on the historical-genealogical argument that the early nineteenth-century Romantic novel's poetics of optical media can be seen as pre-cinematic. Third, my dissertation claims that the Romantic poetry and philosophy of nature hold renewed relevance to global ecological aesthetics and politics in the context of climate change and Anthropocene thinking.

English

ISBN: 9798302887610Subjects--Topical Terms:

699188
German literature.
Subjects--Index Terms:

Contemporary art

Allegories of Seeing From German Romanticism to (Post-)Cinematic Media Art: Novalis, Wim Wenders, Peter Handke, and Matthew Barney /
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