東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Clara Wieck and Her Piano Variations...

Tan, Cheryl,

Linked to FindBook

Google Book

Amazon

博客來

Clara Wieck and Her Piano Variations: Postclassical Pianism of the 1830s /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Clara Wieck and Her Piano Variations: Postclassical Pianism of the 1830s // Cheryl Tan.
Author:	Tan, Cheryl,
Description:	1 electronic resource (319 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-12, Section: A.
Contained By:	Dissertations Abstracts International85-12A.
Subject:	Music. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31241459
ISBN:	9798382841441

Clara Wieck and Her Piano Variations: Postclassical Pianism of the 1830s /
Tan, Cheryl,

Clara Wieck and Her Piano Variations: Postclassical Pianism of the 1830s /Cheryl Tan. - 1 electronic resource (319 pages)

Source: Dissertations Abstracts International, Volume: 85-12, Section: A.

Scholarly and performative interest in the life and works of Clara Wieck-Schumann (1819-1896) began in the last decades of the twentieth century. The musicological interest in Wieck-Schumann in the four decades since Nancy Reich's landmark biography (1985) has led to a rich body of scholarship that has examined her numerous identities as a composer, performer, wife, daughter, mother, musical editor, and pedagogue. Much of the existing scholarship has been centred on post-marriage Clara Schumann; by contrast, the early career of Clara Wieck before her marriage in 1840 has received considerably less attention.This dissertation addresses this gap in musical scholarship, focusing on the first decade of Wieck's career and the postclassical milieu characterizing her childhood. It combines archival work with a study of instruments, aesthetics, culture, and musical analysis to examine the wider culture of postclassical pianism in the 1830s, its repertory, and the ways in which Wieck cultivated and established her image as a virtuosa within this milieu. In bringing together distinct methodological approaches, it seeks first to contextualize the aesthetics of postclassical pianism, then to investigate the genre of postclassical concert variations, both in wider musical culture and their role in Wieck's programming and performing practices.The genre of postclassical concert variations was pivotal to Wieck's early career and ubiquitous in wider musical life of the early nineteenth century, but fell to obsolescence by the middle of her career, and has since remained marginalized. Its reception history invites a reflection upon the longstanding historiographical narratives and practices that have come to shape our engagement with this repertoire and the culture of instrumental virtuosity to which it belonged, particularly in the domains of musicology and classical pianism. Engaging with the historical, social, cultural, and performative histories of these works and their composers reveals the rich and diverse practice embodied by this repertoire, and invites a deeper consideration of the complex relationships between gender, pianos, aesthetics, and cultural conceptions of virtuosity.

English

ISBN: 9798382841441Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Twentieth century

Clara Wieck and Her Piano Variations: Postclassical Pianism of the 1830s /
LDR:03679nmm a22004573i 4500 001 2436845
005 20251117053635.5
006 m o d
007 cr|nu||||||||
008 261011s2024 miu||||||m |||||||eng d
020 $a 9798382841441
035 $a (MiAaPQD)AAI31241459
035 $a AAI31241459
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a Tan, Cheryl, $e author. $0 (orcid)0009-0005-8813-0954 $3 3827649
245 1 0 $a Clara Wieck and Her Piano Variations: Postclassical Pianism of the 1830s / $c Cheryl Tan.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2024
300 $a 1 electronic resource (319 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-12, Section: A.
500 $a Advisors: Bjerken, Xak Committee members: Webster, James; Moseley, Roger.
502 $b D.M.A. $c Cornell University $d 2024.
520 $a Scholarly and performative interest in the life and works of Clara Wieck-Schumann (1819-1896) began in the last decades of the twentieth century. The musicological interest in Wieck-Schumann in the four decades since Nancy Reich's landmark biography (1985) has led to a rich body of scholarship that has examined her numerous identities as a composer, performer, wife, daughter, mother, musical editor, and pedagogue. Much of the existing scholarship has been centred on post-marriage Clara Schumann; by contrast, the early career of Clara Wieck before her marriage in 1840 has received considerably less attention.This dissertation addresses this gap in musical scholarship, focusing on the first decade of Wieck's career and the postclassical milieu characterizing her childhood. It combines archival work with a study of instruments, aesthetics, culture, and musical analysis to examine the wider culture of postclassical pianism in the 1830s, its repertory, and the ways in which Wieck cultivated and established her image as a virtuosa within this milieu. In bringing together distinct methodological approaches, it seeks first to contextualize the aesthetics of postclassical pianism, then to investigate the genre of postclassical concert variations, both in wider musical culture and their role in Wieck's programming and performing practices.The genre of postclassical concert variations was pivotal to Wieck's early career and ubiquitous in wider musical life of the early nineteenth century, but fell to obsolescence by the middle of her career, and has since remained marginalized. Its reception history invites a reflection upon the longstanding historiographical narratives and practices that have come to shape our engagement with this repertoire and the culture of instrumental virtuosity to which it belonged, particularly in the domains of musicology and classical pianism. Engaging with the historical, social, cultural, and performative histories of these works and their composers reveals the rich and diverse practice embodied by this repertoire, and invites a deeper consideration of the complex relationships between gender, pianos, aesthetics, and cultural conceptions of virtuosity.
546 $a English
590 $a School code: 0058
650 4 $a Music. $3 516178
650 4 $a Performing arts. $3 523119
650 4 $a Music theory. $3 547155
650 4 $a Music history. $3 3342382
653 $a Twentieth century
653 $a Musical analysis
653 $a Reception history
653 $a Postclassical pianism
653 $a Performing practices
653 $a Piano music
690 $a 0413
690 $a 0641
690 $a 0221
690 $a 0208
710 2 $a Cornell University. $b Music. $e degree granting institution. $3 3827650
720 1 $a Bjerken, Xak $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 85-12A.
790 $a 0058
791 $a D.M.A.
792 $a 2024
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31241459