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Variations Op. 41 and Etudes Op. 67 ...

Hu, Yingzhou,

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Variations Op. 41 and Etudes Op. 67 by Nikolai Kapustin: Historical Background, Stylistic Influences, and Performance Approaches /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Variations Op. 41 and Etudes Op. 67 by Nikolai Kapustin: Historical Background, Stylistic Influences, and Performance Approaches // Yingzhou Hu.
Author:	Hu, Yingzhou,
Description:	1 electronic resource (79 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 83-06, Section: A.
Contained By:	Dissertations Abstracts International83-06A.
Subject:	Music. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28890206
ISBN:	9798492757151

Variations Op. 41 and Etudes Op. 67 by Nikolai Kapustin: Historical Background, Stylistic Influences, and Performance Approaches /
Hu, Yingzhou,

Variations Op. 41 and Etudes Op. 67 by Nikolai Kapustin: Historical Background, Stylistic Influences, and Performance Approaches /Yingzhou Hu. - 1 electronic resource (79 pages)

Source: Dissertations Abstracts International, Volume: 83-06, Section: A.

The world lost a musical master, Nikolai Kapustin (1937-2020) during the aftermath of the world pandemic. Despite its immediate appeal, his music remains a mystery owing to lack of published scholarship. All that exists is translated interviews, but an ever-growing body of literature in the form of doctoral dissertations. The latter was precipitated by the composer's attendance at Marc-Andre Hamelin's premiere of the Piano Sonata no. 2, op. 54 in London during the year 2000. In the spirit of the increasing popularity of Kapustin's solo piano works, this document adds to the body of extant material, examining specifically the Variations, Op. 41 and Three Etudes, Op. 67. While offering not a theoretical analysis, it offers a look into Kapustin's unique fusion of American jazz music style and classical music forms. Kapustin was devoted to creating a distinctive music style that seamlessly integrates classical structures and vibrant jazz idioms. A heightened interpretive ability can be arrived at by understanding of what is explicitly "classical "or "jazz" in his music and what the performance practices and expectations are in both arenas. This document is intended for the sophisticated classical pianist who already possesses a fully developed technique and is interested in producing an informed interpretation of his music.

English

ISBN: 9798492757151Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Kapustin, Nikolai

Variations Op. 41 and Etudes Op. 67 by Nikolai Kapustin: Historical Background, Stylistic Influences, and Performance Approaches /
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520 $a The world lost a musical master, Nikolai Kapustin (1937-2020) during the aftermath of the world pandemic. Despite its immediate appeal, his music remains a mystery owing to lack of published scholarship. All that exists is translated interviews, but an ever-growing body of literature in the form of doctoral dissertations. The latter was precipitated by the composer's attendance at Marc-Andre Hamelin's premiere of the Piano Sonata no. 2, op. 54 in London during the year 2000. In the spirit of the increasing popularity of Kapustin's solo piano works, this document adds to the body of extant material, examining specifically the Variations, Op. 41 and Three Etudes, Op. 67. While offering not a theoretical analysis, it offers a look into Kapustin's unique fusion of American jazz music style and classical music forms. Kapustin was devoted to creating a distinctive music style that seamlessly integrates classical structures and vibrant jazz idioms. A heightened interpretive ability can be arrived at by understanding of what is explicitly "classical "or "jazz" in his music and what the performance practices and expectations are in both arenas. This document is intended for the sophisticated classical pianist who already possesses a fully developed technique and is interested in producing an informed interpretation of his music.
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