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Exploring the Incongruence of Instit...

Winkelmann, Lillian,

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Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s // Lillian Winkelmann.
Author:	Winkelmann, Lillian,
Description:	1 electronic resource (141 pages)
Notes:	Source: Masters Abstracts International, Volume: 86-08.
Contained By:	Masters Abstracts International86-08.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31768150
ISBN:	9798302882035

Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s /
Winkelmann, Lillian,

Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s /Lillian Winkelmann. - 1 electronic resource (141 pages)

Source: Masters Abstracts International, Volume: 86-08.

This thesis concerns the relationship between deficient art market performance despite institutional support of artists of the Feminist Art Movement of the 1970s, using the careers of Judy Chicago, Miriam Schapiro, and Faith Ringgold as case studies. Despite the relatively different approaches of all three artists, themes of non-collectability due to medium, scarce inventory, and overall sexism in the industry have emerged. Research consists of firstly exploring the historical context of the Feminist Art Movement of the 1970s, followed by a case study for each artist which individually examines institutional support and analyzes market trajectories. A fourth case study, which reviews the peculiarity of Yayoi Kusama's immense success, provides a supplemental comparison to Chicago, Schapiro, and Ringgold. While many artists are associated with the Feminist Art Movement of the 1970s, the scope of this research is limited to Chicago, Schapiro, and Ringgold in order to effectively evaluate the incongruence between support from the art market and institutions. Though all three artists slightly differ in findings for these inconsistencies, the overarching motivation for this cause is that collectors disfavor Feminist art due to its politicization, controversial baggage, and overall aesthetics.

English

ISBN: 9798302882035Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Art market

Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s /
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245 1 0 $a Exploring the Incongruence of Institutional and Art Market Support of Feminist Artists of the 1970s / $c Lillian Winkelmann.
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500 $a Source: Masters Abstracts International, Volume: 86-08.
500 $a Advisors: Schwartz, Alexandra; Degen, Natasha.
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520 $a This thesis concerns the relationship between deficient art market performance despite institutional support of artists of the Feminist Art Movement of the 1970s, using the careers of Judy Chicago, Miriam Schapiro, and Faith Ringgold as case studies. Despite the relatively different approaches of all three artists, themes of non-collectability due to medium, scarce inventory, and overall sexism in the industry have emerged. Research consists of firstly exploring the historical context of the Feminist Art Movement of the 1970s, followed by a case study for each artist which individually examines institutional support and analyzes market trajectories. A fourth case study, which reviews the peculiarity of Yayoi Kusama's immense success, provides a supplemental comparison to Chicago, Schapiro, and Ringgold. While many artists are associated with the Feminist Art Movement of the 1970s, the scope of this research is limited to Chicago, Schapiro, and Ringgold in order to effectively evaluate the incongruence between support from the art market and institutions. Though all three artists slightly differ in findings for these inconsistencies, the overarching motivation for this cause is that collectors disfavor Feminist art due to its politicization, controversial baggage, and overall aesthetics.
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590 $a School code: 1829
650 4 $a Art history. $3 2122701
650 4 $a Performing arts. $3 523119
650 4 $a Aesthetics. $3 523036
653 $a Art market
653 $a Ringgold, Faith
653 $a Feminist artists
653 $a Chicago, Judy
653 $a Schapiro, Miriam
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690 $a 0641
690 $a 0650
710 2 $a Fashion Institute of Technology, State University of New York. $b Art Market Studies. $e degree granting institution. $3 3820323
720 1 $a Schwartz, Alexandra $e degree supervisor.
720 1 $a Degen, Natasha $e degree supervisor.
773 0 $t Masters Abstracts International $g 86-08.
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791 $a M.A.
792 $a 2024
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