東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Time, Place, and Identity in the Art...

Stepp, Sara,

Linked to FindBook

Google Book

Amazon

博客來

Time, Place, and Identity in the Art of Hung Liu /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Time, Place, and Identity in the Art of Hung Liu // Sara Stepp.
Author:	Stepp, Sara,
Description:	1 electronic resource (190 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-07, Section: A.
Contained By:	Dissertations Abstracts International85-07A.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30817614
ISBN:	9798381429220

Time, Place, and Identity in the Art of Hung Liu /
Stepp, Sara,

Time, Place, and Identity in the Art of Hung Liu /Sara Stepp. - 1 electronic resource (190 pages)

Source: Dissertations Abstracts International, Volume: 85-07, Section: A.

There are substantial, meaningful connections between the life and art of Hung Liu (1948-2021). However, in recognition of the fact that the art world has often essentialized the work of Asian American artists, this dissertation argues for a framing of Liu's practice that largely excludes the details of her life. I demonstrate how her work blends divergent idioms and artistic dialogues to participate in late twentieth-century cultural conversations related to memory and history, the human experience of spaces, and social identity. Drawing on a variety of theoretical frameworks, I closely examine her art to reveal how it contributes insights to discourses about time, place, and identity.In chapter one, I analyze a selection of Liu's works that engage with issues of time and remembrance. I explore how her art layers senses of temporality, draws on modes of mourning and memorializing, and processes personal and inherited memory. In the next chapter, I analyze her practice through its relationship to the idea of place. I argue that her works utilize physical and pictorial space, evoke disparate sites, and elicit the viewer's interaction to body forth the human experience of place. The last chapter considers how her creative production participates in postmodern understandings of identity construction and expression. I examine how her art reveals the constructedness of gender, plays with the stability of cultural identity, and expands limiting categories of identification.

English

ISBN: 9798381429220Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Asian American art

Time, Place, and Identity in the Art of Hung Liu /
LDR:02897nmm a22004333i 4500 001 2431439
005 20250616055152.5
006 m o d
007 cr|nu||||||||
008 261011s2023 miu||||||m |||||||eng d
020 $a 9798381429220
035 $a (MiAaPQD)AAI30817614
035 $a AAI30817614
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a Stepp, Sara, $e author. $3 3820243
245 1 0 $a Time, Place, and Identity in the Art of Hung Liu / $c Sara Stepp.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2023
300 $a 1 electronic resource (190 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-07, Section: A.
500 $a Advisors: Cateforis, David Committee members: Kaneko, Maki; Kessler, Marni; McNair, Amy; Tell, Dave.
502 $b Ph.D. $c University of Kansas $d 2023.
520 $a There are substantial, meaningful connections between the life and art of Hung Liu (1948-2021). However, in recognition of the fact that the art world has often essentialized the work of Asian American artists, this dissertation argues for a framing of Liu's practice that largely excludes the details of her life. I demonstrate how her work blends divergent idioms and artistic dialogues to participate in late twentieth-century cultural conversations related to memory and history, the human experience of spaces, and social identity. Drawing on a variety of theoretical frameworks, I closely examine her art to reveal how it contributes insights to discourses about time, place, and identity.In chapter one, I analyze a selection of Liu's works that engage with issues of time and remembrance. I explore how her art layers senses of temporality, draws on modes of mourning and memorializing, and processes personal and inherited memory. In the next chapter, I analyze her practice through its relationship to the idea of place. I argue that her works utilize physical and pictorial space, evoke disparate sites, and elicit the viewer's interaction to body forth the human experience of place. The last chapter considers how her creative production participates in postmodern understandings of identity construction and expression. I examine how her art reveals the constructedness of gender, plays with the stability of cultural identity, and expands limiting categories of identification.
546 $a English
590 $a School code: 0099
650 4 $a Art history. $3 2122701
650 4 $a Asian American studies. $3 2122841
650 4 $a Art education. $3 547650
653 $a Asian American art
653 $a Contemporary art
653 $a Drawing
653 $a Artistic dialogues
653 $a Mourning
690 $a 0377
690 $a 0343
690 $a 0273
710 2 $a University of Kansas. $b History of Art. $e degree granting institution. $3 3820244
720 1 $a Cateforis, David $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 85-07A.
790 $a 0099
791 $a Ph.D.
792 $a 2023
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30817614