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Gender in Asian Shakespeare = toward...

Yip, Roweena.

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Gender in Asian Shakespeare = towards intercultural feminism /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Gender in Asian Shakespeare/ by Roweena Yip.
Reminder of title:	towards intercultural feminism /
Author:	Yip, Roweena.
Published:	Cham :Springer Nature Switzerland : : 2025.,
Description:	x, 274 p. :ill. (chiefly col.), digital ;24 cm.
[NT 15003449]:	Chapter 01: Introduction -- Chapter 02: Witnessing the Performance of Memory and Female Subjectivities in Othello in Noh Style and Lady Macbeth -- Chapter 03: Reading Cross-Gender Performances: A Case Study of Two Shrews -- Chapter 04: Intercultural Relationships between Femininity and Korean Shaman Practice in Uruwang and Yohangza's Hamlet -- Chapter 05: Gender Ambiguity and the Weird Sisters -- Chapter 06: Intercultural Partnership and the Performance of Gender Relations in Romeo at Julieta -- Chapter 07: Conclusion.
Contained By:	Springer Nature eBook
Subject:	Sex role in the theater. -
Online resource:	https://doi.org/10.1007/978-3-031-89056-7
ISBN:	9783031890567

Gender in Asian Shakespeare = towards intercultural feminism /
Yip, Roweena.

Gender in Asian Shakespearetowards intercultural feminism /[electronic resource] :by Roweena Yip. - Cham :Springer Nature Switzerland :2025. - x, 274 p. :ill. (chiefly col.), digital ;24 cm. - Palgrave Shakespeare studies,2731-3212. - Palgrave Shakespeare studies..

Chapter 01: Introduction -- Chapter 02: Witnessing the Performance of Memory and Female Subjectivities in Othello in Noh Style and Lady Macbeth -- Chapter 03: Reading Cross-Gender Performances: A Case Study of Two Shrews -- Chapter 04: Intercultural Relationships between Femininity and Korean Shaman Practice in Uruwang and Yohangza's Hamlet -- Chapter 05: Gender Ambiguity and the Weird Sisters -- Chapter 06: Intercultural Partnership and the Performance of Gender Relations in Romeo at Julieta -- Chapter 07: Conclusion.

Gender in Asian Shakespeare: Towards Intercultural Feminism is the first full-length study of gender in East and Southeast Asian productions of Shakespeare's plays. Resituating gender theory within new performance contexts, forms and communities, this book explores the ways in which performances of gender produce the terms through which intercultural engagements with Shakespeare take place. By doing so, it explores the possibilities and complications that emerge when theatre practitioners stage gender representations and relations as they negotiate with Shakespeare's legacy in their theatre practices. Across its chapters, this book proposes new ways for thinking about feminist theories in non-Western performances and contexts-even as it remains informed and influenced by feminist theories originating from within the West-and envisions future opportunities for theorising feminism through negotiations with intercultural theatre performances of Shakespeare's plays in Asia. Informed by Western feminist thought, this book offers analyses of non-Western performances and contexts, but envisions new heterogeneous approaches to theorising feminism through engagements with intercultural theatre performances of Shakespeare's plays in Asia. Roweena Yip is a Lecturer at the National University of Singapore (NUS). She received her PhD in Theatre Studies from NUS, having completed her Masters and undergraduate degrees at the University of Edinburgh, UK. Her research has been published in Asian Theatre Journal, The Routledge Companion to Theatre-Fiction and The Asian Family in Literature and Film. She is also Assistant Director of the Asian Shakespeare Intercultural Archive (A/S/I/A).

ISBN: 9783031890567

Standard No.: 10.1007/978-3-031-89056-7doiSubjects--Personal Names:

3804103
Shakespeare, William,
1564-1616--Stage history--East Asia.Subjects--Topical Terms:

925108
Sex role in the theater.

LC Class. No.: PR3109.A78

Dewey Class. No.: 822.33

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