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Sounding and Musicking in the Carnaval De Barranquilla: Perpetuating and Challenging Gender and Sexuality Normativities Through Performance = = Sonar y musicar en el Carnaval de Barranquilla: Perpetuando y desafiando normatividades de genero y sexualidad a traves del performance /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sounding and Musicking in the Carnaval De Barranquilla: Perpetuating and Challenging Gender and Sexuality Normativities Through Performance =/ Sebastian Wanumen Jimenez.
Reminder of title:	Sonar y musicar en el Carnaval de Barranquilla: Perpetuando y desafiando normatividades de genero y sexualidad a traves del performance /
Author:	Wanumen Jimenez, Sebastian,
Description:	1 electronic resource (338 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 86-07, Section: B.
Contained By:	Dissertations Abstracts International86-07B.
Subject:	Music. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31559488
ISBN:	9798302830593

Sounding and Musicking in the Carnaval De Barranquilla: Perpetuating and Challenging Gender and Sexuality Normativities Through Performance = = Sonar y musicar en el Carnaval de Barranquilla: Perpetuando y desafiando normatividades de genero y sexualidad a traves del performance /
Wanumen Jimenez, Sebastian,

Sounding and Musicking in the Carnaval De Barranquilla: Perpetuating and Challenging Gender and Sexuality Normativities Through Performance =Sonar y musicar en el Carnaval de Barranquilla: Perpetuando y desafiando normatividades de genero y sexualidad a traves del performance /Sebastian Wanumen Jimenez. - 1 electronic resource (338 pages)

Source: Dissertations Abstracts International, Volume: 86-07, Section: B.

This dissertation explores the mutual influence between gender and sexuality, music-making and sonic practices in the Carnaval de Barranquilla, the Carnaval Gay de Barranquilla, and the feminist collective Raras no tan Raras. I show that heteronormativity, macho attitudes, and homophobia are reified in music-making and sonic practices in Barranquilla and its carnival expressions. Nevertheless, I also argue that music-making and sonic practices can alter how gender and sexuality are experienced. Through ethnographical observations, I show how exclusion and gender roles can be transferred into music and sonic practices and how music and sound have helped women and LGTBIQ+ people in Barranquilla fight against these systems of oppression. In this way, this dissertation studies how gender and sexuality intersect one of the most important genres in the Carnaval de Barranquilla, Cumbia. Carnaval Gay de Barranquilla practitioners dance to cumbia by playing it in stereos or hiring millo ensembles. Contrarily, Raras no tan Raras play and compose their own music despite not being experienced musicians. In these two cases, I suggest that both forms of musicality can serve to reshape gender and sexuality relationality.To understand the interrelationality between music and sound, and gender and sexuality, I analyze three aspects of Barranquilla and its Carnival expressions: the normativities that govern gender and sexuality, the pre-subjective and subjective effects of music and sound, and the spontaneous and ephemeral relationships that emerge during performances. For this reason, the theoretical perspectives that serve to analyze such aspects are homonormativity (a recurring concept that offers some critical lenses to uncover the adaptations with which heteronormativity is perpetuated), music affect theory (the notion that sound and music are affective forces that have pre-subjective effects on people) and the social production of space (space not as a physical void waiting to be filled but as the product of relations between social entities).Ultimately, this dissertation posits that analyzing the interrelationality between gender and sexuality and music and sound offers different insights into how systems of oppression are perpetuated and how they can be challenged.

English

ISBN: 9798302830593Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Latin American studies

