東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Lili Boulanger (1893-1918) and World...

Holland-Barry, Anya B.,

Linked to FindBook

Google Book

Amazon

博客來

Lili Boulanger (1893-1918) and World War I France: Mobilizing Motherhood and the Good Suffering /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Lili Boulanger (1893-1918) and World War I France: Mobilizing Motherhood and the Good Suffering // Anya B Holland-Barry.
Author:	Holland-Barry, Anya B.,
Description:	1 electronic resource (248 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 74-04, Section: A.
Contained By:	Dissertations Abstracts International74-04A.
Subject:	Biographies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3527427
ISBN:	9781267617316

Lili Boulanger (1893-1918) and World War I France: Mobilizing Motherhood and the Good Suffering /
Holland-Barry, Anya B.,

Lili Boulanger (1893-1918) and World War I France: Mobilizing Motherhood and the Good Suffering /Anya B Holland-Barry. - 1 electronic resource (248 pages)

Source: Dissertations Abstracts International, Volume: 74-04, Section: A.

Lili Boulanger's (1893-1918) World War I compositions, along with her war charity work and her intentional representation of maternal gender roles, both challenge and broaden the conventional masculine narratives of the First World War and French cultural identity. Boulanger and her colleagues, critics, family, and friends mobilized her femininity to support dominant contemporary conceptions of French wartime motherhood, the marraine de guerre (godmother of war), the femme fragile, and the Catholic Good Sufferer. Her music adds a transformative layer to the traditional musical wartime narrative, as it highlights and explores subjects that her male contemporaries did not broach, such as melancholia and motherhood. Through an analysis of Boulanger's reception, her compositions written and/or performed during the First World War, and her constructed public and private personae, I examine how she became, at various times, a marraine de guerre, a Mimi Pinson, or a Therese of Lisieux figure. Boulanger was a central performer of noble feminine suffering during the war and an emblematic symbol of an artistic, musical France. I also explore how her compositions exemplified contemporary French musical styles that musicians fervently debated and defined as key to musical French identity. Boulanger's music thus remains vital to the history of both French wartime music and World War I France. Chapter One analyzes Boulanger's representations of wartime motherhood and melancholia in Dans l'immense tristesse. Chapter Two examines the theme of Good Suffering in several of her compositions, including the settings of Psaumes 129 and 130. Chapter Three argues that Boulanger assumed the role of the marraine de guerre by playing an active role as "secretary-founder" of the Comite Franco-Americain and its subsequent Gazette. Chapter Four explores the contents of the Gazette as a tangible document of Boulanger's wartime work, musician-soldiers' lives at the front, and their engagement with debates on musical Frenchness and the war. Chapter Five demonstrates Boulanger's critical participation in defining musical Frenchness through both her consumption and production of musical exoticism, as shown in an analysis of Maia and Vieille priere bouddhique.

English

ISBN: 9781267617316Subjects--Topical Terms:

795061
Biographies.
Subjects--Index Terms:

Boulanger, Lili

Lili Boulanger (1893-1918) and World War I France: Mobilizing Motherhood and the Good Suffering /
LDR:03825nmm a22004573i 4500 001 2430026
005 20250519114753.5
006 m o d
007 cr|nu||||||||
008 261011s2012 miu||||||m |||||||eng d
020 $a 9781267617316
035 $a (MiAaPQD)AAI3527427
035 $a (MiAaPQD)wisc:10569
035 $a AAI3527427
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a Holland-Barry, Anya B., $e author. $3 3818168
245 1 0 $a Lili Boulanger (1893-1918) and World War I France: Mobilizing Motherhood and the Good Suffering / $c Anya B Holland-Barry.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2012
300 $a 1 electronic resource (248 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 74-04, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisors: Cook, Susan C. Committee members: Dill, Charles; Earp, Lawrence; Enstad, Nan; Potter, Pamela.
502 $b Ph.D. $c The University of Wisconsin - Madison $d 2012.
520 $a Lili Boulanger's (1893-1918) World War I compositions, along with her war charity work and her intentional representation of maternal gender roles, both challenge and broaden the conventional masculine narratives of the First World War and French cultural identity. Boulanger and her colleagues, critics, family, and friends mobilized her femininity to support dominant contemporary conceptions of French wartime motherhood, the marraine de guerre (godmother of war), the femme fragile, and the Catholic Good Sufferer. Her music adds a transformative layer to the traditional musical wartime narrative, as it highlights and explores subjects that her male contemporaries did not broach, such as melancholia and motherhood. Through an analysis of Boulanger's reception, her compositions written and/or performed during the First World War, and her constructed public and private personae, I examine how she became, at various times, a marraine de guerre, a Mimi Pinson, or a Therese of Lisieux figure. Boulanger was a central performer of noble feminine suffering during the war and an emblematic symbol of an artistic, musical France. I also explore how her compositions exemplified contemporary French musical styles that musicians fervently debated and defined as key to musical French identity. Boulanger's music thus remains vital to the history of both French wartime music and World War I France. Chapter One analyzes Boulanger's representations of wartime motherhood and melancholia in Dans l'immense tristesse. Chapter Two examines the theme of Good Suffering in several of her compositions, including the settings of Psaumes 129 and 130. Chapter Three argues that Boulanger assumed the role of the marraine de guerre by playing an active role as "secretary-founder" of the Comite Franco-Americain and its subsequent Gazette. Chapter Four explores the contents of the Gazette as a tangible document of Boulanger's wartime work, musician-soldiers' lives at the front, and their engagement with debates on musical Frenchness and the war. Chapter Five demonstrates Boulanger's critical participation in defining musical Frenchness through both her consumption and production of musical exoticism, as shown in an analysis of Maia and Vieille priere bouddhique.
546 $a English
590 $a School code: 0262
650 4 $a Biographies. $3 795061
650 4 $a Music. $3 516178
650 4 $a Womens studies. $3 2122688
653 $a Boulanger, Lili
653 $a France
653 $a Gender studies
653 $a Musicology
653 $a World War I
690 $a 0304
690 $a 0413
690 $a 0453
710 2 $a The University of Wisconsin - Madison. $b Music. $e degree granting institution. $3 3818169
720 1 $a Cook, Susan C. $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 74-04A.
790 $a 0262
791 $a Ph.D.
792 $a 2012
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3527427