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Post-Memories of the Holocaust in Co...
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Cronin, Bernadette Joan,
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Post-Memories of the Holocaust in Contemporary Austrian Theatre: Projects Against Forgetting /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Post-Memories of the Holocaust in Contemporary Austrian Theatre: Projects Against Forgetting // Bernadette Joan Cronin.
作者:
Cronin, Bernadette Joan,
面頁冊數:
1 electronic resource (260 pages)
附註:
Source: Dissertations Abstracts International, Volume: 73-04, Section: A.
Contained By:
Dissertations Abstracts International73-04A.
標題:
History. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=U523141
ISBN:
9798379878863
Post-Memories of the Holocaust in Contemporary Austrian Theatre: Projects Against Forgetting /
Cronin, Bernadette Joan,
Post-Memories of the Holocaust in Contemporary Austrian Theatre: Projects Against Forgetting /
Bernadette Joan Cronin. - 1 electronic resource (260 pages)
Source: Dissertations Abstracts International, Volume: 73-04, Section: A.
This dissertation examines contemporary responses by Austrian theatre makers from the free theatre sector, that is, those working outside of the state theatre establishment, to the outcome of what came to be known as 'the big lie' on which Austrian national identity was built following liberation from German rule by the Allied forces in 1945. The ensuing problem for the post-war generations of having to claim a past that was buried under the carefully constructed official version of history but mediated through the silence of their parents and grandparents - shaping their (inner) lives - and possibilities for representing such experience through the medium of theatre are core issues explored in this study. The main focus of the dissertation is analysis of a selection of three pieces of theatre produced by two free theatre companies in Austria, Auf der Suche nach Jakob / Searching for Jacob / Szukajac Jakuba, and Pola, both by the Projekttheater Studio based in Vienna, and Speaking Stones: images, voices, fragments... from that which comes after by Theater Asou in Graz, Styria. Apart from contextualization of the central thematic concerns of the selected pieces of theatre within the historical events of 20th century Austria, and discussion of the theoretical framework within which the pieces are analysed, this study also offers a consideration of the phenomenon of the free theatre sector in contemporary Austria as a complement and an alternative to the state theatre sector, its roots and development since the post WWII period through to the early 21stcentury. Interviews with theatre artists, arts administrators and a Holocaust eye witness are also drawn upon to investigate how free theatre can provide a medium though which memory-work, the subtleties of damage and the inexpressible, and the difficult task of claiming the past can be explored.
English
ISBN: 9798379878863Subjects--Topical Terms:
516518
History.
Post-Memories of the Holocaust in Contemporary Austrian Theatre: Projects Against Forgetting /
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This dissertation examines contemporary responses by Austrian theatre makers from the free theatre sector, that is, those working outside of the state theatre establishment, to the outcome of what came to be known as 'the big lie' on which Austrian national identity was built following liberation from German rule by the Allied forces in 1945. The ensuing problem for the post-war generations of having to claim a past that was buried under the carefully constructed official version of history but mediated through the silence of their parents and grandparents - shaping their (inner) lives - and possibilities for representing such experience through the medium of theatre are core issues explored in this study. The main focus of the dissertation is analysis of a selection of three pieces of theatre produced by two free theatre companies in Austria, Auf der Suche nach Jakob / Searching for Jacob / Szukajac Jakuba, and Pola, both by the Projekttheater Studio based in Vienna, and Speaking Stones: images, voices, fragments... from that which comes after by Theater Asou in Graz, Styria. Apart from contextualization of the central thematic concerns of the selected pieces of theatre within the historical events of 20th century Austria, and discussion of the theoretical framework within which the pieces are analysed, this study also offers a consideration of the phenomenon of the free theatre sector in contemporary Austria as a complement and an alternative to the state theatre sector, its roots and development since the post WWII period through to the early 21stcentury. Interviews with theatre artists, arts administrators and a Holocaust eye witness are also drawn upon to investigate how free theatre can provide a medium though which memory-work, the subtleties of damage and the inexpressible, and the difficult task of claiming the past can be explored.
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