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A Question of Mastery: Defects and L...

Frolova, Nadezda,

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A Question of Mastery: Defects and Layers /

Record Type:	Electronic resources : Monograph/item
Title/Author:	A Question of Mastery: Defects and Layers // Nadezda Frolova.
Author:	Frolova, Nadezda,
Description:	1 electronic resource (78 pages)
Notes:	Source: Masters Abstracts International, Volume: 85-11.
Contained By:	Masters Abstracts International85-11.
Subject:	Artists. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31011790
ISBN:	9798382673226

A Question of Mastery: Defects and Layers /
Frolova, Nadezda,

A Question of Mastery: Defects and Layers /Nadezda Frolova. - 1 electronic resource (78 pages)

Source: Masters Abstracts International, Volume: 85-11.

This work began with a topic that was interesting and exciting to me: the technology of multiple firing in ceramics and defective glazes. Almost immediately, I thought I knew how to build a testing and scientific research process. My goal was to collect an extensive library of effects and techniques that would meet my expectations, and using this palette, as a painter move directly to the very process of creating art objects.For the study, I chose one defect of my interest - the appearance of craters in the glaze driven by Silicon Carbide (SiC) and the dependence of the characters of the craters on the amount of SiC. The project was undertaken to evaluate how crater glazes work with other glazes such as copper red and crystalline glazes in layers, which will provide a variety of glazing textures.In the process of working with defects in glazes, there was an encounter with control, a desire to conform to the outlined plan, followed by the attempt to free myself and follow a more organic process. "Two" fundamental questions emerged on which to base the study of my art practice:1. What are the layers of process that make up my artistic practice? Who are the participants in this process: the inner values, intuition, the material with which I interact, fire, chance...something else?2. What role do 'chance and control' play in my art practice?Trying to find answers to these questions brought me closer to personal understanding about my artistic practice:● Dealing with uncertainty● Failure and disappointment● Empathy for the material● Trust of fire● Acting, not just planning.

English

ISBN: 9798382673226Subjects--Topical Terms:

524768
Artists.

A Question of Mastery: Defects and Layers /
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100 1 $a Frolova, Nadezda, $e author. $3 3827631
245 1 2 $a A Question of Mastery: Defects and Layers / $c Nadezda Frolova.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 1 electronic resource (78 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 85-11.
500 $a Advisors: Meitner, Richard; Coentro, Susana; Castelo, Marta.
502 $b M.S. $c Universidade NOVA de Lisboa (Portugal) $d 2021.
520 $a This work began with a topic that was interesting and exciting to me: the technology of multiple firing in ceramics and defective glazes. Almost immediately, I thought I knew how to build a testing and scientific research process. My goal was to collect an extensive library of effects and techniques that would meet my expectations, and using this palette, as a painter move directly to the very process of creating art objects.For the study, I chose one defect of my interest - the appearance of craters in the glaze driven by Silicon Carbide (SiC) and the dependence of the characters of the craters on the amount of SiC. The project was undertaken to evaluate how crater glazes work with other glazes such as copper red and crystalline glazes in layers, which will provide a variety of glazing textures.In the process of working with defects in glazes, there was an encounter with control, a desire to conform to the outlined plan, followed by the attempt to free myself and follow a more organic process. "Two" fundamental questions emerged on which to base the study of my art practice:1. What are the layers of process that make up my artistic practice? Who are the participants in this process: the inner values, intuition, the material with which I interact, fire, chance...something else?2. What role do 'chance and control' play in my art practice?Trying to find answers to these questions brought me closer to personal understanding about my artistic practice:● Dealing with uncertainty● Failure and disappointment● Empathy for the material● Trust of fire● Acting, not just planning.
520 $a Este trabalho comecou com um topico que era interessante e entusiasmante para mim: a tecnologia de multiplas cozeduras em ceramica e vidrados com "defeitos". Quase imediatamente, consegui imaginar um protocolo para testar estes processos de forma cientifica. O meu objetivo foi recolher uma extensa biblioteca de efeitos e tecnicas que fossem ao encontro das minhas expectativas, usando esta paleta diretamente no processo de criacao de obras de arte.Para o estudo, escolhi um dos defeitos que me interessavam - o aparecimento de crateras (ou pustulas) no vidrado por efeito do carboneto de silicio (SiC) e a relacao entre as caracteristicas das crateras e quantidade de SiC. O estudo incluiu ainda a avaliacao da interacao entre os vidrados de crateras (crater glaze) e outros - tais como o vidrado vermelho de cobre e os vidrados cristalinos - quando aplicados em camadas, originando uma variedade de texturas e cores.No processo de trabalhar com os defeitos em vidrados, deparei-me com a questao do controlo, com o desejo de corresponder a um plano delineado, a que se seguiu a tentativa de me libertar e seguir um processo mais organico. Surgiram "duas" questoes fundamentais nas quais basear o estudo da minha pratica artistica:1. Quais sao as camadas do processo que constituem a minha pratica artistica? Quem sao os participantes neste processo: os valores intrinsecos, a intuicao, o material com que interajo, o fogo, o acaso... algo diferente?2. Que papel desempenham o "acaso e o controlo" na minha pratica artistica?Tentar responder as estas questoes aproximou-me de uma compreensao pessoal acerca da minha arte:●Lidar com a incerteza●Fracasso e desilusao●Empatia pelo material●Confiar no fogo●Agir, nao planear apenas.
546 $a English
590 $a School code: 7029
650 4 $a Artists. $3 524768
650 4 $a Recipes. $3 1009569
650 4 $a Carbon dioxide. $3 587886
650 4 $a Painting. $3 524049
650 4 $a Fine arts. $3 2122690
690 $a 0357
710 2 $a Universidade NOVA de Lisboa (Portugal). $e degree granting institution. $3 3767537
720 1 $a Meitner, Richard $e degree supervisor.
720 1 $a Coentro, Susana $e degree supervisor.
720 1 $a Castelo, Marta $e degree supervisor.
773 0 $t Masters Abstracts International $g 85-11.
790 $a 7029
791 $a M.S.
792 $a 2021
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31011790