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A New Foundation of Music: Sampling ...
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Smith, Elijah Daniel,
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A New Foundation of Music: Sampling and Its Impact on the Creative Process /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
A New Foundation of Music: Sampling and Its Impact on the Creative Process // Elijah Daniel Smith.
作者:
Smith, Elijah Daniel,
面頁冊數:
1 electronic resource (76 pages)
附註:
Source: Dissertations Abstracts International, Volume: 86-08, Section: B.
Contained By:
Dissertations Abstracts International86-08B.
標題:
Musical composition. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31766420
ISBN:
9798302875501
A New Foundation of Music: Sampling and Its Impact on the Creative Process /
Smith, Elijah Daniel,
A New Foundation of Music: Sampling and Its Impact on the Creative Process /
Elijah Daniel Smith. - 1 electronic resource (76 pages)
Source: Dissertations Abstracts International, Volume: 86-08, Section: B.
The term "sampling", when talking about music, has taken on a number of different meanings to reflect its many usages in recorded and electronic music. These meanings and definitions are as varied as the individual sampling practices, but all of them are born of the capabilities, limitations and product design of specific pieces of hardware. Drum machines and samplers have become so ubiquitous across all genres of music that we often take for granted the seismic shifts in the conceptualization of primary musical materials that are a result of these developments in music technology. These shifts don't only manifest in recorded music or live electronics music, they are also plainly evident in notated concert music.While the rise of the microchip and the resulting technology of the 1980s made electronic music more accessible to musicians outside of academia and high-end recording studios, the groundwork for the musical developments of that era was laid over the course of almost forty years, from musique concrete all the way through DIY DJ-ing. This dissertation isn't a historical recounting of these developments, but instead analyzes the manner in which specific design choices encouraged musicians of all backgrounds to think outside the electronic box.
English
ISBN: 9798302875501Subjects--Topical Terms:
3289630
Musical composition.
Subjects--Index Terms:
Concert music
A New Foundation of Music: Sampling and Its Impact on the Creative Process /
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The term "sampling", when talking about music, has taken on a number of different meanings to reflect its many usages in recorded and electronic music. These meanings and definitions are as varied as the individual sampling practices, but all of them are born of the capabilities, limitations and product design of specific pieces of hardware. Drum machines and samplers have become so ubiquitous across all genres of music that we often take for granted the seismic shifts in the conceptualization of primary musical materials that are a result of these developments in music technology. These shifts don't only manifest in recorded music or live electronics music, they are also plainly evident in notated concert music.While the rise of the microchip and the resulting technology of the 1980s made electronic music more accessible to musicians outside of academia and high-end recording studios, the groundwork for the musical developments of that era was laid over the course of almost forty years, from musique concrete all the way through DIY DJ-ing. This dissertation isn't a historical recounting of these developments, but instead analyzes the manner in which specific design choices encouraged musicians of all backgrounds to think outside the electronic box.
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