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Art-Style Is the Future: The Spider-...

Wildy, Caron Maurice,

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Art-Style Is the Future: The Spider-Verse as a Model for Conceptualizing and Visualizing Graphic Narratives in Visual Media /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Art-Style Is the Future: The Spider-Verse as a Model for Conceptualizing and Visualizing Graphic Narratives in Visual Media // Caron Maurice Wildy.
Author:	Wildy, Caron Maurice,
Description:	1 electronic resource (476 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 86-06, Section: A.
Contained By:	Dissertations Abstracts International86-06A.
Subject:	Film studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31640334
ISBN:	9798346866350

Art-Style Is the Future: The Spider-Verse as a Model for Conceptualizing and Visualizing Graphic Narratives in Visual Media /
Wildy, Caron Maurice,

Art-Style Is the Future: The Spider-Verse as a Model for Conceptualizing and Visualizing Graphic Narratives in Visual Media /Caron Maurice Wildy. - 1 electronic resource (476 pages)

Source: Dissertations Abstracts International, Volume: 86-06, Section: A.

Spider-Man: Into the Spider-Verse was a watershed moment in American animation. A stylized animated adaptation of Marvel Comics' Spider-Man comics that drew directly on the aesthetics and visual language of comics, Into the Spider-Verse signaled a stylistic shift toward stylized aesthetics and imagery that aligned narrative and visuals and diverged from photorealistic aesthetics by drawing from diverse visual languages and aesthetics. The influence of Into the Spider-Verse, and its 2023 sequel Across the Spider-Verse, on the visual style of American animation serves as context for an exploration of how the films' synthesis of aesthetics, visual languages and narratives from multiple visual mediums can inspire creators to reframe how they conceive of graphic narratives, visualize narrative, and adapt graphic narratives across visual mediums.The intersection between aesthetics and narrative in the Spider-Verse films challenges an emphasis on realism in the aesthetics of visual narratives in mainstream American visual narrative media that flatten visual signatures. The Spider-Verse films contest this emphasis on a mainstream stage and arrive in a landscape where audiences have greater access to a diverse visual storytelling aesthetics modes and mediums. This exploration uses analysis aesthetics and the synthesis of visual languages in the Spider-Verse films to demonstrate how the films offer a model for conceptualizing and visualizing narratives and explore how the convergence of aesthetics and visual language in the depiction of characters, environments, and scenes in the Spider-Verse films inspire creators to reframe the thinking that informs the conceptualizing, writing, and visualizing stories for scripted media.

English

ISBN: 9798346866350Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Art style

Art-Style Is the Future: The Spider-Verse as a Model for Conceptualizing and Visualizing Graphic Narratives in Visual Media /
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520 $a Spider-Man: Into the Spider-Verse was a watershed moment in American animation. A stylized animated adaptation of Marvel Comics' Spider-Man comics that drew directly on the aesthetics and visual language of comics, Into the Spider-Verse signaled a stylistic shift toward stylized aesthetics and imagery that aligned narrative and visuals and diverged from photorealistic aesthetics by drawing from diverse visual languages and aesthetics. The influence of Into the Spider-Verse, and its 2023 sequel Across the Spider-Verse, on the visual style of American animation serves as context for an exploration of how the films' synthesis of aesthetics, visual languages and narratives from multiple visual mediums can inspire creators to reframe how they conceive of graphic narratives, visualize narrative, and adapt graphic narratives across visual mediums.The intersection between aesthetics and narrative in the Spider-Verse films challenges an emphasis on realism in the aesthetics of visual narratives in mainstream American visual narrative media that flatten visual signatures. The Spider-Verse films contest this emphasis on a mainstream stage and arrive in a landscape where audiences have greater access to a diverse visual storytelling aesthetics modes and mediums. This exploration uses analysis aesthetics and the synthesis of visual languages in the Spider-Verse films to demonstrate how the films offer a model for conceptualizing and visualizing narratives and explore how the convergence of aesthetics and visual language in the depiction of characters, environments, and scenes in the Spider-Verse films inspire creators to reframe the thinking that informs the conceptualizing, writing, and visualizing stories for scripted media.
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653 $a Art style
653 $a Screenwriting
653 $a Spider-Verse
653 $a Visual development
653 $a Visual language
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690 $a 0273
690 $a 0357
690 $a 0650
710 2 $a University of Maryland, Baltimore County. $b Language Literacy and Culture. $e degree granting institution. $3 3822234
720 1 $a Saper, Craig $e degree supervisor.
720 1 $a Barahouiepasandi, Haniyeh $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 86-06A.
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