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Poetry as a Tradition: Male and Fema...

Wang, Wanming,

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Poetry as a Tradition: Male and Female Poets in the Debate over Tang and Song Poetry in the Jiangnan Region During the High Qing Era (1683-1839) /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Poetry as a Tradition: Male and Female Poets in the Debate over Tang and Song Poetry in the Jiangnan Region During the High Qing Era (1683-1839) // Wanming Wang.
Author:	Wang, Wanming,
Description:	1 electronic resource (354 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-05, Section: A.
Contained By:	Dissertations Abstracts International85-05A.
Subject:	Poetry. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30718264
ISBN:	9798380706711

Poetry as a Tradition: Male and Female Poets in the Debate over Tang and Song Poetry in the Jiangnan Region During the High Qing Era (1683-1839) /
Wang, Wanming,

Poetry as a Tradition: Male and Female Poets in the Debate over Tang and Song Poetry in the Jiangnan Region During the High Qing Era (1683-1839) /Wanming Wang. - 1 electronic resource (354 pages)

Source: Dissertations Abstracts International, Volume: 85-05, Section: A.

This dissertation examines the history of the debate over Tang (618-907) and Song (960-1279) poetry during the High Qing era (ca. 1683-1839) in the Jiangnan region. The main subject of this debate concerns the question of whether Tang or Song poetry should be employed as the poetic model in later generations and esteemed as the exemplar of the orthodox tradition of classical Chinese poetry. Three main groups of poet-critics dominated this debate-advocates of Tang poetry, those of Song poetry, and the poets who sought reconciliation between the two. I reconstruct the arguments of these groups from two perspectives: I) how the poets and concerned critics attempted to construct an orthodox poetic tradition through writing their versions of poetic history, which included evaluations of Tang and Song poetry; and II) how they emphasized the two concepts "nature and emotion" (xingqing) and "natural inspiration and sensibility" (xingling) in poetic practice and used them as criteria in poetic evaluation.This dissertation shows that Qing literati, by joining the debate, wrote their versions of poetic history that included the poets who met their criteria and excluded those who did not. It concludes that this debate is significant as a collective effort of Chinese literati to uphold and extend the authoritative orthodox poetic tradition originating from antiquity and that female poets of the High Qing era also played an important role in the debate by learning from certain Tang or Song poetic models. The debate created an empire-wide "imagined poetic community" with local constituents. The construction of this "community" embodied diverse literati's engagement with poetic legacy over time. This "community" transcended the limitations of region, time, and gender and reached unparalleled diversity and temporal and spatial scales, especially during the High Qing era.

English

ISBN: 9798380706711Subjects--Topical Terms:

528749
Poetry.

Poetry as a Tradition: Male and Female Poets in the Debate over Tang and Song Poetry in the Jiangnan Region During the High Qing Era (1683-1839) /
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520 $a This dissertation examines the history of the debate over Tang (618-907) and Song (960-1279) poetry during the High Qing era (ca. 1683-1839) in the Jiangnan region. The main subject of this debate concerns the question of whether Tang or Song poetry should be employed as the poetic model in later generations and esteemed as the exemplar of the orthodox tradition of classical Chinese poetry. Three main groups of poet-critics dominated this debate-advocates of Tang poetry, those of Song poetry, and the poets who sought reconciliation between the two. I reconstruct the arguments of these groups from two perspectives: I) how the poets and concerned critics attempted to construct an orthodox poetic tradition through writing their versions of poetic history, which included evaluations of Tang and Song poetry; and II) how they emphasized the two concepts "nature and emotion" (xingqing) and "natural inspiration and sensibility" (xingling) in poetic practice and used them as criteria in poetic evaluation.This dissertation shows that Qing literati, by joining the debate, wrote their versions of poetic history that included the poets who met their criteria and excluded those who did not. It concludes that this debate is significant as a collective effort of Chinese literati to uphold and extend the authoritative orthodox poetic tradition originating from antiquity and that female poets of the High Qing era also played an important role in the debate by learning from certain Tang or Song poetic models. The debate created an empire-wide "imagined poetic community" with local constituents. The construction of this "community" embodied diverse literati's engagement with poetic legacy over time. This "community" transcended the limitations of region, time, and gender and reached unparalleled diversity and temporal and spatial scales, especially during the High Qing era.
520 $a Cette dissertation examine l'histoire du debat sur la poesie Tang (618-907) et Song (960-1279) pendant l'ere du Haut-Qing (ca. 1683-1839) dans la region de Jiangnan. Le sujet principal de ce debat concerne la question de savoir la poesie de quelle dynastie doit etre adoptee comme modele de poesie. Trois groupes principaux de poetes-critiques ont domine ce debat : les defenseurs de la poesie Tang, ceux de la poesie Song, et les poetes qui ont cherche a reconcilier les deux. Je reconstruis les arguments de ces groupes sous deux angles : I) comment les poetes et les critiques concernes ont tente de construire une tradition orthodoxe de la poesie chinoise classique en redigeant leurs versions de l'histoire de la poesie, qui comprenaient des evaluations de la poesie Tang et Song ; et II) comment ils ont mis l'accent sur les deux concepts "nature et emotion" (xingqing) et "inspiration naturelle et sensibilite" (xingling) dans la pratique poetique et leurs utilisations comme criteres d'evaluation de la poesie.Cette dissertation demontre que les lettres Qing, en rejoignant le debat, ont ecrit leurs versions de l'histoire de la poesie qui incluaient les poetes qui repondaient a leurs criteres et excluaient ceux qui n'y repondaient pas. Il est donc conclu que ce debat est significatif en tant qu'effort collectif des lettres chinois pour maintenir et etendre la tradition poetique orthodoxe faisant autorite depuis l'Antiquite. Les femmes poetes de la periode de Haut-Qing ont joue un role important dans le debat en apprenant certains modeles poetiques de la dynastie Tang ou Song. Le debat a cree une "communaute poetique imaginaire" a l'echelle de l'empire, avec des constituants locaux. La construction de cette "communaute" a incarne l'engagement de divers lettres envers l'heritage poetique au fil du temps. Cette "communaute" a transcende les limites de la region, du temps et du genre et a atteint une diversite et des echelles temporelles et spatiales inegalees, en particulier, pendant l'ere Haut-Qing.
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710 2 $a McGill University (Canada). $e degree granting institution. $3 3759190
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