Sounding and Musicking in the Carnaval De Barranquilla: Perpetuating and Challenging Gender and Sexuality Normativities Through Performance = = Sonar y musicar en el Carnaval de Barranquilla: Perpetuando y desafiando normatividades de genero y sexualidad a traves del performance /
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520 $a This dissertation explores the mutual influence between gender and sexuality, music-making and sonic practices in the Carnaval de Barranquilla, the Carnaval Gay de Barranquilla, and the feminist collective Raras no tan Raras. I show that heteronormativity, macho attitudes, and homophobia are reified in music-making and sonic practices in Barranquilla and its carnival expressions. Nevertheless, I also argue that music-making and sonic practices can alter how gender and sexuality are experienced. Through ethnographical observations, I show how exclusion and gender roles can be transferred into music and sonic practices and how music and sound have helped women and LGTBIQ+ people in Barranquilla fight against these systems of oppression. In this way, this dissertation studies how gender and sexuality intersect one of the most important genres in the Carnaval de Barranquilla, Cumbia. Carnaval Gay de Barranquilla practitioners dance to cumbia by playing it in stereos or hiring millo ensembles. Contrarily, Raras no tan Raras play and compose their own music despite not being experienced musicians. In these two cases, I suggest that both forms of musicality can serve to reshape gender and sexuality relationality.To understand the interrelationality between music and sound, and gender and sexuality, I analyze three aspects of Barranquilla and its Carnival expressions: the normativities that govern gender and sexuality, the pre-subjective and subjective effects of music and sound, and the spontaneous and ephemeral relationships that emerge during performances. For this reason, the theoretical perspectives that serve to analyze such aspects are homonormativity (a recurring concept that offers some critical lenses to uncover the adaptations with which heteronormativity is perpetuated), music affect theory (the notion that sound and music are affective forces that have pre-subjective effects on people) and the social production of space (space not as a physical void waiting to be filled but as the product of relations between social entities).Ultimately, this dissertation posits that analyzing the interrelationality between gender and sexuality and music and sound offers different insights into how systems of oppression are perpetuated and how they can be challenged.
520 $a Esta tesis explora la influencia mutua entre genero y sexualidad, el hacer musical y practicas sonoras en el Carnaval de Barranquilla, el Carnaval Gay de Barranquilla y el colectivo feminista Raras no tan Raras. En la tesis, demuestro que la heteronormatividad, las actitudes machistas y la homofobia se materializan en el hacer musical y las practicas sonoras en Barranquilla y sus expresiones carnavaleras. Sin embargo, tambien argumento que el hacer musical y las practicas sonoras pueden alterar la forma en que se experimenta el genero y la sexualidad. A traves de observaciones etnograficas, analizo como la exclusion y los roles de genero pueden transferirse a la musica y a las practicas sonoras y como la musica y el sonido han ayudado a las mujeres y a las personas LGTBIQ+ en Barranquilla a luchar contra estos sistemas de opresion. De esta manera, esta tesis estudia como el genero y la sexualidad se cruzan con uno de los generos mas importantes del Carnaval de Barranquilla, la cumbia. Los practicantes del Carnaval Gay de Barranquilla bailan cumbia tocandola en estereos o contratando conjuntos de millo. Por el contrario, los Raras no tan Raras tocan y componen su propia musica a pesar de no ser musicas experimentadas. En estos dos casos, sugiero que ambas formas de musicalidad pueden servir para reformular la relacionalidad de genero y sexualidad.Para entender la interrelacion entre musica y sonido, y genero y sexualidad, analizo tres aspectos de Barranquilla y sus expresiones carnavaleras: las normatividades que gobiernan el genero y la sexualidad, los afectos presubjetivos y subjetivos de la musica y el sonido, y las relaciones espontaneas y efimeras que emergen durante las performances. Por esta razon, las perspectivas teoricas que sirven para analizar tales aspectos son la homonormatividad (un concepto recurrente que ofrece algunas perspectivas criticas para descubrir las adaptaciones con las que se perpetua la heteronormatividad), la teoria de los afectos musicales (la nocion de que el sonido y la musica son fuerzas afectivas que tienen efectos presubjetivos en las personas) y la produccion social del espacio (el espacio no como un vacio fisico que espera ser llenado sino como el producto de las relaciones entre entidades sociales). En ultima instancia, esta tesis postula que analizar la interrelacion entre el genero y la sexualidad y la musica y el sonido ofrece diferentes perspectivas sobre como se perpetuan los sistemas de opresion y como pueden ser desafiados.
546 $a English
590 $a School code: 0017
650 4 $a Music. $3 516178
650 4 $a Sexuality. $3 816197
650 4 $a African American studies. $3 2122686
650 4 $a LGBTQ studies. $3 2122706
650 4 $a Gender studies. $3 2122708
653 $a Latin American studies
653 $a Colombian Caribbean history
653 $a Cumbia
653 $a LGTBIQ+ people
653 $a Queer studies
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690 $a 0211
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710 2 $a Boston University. $b Musicology CFA. $e degree granting institution. $3 3822213
720 1 $a Birenbaum Quintero, Michael $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 86-07B.
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791 $a Ph.D.
792 $a 2025
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31559488