東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Raag Mala = Indian voices in Aparthe...

Subramanian, Lakshmi.

FindBook

Google Book

Amazon

博客來

Raag Mala = Indian voices in Apartheid South Africa (1900-1990) /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Raag Mala/ by Lakshmi Subramanian, Chatradari Devroop.
其他題名:	Indian voices in Apartheid South Africa (1900-1990) /
作者:	Subramanian, Lakshmi.
其他作者:	Devroop, Chatradari.
出版者:	Singapore :Springer Nature Singapore : : 2025.,
面頁冊數:	xviii, 480 p. :ill., digital ;24 cm.
內容註:	Chapter 1. Indians in South Africa: an overview of emerging soundscapes -- Chapter 2. Creative Adaptation under Apartheid: Music and Politics -- Chapter 3. Assembling a repertoire: in search of teachers, crafting genres -- Chapter 4. Gender and Music: the case of Indian women performers in South Africa -- Chapter 5. Sonic modernities: the politics and aesthetics of trans-national music in the diaspora during and after apartheid.
Contained By:	Springer Nature eBook
標題:	East Indians - Music. - South Africa -
電子資源:	https://doi.org/10.1007/978-981-95-1430-4
ISBN:	9789819514304

Raag Mala = Indian voices in Apartheid South Africa (1900-1990) /
Subramanian, Lakshmi.

Raag MalaIndian voices in Apartheid South Africa (1900-1990) /[electronic resource] :by Lakshmi Subramanian, Chatradari Devroop. - Singapore :Springer Nature Singapore :2025. - xviii, 480 p. :ill., digital ;24 cm.

Chapter 1. Indians in South Africa: an overview of emerging soundscapes -- Chapter 2. Creative Adaptation under Apartheid: Music and Politics -- Chapter 3. Assembling a repertoire: in search of teachers, crafting genres -- Chapter 4. Gender and Music: the case of Indian women performers in South Africa -- Chapter 5. Sonic modernities: the politics and aesthetics of trans-national music in the diaspora during and after apartheid.

This book delves into the intricate relationship between music and identity among Indian communities in South Africa, particularly during and after apartheid. It provides an overview of existing research on music and Indian diasporic groups, highlighting the unique challenges faced by Indian South Africans in accessing and preserving their musical traditions. It explores the historical soundscapes of South Africa, detailing how restrictive conditions under apartheid influenced social interactions and music-making. The narrative examines how Indians used music as a form of political resistance, developing a distinct Indian South African sound despite severe limitations. It also investigates the evolution of popular genres like qawwali, filmi, jazz, and dance music, shaped by limited access to formal training and the overuse of technology. The book addresses the gender dynamics within the music industry, focusing on the struggles of women artists. Additionally, it discusses the role of technology in music learning and its impact on aesthetic expressions. Through interviews with musicians, the book provides a vivid account of how Indian South Africans used music to assert their identity and resist segregation. It offers valuable insights into the cross-cultural interactions and the complex ways minority groups crafted their identity in the context of apartheid politics. It is a significant resource for academicians, and music lovers interested in the culture of the Indian diaspora and the history of Indian South Africans.

ISBN: 9789819514304

Standard No.: 10.1007/978-981-95-1430-4doiSubjects--Topical Terms:

3804789
East Indians
--Music.--South Africa

LC Class. No.: DT1768.E38

Dewey Class. No.: 305.8914068

Raag Mala = Indian voices in Apartheid South Africa (1900-1990) /
LDR:02983nmm a2200325 a 4500 001 2422755
003 DE-He213
005 20260102122840.0
006 m d
007 cr nn 008maaau
008 260505s2025 si s 0 eng d
020 $a 9789819514304 $q (electronic bk.)
020 $a 9789819514298 $q (paper)
024 7 $a 10.1007/978-981-95-1430-4 $2 doi
035 $a 978-981-95-1430-4
040 $a GP $c GP
041 0 $a eng
050 4 $a DT1768.E38
072 7 $a HBTD $2 bicssc
072 7 $a HIS016000 $2 bisacsh
072 7 $a NHTD $2 thema
082 0 4 $a 305.8914068 $2 23
090 $a DT1768.E38 $b S941 2025
100 1 $a Subramanian, Lakshmi. $3 3804787
245 1 0 $a Raag Mala $h [electronic resource] : $b Indian voices in Apartheid South Africa (1900-1990) / $c by Lakshmi Subramanian, Chatradari Devroop.
260 $a Singapore : $b Springer Nature Singapore : $b Imprint: Springer, $c 2025.
300 $a xviii, 480 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1. Indians in South Africa: an overview of emerging soundscapes -- Chapter 2. Creative Adaptation under Apartheid: Music and Politics -- Chapter 3. Assembling a repertoire: in search of teachers, crafting genres -- Chapter 4. Gender and Music: the case of Indian women performers in South Africa -- Chapter 5. Sonic modernities: the politics and aesthetics of trans-national music in the diaspora during and after apartheid.
520 $a This book delves into the intricate relationship between music and identity among Indian communities in South Africa, particularly during and after apartheid. It provides an overview of existing research on music and Indian diasporic groups, highlighting the unique challenges faced by Indian South Africans in accessing and preserving their musical traditions. It explores the historical soundscapes of South Africa, detailing how restrictive conditions under apartheid influenced social interactions and music-making. The narrative examines how Indians used music as a form of political resistance, developing a distinct Indian South African sound despite severe limitations. It also investigates the evolution of popular genres like qawwali, filmi, jazz, and dance music, shaped by limited access to formal training and the overuse of technology. The book addresses the gender dynamics within the music industry, focusing on the struggles of women artists. Additionally, it discusses the role of technology in music learning and its impact on aesthetic expressions. Through interviews with musicians, the book provides a vivid account of how Indian South Africans used music to assert their identity and resist segregation. It offers valuable insights into the cross-cultural interactions and the complex ways minority groups crafted their identity in the context of apartheid politics. It is a significant resource for academicians, and music lovers interested in the culture of the Indian diaspora and the history of Indian South Africans.
650 0 $a East Indians $z South Africa $x Music. $3 3804789
650 0 $a East Indians $z South Africa $x History. $3 1962994
650 0 $a East Indians $z South Africa $x Politics and government. $3 3804790
650 1 4 $a Oral History. $3 3166716
650 2 4 $a Performers and Practitioners. $3 3264621
650 2 4 $a History of Music. $3 3538599
700 1 $a Devroop, Chatradari. $3 3804788
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-981-95-1430-4
950 $a History (SpringerNature-41172)