東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Corporveillance: Dancing with A.I /

Guerin-Garnett, Nigel,

Linked to FindBook

Google Book

Amazon

博客來

Corporveillance: Dancing with A.I /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Corporveillance: Dancing with A.I // Nigel Guerin-Garnett.
Author:	Guerin-Garnett, Nigel,
Description:	1 electronic resource (176 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 86-06, Section: B.
Contained By:	Dissertations Abstracts International86-06B.
Subject:	Software. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31753594
ISBN:	9798346771265

Corporveillance: Dancing with A.I /
Guerin-Garnett, Nigel,

Corporveillance: Dancing with A.I /Nigel Guerin-Garnett. - 1 electronic resource (176 pages)

Source: Dissertations Abstracts International, Volume: 86-06, Section: B.

Often germinating in the Big Tech companies of Silicon Valley, technologies designed to generate humanlike speech, text and digital imagery are advancing rapidly. It is not unimaginable that these advancements will spread to encompass human movement and affect societal freedoms or corporeal identities. In response, this research positions dance as a form of resistance to raise questions of human agency in the face of these increasing deployments of digital technologies and artificial intelligences. By using choreography as a mode of inquiry it employs the body to explore how humans may control consent, retaining ownership of their corporeal data, by asking:• What can dance choreography reveal about AI touching our bodies?This interdisciplinary, practice-based study sits at the intersection of human-centred computing, contemporary dance, and body-worn technology. The practice-as-research framework employed enabled a hybrid methodology to form, drawing from choreographic, constructivist, ethnographic and autoethnographic methods. A facilitated co-development process executed through a series of practical workshops with professional dance artists supported the development of a choreographic system designed to create new choreographic material and an adaptable, bespoke body-tech exoskeleton. Built using off-the-shelf electronics, the apparatus can remotely communicate sequences of vibration to affect choreographed and improvised movement, exploring new techniques and movement languages. Digital technology developments were reviewed alongside key artistic works, revealing that choreographic tools capable of affecting this creative process through physical contact had not yet been devised for the purposes of investigating future AI impacts. This research argues that the individuality of improvised movements and the personal interpretations of the Graham (technique) contraction embody rebellion against encroaching data capture technologies such as human gait recognition, aimed at the surveillance and capture of human identities.This research proposes new scholarship in the fields of dance choreography, digital technology, and artistic research in AI, contributing a novel choreographic method. By elevating the body as paramount within its architecture, its performance proposes a framework for integrating artificially intelligent algorithms and bodies, wherein human and AI actors possess agency in the creative decision-making process. The testing carried out during this research forms a journey of discovery and experimentation which aims to benefit industry- and academia-based creative practitioners and researchers who are experiencing the proliferation of AI.

English

ISBN: 9798346771265Subjects--Topical Terms:

619355
Software.

Corporveillance: Dancing with A.I /
LDR:03932nmm a22003733i 4500 001 2431796
005 20250624130452.5
006 m o d
007 cr|nu||||||||
008 261011s2024 miu||||||m |||||||eng d
020 $a 9798346771265
035 $a (MiAaPQD)AAI31753594
035 $a AAI31753594
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a Guerin-Garnett, Nigel, $e author. $3 3820769
245 1 0 $a Corporveillance: Dancing with A.I / $c Nigel Guerin-Garnett.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2024
300 $a 1 electronic resource (176 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 86-06, Section: B.
500 $a Advisors: McLean, Flora; Baker, Camille.
502 $b Ph.D. $c Royal College of Art (United Kingdom) $d 2024.
520 $a Often germinating in the Big Tech companies of Silicon Valley, technologies designed to generate humanlike speech, text and digital imagery are advancing rapidly. It is not unimaginable that these advancements will spread to encompass human movement and affect societal freedoms or corporeal identities. In response, this research positions dance as a form of resistance to raise questions of human agency in the face of these increasing deployments of digital technologies and artificial intelligences. By using choreography as a mode of inquiry it employs the body to explore how humans may control consent, retaining ownership of their corporeal data, by asking:• What can dance choreography reveal about AI touching our bodies?This interdisciplinary, practice-based study sits at the intersection of human-centred computing, contemporary dance, and body-worn technology. The practice-as-research framework employed enabled a hybrid methodology to form, drawing from choreographic, constructivist, ethnographic and autoethnographic methods. A facilitated co-development process executed through a series of practical workshops with professional dance artists supported the development of a choreographic system designed to create new choreographic material and an adaptable, bespoke body-tech exoskeleton. Built using off-the-shelf electronics, the apparatus can remotely communicate sequences of vibration to affect choreographed and improvised movement, exploring new techniques and movement languages. Digital technology developments were reviewed alongside key artistic works, revealing that choreographic tools capable of affecting this creative process through physical contact had not yet been devised for the purposes of investigating future AI impacts. This research argues that the individuality of improvised movements and the personal interpretations of the Graham (technique) contraction embody rebellion against encroaching data capture technologies such as human gait recognition, aimed at the surveillance and capture of human identities.This research proposes new scholarship in the fields of dance choreography, digital technology, and artistic research in AI, contributing a novel choreographic method. By elevating the body as paramount within its architecture, its performance proposes a framework for integrating artificially intelligent algorithms and bodies, wherein human and AI actors possess agency in the creative decision-making process. The testing carried out during this research forms a journey of discovery and experimentation which aims to benefit industry- and academia-based creative practitioners and researchers who are experiencing the proliferation of AI.
546 $a English
590 $a School code: 1027
650 4 $a Software. $2 gtt. $3 619355
650 4 $a Aesthetics. $3 523036
690 $a 0800
690 $a 0650
710 2 $a Royal College of Art (United Kingdom). $e degree granting institution. $3 3819673
720 1 $a McLean, Flora $e degree supervisor.
720 1 $a Baker, Camille $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 86-06B.
790 $a 1027
791 $a Ph.D.
792 $a 2024
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31753594