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Word and image relations in the auto...
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Saverino, Rosa,
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Word and image relations in the autobiographical narratives of Roland Barthes and Sophie Calle /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Word and image relations in the autobiographical narratives of Roland Barthes and Sophie Calle // Rosa Saverino.
作者:
Saverino, Rosa,
面頁冊數:
1 electronic resource (380 pages)
附註:
Source: Dissertations Abstracts International, Volume: 77-08, Section: A.
Contained By:
Dissertations Abstracts International77-08A.
標題:
Biographies. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3742775
ISBN:
9781339353708
Word and image relations in the autobiographical narratives of Roland Barthes and Sophie Calle /
Saverino, Rosa,
Word and image relations in the autobiographical narratives of Roland Barthes and Sophie Calle /
Rosa Saverino. - 1 electronic resource (380 pages)
Source: Dissertations Abstracts International, Volume: 77-08, Section: A.
The focus of this thesis is on the use of visual evidence in contemporary French autobiography, with an emphasis on the autobiographies of Roland Barthes (Roland Barthes par Roland Barthes) and Sophie Calle ( Doubles-jeux, La visite guidee, and Appointment with Sigmund Freud). The objective is to study how these two media participate in the representation of their identities within their respective narratives. Barthes's and Calle's texts are examples of French contemporary literature, written by well-known figures of French culture, they are autobiographical in nature, introduce photographic images within their narratives, and use a performative style of writing. These authors also differ in their approach to writing, since they come from different disciplinary backgrounds-one author (Barthes) is predominantly a theorist (Semiotician and Literary Critic) and the other (Calle) is an artist (performance and conceptual). In Roland Barthes par Roland Barthes, the author integrates images into his narrative to demonstrate how the autobiographical subject asserts itself as an object of literary expression that is confined within the bounds of writing. Our study on Calle will represent a more extreme example of literature. In Doubles-jeux, La visite guidee , and Appointment with Sigmund Freud, the artist introduces photographs into her narrative to illustrate how she moves the practice and study of autobiography outside the canon of literature and into the public sphere. Emphasis will be placed on Doubles-jeux, because of the text's strong literary orientation. La visite guidee, and Appointment with Sigmund Freud will also be studied to emphasize the performative aspects of Calle's writing. This thesis is organized into four chapters: In the first two chapters on autobiography (Chapter 1) and photography (Chapter 2), the theoretical and methodological premises are established to provide a framework for the analysis of the literary corpus. In the last two chapters on Barthes (Chapter 3) and Calle (Chapter 4), critical thinking is applied to the life narratives of both authors. Although word and image relations represent the main focus in our study, our analysis incorporates other areas of inquiry that contribute to the rich interdisciplinary character of this thesis: photography, life writing, intertextuality, performance studies.
English
ISBN: 9781339353708Subjects--Topical Terms:
795061
Biographies.
Subjects--Index Terms:
Autobiography
Word and image relations in the autobiographical narratives of Roland Barthes and Sophie Calle /
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The focus of this thesis is on the use of visual evidence in contemporary French autobiography, with an emphasis on the autobiographies of Roland Barthes (Roland Barthes par Roland Barthes) and Sophie Calle ( Doubles-jeux, La visite guidee, and Appointment with Sigmund Freud). The objective is to study how these two media participate in the representation of their identities within their respective narratives. Barthes's and Calle's texts are examples of French contemporary literature, written by well-known figures of French culture, they are autobiographical in nature, introduce photographic images within their narratives, and use a performative style of writing. These authors also differ in their approach to writing, since they come from different disciplinary backgrounds-one author (Barthes) is predominantly a theorist (Semiotician and Literary Critic) and the other (Calle) is an artist (performance and conceptual). In Roland Barthes par Roland Barthes, the author integrates images into his narrative to demonstrate how the autobiographical subject asserts itself as an object of literary expression that is confined within the bounds of writing. Our study on Calle will represent a more extreme example of literature. In Doubles-jeux, La visite guidee , and Appointment with Sigmund Freud, the artist introduces photographs into her narrative to illustrate how she moves the practice and study of autobiography outside the canon of literature and into the public sphere. Emphasis will be placed on Doubles-jeux, because of the text's strong literary orientation. La visite guidee, and Appointment with Sigmund Freud will also be studied to emphasize the performative aspects of Calle's writing. This thesis is organized into four chapters: In the first two chapters on autobiography (Chapter 1) and photography (Chapter 2), the theoretical and methodological premises are established to provide a framework for the analysis of the literary corpus. In the last two chapters on Barthes (Chapter 3) and Calle (Chapter 4), critical thinking is applied to the life narratives of both authors. Although word and image relations represent the main focus in our study, our analysis incorporates other areas of inquiry that contribute to the rich interdisciplinary character of this thesis: photography, life writing, intertextuality, performance studies.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3742775
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