語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Reading for the End: Voice and Escha...
~
Un, John Marcus,
FindBook
Google Book
Amazon
博客來
Reading for the End: Voice and Eschatological Desire /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Reading for the End: Voice and Eschatological Desire // John Marcus Un.
作者:
Un, John Marcus,
面頁冊數:
1 electronic resource (206 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:
Dissertations Abstracts International84-12A.
標題:
Comparative literature. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30485526
ISBN:
9798379709983
Reading for the End: Voice and Eschatological Desire /
Un, John Marcus,
Reading for the End: Voice and Eschatological Desire /
John Marcus Un. - 1 electronic resource (206 pages)
Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
There is an eschatological ring to recent history: climate change, COVID-19, and crises of political representation have each inspired proclamations of the end of the world. While such historical events are singular and distinct, the impulse to interpret them as a finality is not. Recent debates on the phenomenon treat this impulse broadly as a residue of an ancient category of faith, an evocative metaphor at best or a destructive irrationality at worst. Missing, however, is a sustained inquiry into the question of eschatological enunciation - not only the story of the end, but its storyteller, or how voice relates to the finality it proclaims. Reading for the End explores the ongoing practice of eschatological anticipation through analysis of two literary representations - that of the end of the world and that of the postulated subject that witnesses and reports it, seemingly sequestered from the event. I approach the aporias of eschatological representation as at once an aesthetic, political, and psychic problematic: I draw upon the Marxian interpretation of eschatological speech as a political form of negation and turn to psychoanalysis to understand the ambivalence of the desire for the end expressed in the witness inherent to its staging. My introduction explores the determinations of the end of the world and literary perspective. I explore eschatological speech as a transhistorical evocation of political promise and the suppositions subtending the representation of perspective in literary voice. I then analyze how perspective challenges or problematizes depictions of the end as it confines the latter to the scope of a narrator. My first chapter, "A Voice at the End of the World," accounts for the remainder inherent to eschatological representation through comparative analyses of texts from Jean Paul, Catulle Mendes, Mary Shelley, and J.G. Ballard. I demonstrate the linguistic basis of the phenomenon of survival through the insoluble split between the subject of the enunciation and the subject of the statement. "The Contemporary End: Two Variations" applies the problematic of narratorial survival to two evocations of the end of the world - climate apocalypse and the end of history. Turning to Oryx and Crake by Margaret Atwood, The Science of God by Jean-Pierre Brisset, and The Last Days of Mankind by Karl Kraus, I treat survival as a narrative instantiation of the radically Other in species entanglement and utopian imagination. "End without End: A Season in Hell and the Language of Death" interrogates the refusal of the speaker of the poem to represent his death and the redirection of eschatological expectation to the act of writing. Through an analysis of Rimbaud's emphasis on method, I show how the process of inscription, as the death of the speaker, suggests that the end is not an event, but a condition of the subject. My conclusion argues through Kant's essay "The End of All Things" that, in the place of the universal, all-encompassing divine Voice, the problematic relation of enunciation to the end can be the possibility of an ongoing practice of positing the end. While not grounded in a reflection of what is, eschatological speech can intuit the promise of what could be as it organizes the world under the sign of its passing.
English
ISBN: 9798379709983Subjects--Topical Terms:
570001
Comparative literature.
Subjects--Index Terms:
Apocalypse
Reading for the End: Voice and Eschatological Desire /
LDR
:04721nmm a22004453i 4500
001
2436715
005
20251103124602.5
006
m o d
007
cr|nu||||||||
008
261011s2023 miu||||||m |||||||eng d
020
$a
9798379709983
035
$a
(MiAaPQD)AAI30485526
035
$a
AAI30485526
040
$a
MiAaPQD
$b
eng
$c
MiAaPQD
$e
rda
100
1
$a
Un, John Marcus,
$e
author.
$0
(orcid)0009-0006-6557-4648
$3
3827478
245
1 0
$a
Reading for the End: Voice and Eschatological Desire /
$c
John Marcus Un.
264
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2023
300
$a
1 electronic resource (206 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
500
$a
Advisors: McNulty, Tracy Committee members: Fleming, Paul; Traverso, Enzo; Waite, Geoffrey Carter W. .
502
$b
Ph.D.
$c
Cornell University
$d
2023.
520
$a
There is an eschatological ring to recent history: climate change, COVID-19, and crises of political representation have each inspired proclamations of the end of the world. While such historical events are singular and distinct, the impulse to interpret them as a finality is not. Recent debates on the phenomenon treat this impulse broadly as a residue of an ancient category of faith, an evocative metaphor at best or a destructive irrationality at worst. Missing, however, is a sustained inquiry into the question of eschatological enunciation - not only the story of the end, but its storyteller, or how voice relates to the finality it proclaims. Reading for the End explores the ongoing practice of eschatological anticipation through analysis of two literary representations - that of the end of the world and that of the postulated subject that witnesses and reports it, seemingly sequestered from the event. I approach the aporias of eschatological representation as at once an aesthetic, political, and psychic problematic: I draw upon the Marxian interpretation of eschatological speech as a political form of negation and turn to psychoanalysis to understand the ambivalence of the desire for the end expressed in the witness inherent to its staging. My introduction explores the determinations of the end of the world and literary perspective. I explore eschatological speech as a transhistorical evocation of political promise and the suppositions subtending the representation of perspective in literary voice. I then analyze how perspective challenges or problematizes depictions of the end as it confines the latter to the scope of a narrator. My first chapter, "A Voice at the End of the World," accounts for the remainder inherent to eschatological representation through comparative analyses of texts from Jean Paul, Catulle Mendes, Mary Shelley, and J.G. Ballard. I demonstrate the linguistic basis of the phenomenon of survival through the insoluble split between the subject of the enunciation and the subject of the statement. "The Contemporary End: Two Variations" applies the problematic of narratorial survival to two evocations of the end of the world - climate apocalypse and the end of history. Turning to Oryx and Crake by Margaret Atwood, The Science of God by Jean-Pierre Brisset, and The Last Days of Mankind by Karl Kraus, I treat survival as a narrative instantiation of the radically Other in species entanglement and utopian imagination. "End without End: A Season in Hell and the Language of Death" interrogates the refusal of the speaker of the poem to represent his death and the redirection of eschatological expectation to the act of writing. Through an analysis of Rimbaud's emphasis on method, I show how the process of inscription, as the death of the speaker, suggests that the end is not an event, but a condition of the subject. My conclusion argues through Kant's essay "The End of All Things" that, in the place of the universal, all-encompassing divine Voice, the problematic relation of enunciation to the end can be the possibility of an ongoing practice of positing the end. While not grounded in a reflection of what is, eschatological speech can intuit the promise of what could be as it organizes the world under the sign of its passing.
546
$a
English
590
$a
School code: 0058
650
4
$a
Comparative literature.
$3
570001
650
4
$a
French literature.
$3
644020
650
4
$a
German literature.
$3
699188
653
$a
Apocalypse
653
$a
Eschatology
653
$a
Modernism
653
$a
Perspective
653
$a
COVID-19
653
$a
Climate change
690
$a
0295
690
$a
0205
690
$a
0311
710
2
$a
Cornell University.
$b
Comparative Literature.
$e
degree granting institution.
$3
3827479
720
1
$a
McNulty, Tracy
$e
degree supervisor.
773
0
$t
Dissertations Abstracts International
$g
84-12A.
790
$a
0058
791
$a
Ph.D.
792
$a
2023
856
4 0
$u
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30485526
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9532410
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入