東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Gender in Asian Shakespeare = towards intercultural feminism /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Gender in Asian Shakespeare/ by Roweena Yip.
其他題名:	towards intercultural feminism /
作者:	Yip, Roweena.
出版者:	Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:	x, 274 p. :ill. (chiefly col.), digital ;24 cm.
內容註:	Chapter 01: Introduction -- Chapter 02: Witnessing the Performance of Memory and Female Subjectivities in Othello in Noh Style and Lady Macbeth -- Chapter 03: Reading Cross-Gender Performances: A Case Study of Two Shrews -- Chapter 04: Intercultural Relationships between Femininity and Korean Shaman Practice in Uruwang and Yohangza's Hamlet -- Chapter 05: Gender Ambiguity and the Weird Sisters -- Chapter 06: Intercultural Partnership and the Performance of Gender Relations in Romeo at Julieta -- Chapter 07: Conclusion.
Contained By:	Springer Nature eBook
標題:	Sex role in the theater. -
電子資源:	https://doi.org/10.1007/978-3-031-89056-7
ISBN:	9783031890567

Gender in Asian Shakespeare = towards intercultural feminism /
Yip, Roweena.

Gender in Asian Shakespearetowards intercultural feminism /[electronic resource] :by Roweena Yip. - Cham :Springer Nature Switzerland :2025. - x, 274 p. :ill. (chiefly col.), digital ;24 cm. - Palgrave Shakespeare studies,2731-3212. - Palgrave Shakespeare studies..

Chapter 01: Introduction -- Chapter 02: Witnessing the Performance of Memory and Female Subjectivities in Othello in Noh Style and Lady Macbeth -- Chapter 03: Reading Cross-Gender Performances: A Case Study of Two Shrews -- Chapter 04: Intercultural Relationships between Femininity and Korean Shaman Practice in Uruwang and Yohangza's Hamlet -- Chapter 05: Gender Ambiguity and the Weird Sisters -- Chapter 06: Intercultural Partnership and the Performance of Gender Relations in Romeo at Julieta -- Chapter 07: Conclusion.

Gender in Asian Shakespeare: Towards Intercultural Feminism is the first full-length study of gender in East and Southeast Asian productions of Shakespeare's plays. Resituating gender theory within new performance contexts, forms and communities, this book explores the ways in which performances of gender produce the terms through which intercultural engagements with Shakespeare take place. By doing so, it explores the possibilities and complications that emerge when theatre practitioners stage gender representations and relations as they negotiate with Shakespeare's legacy in their theatre practices. Across its chapters, this book proposes new ways for thinking about feminist theories in non-Western performances and contexts-even as it remains informed and influenced by feminist theories originating from within the West-and envisions future opportunities for theorising feminism through negotiations with intercultural theatre performances of Shakespeare's plays in Asia. Informed by Western feminist thought, this book offers analyses of non-Western performances and contexts, but envisions new heterogeneous approaches to theorising feminism through engagements with intercultural theatre performances of Shakespeare's plays in Asia. Roweena Yip is a Lecturer at the National University of Singapore (NUS). She received her PhD in Theatre Studies from NUS, having completed her Masters and undergraduate degrees at the University of Edinburgh, UK. Her research has been published in Asian Theatre Journal, The Routledge Companion to Theatre-Fiction and The Asian Family in Literature and Film. She is also Assistant Director of the Asian Shakespeare Intercultural Archive (A/S/I/A).

ISBN: 9783031890567

Standard No.: 10.1007/978-3-031-89056-7doiSubjects--Personal Names:

3804103
Shakespeare, William,
1564-1616--Stage history--East Asia.Subjects--Topical Terms:

925108
Sex role in the theater.

LC Class. No.: PR3109.A78

Dewey Class. No.: 822.33

Gender in Asian Shakespeare = towards intercultural feminism /
LDR:03283nmm a22003375a 4500 001 2422359
003 DE-He213
005 20251121114905.0
006 m d
007 cr nn 008maaau
008 260505s2025 sz s 0 eng d
020 $a 9783031890567 $q (electronic bk.)
020 $a 9783031890550 $q (paper)
024 7 $a 10.1007/978-3-031-89056-7 $2 doi
035 $a 978-3-031-89056-7
040 $a GP $c GP
041 0 $a eng
050 4 $a PR3109.A78
072 7 $a DSB $2 bicssc
072 7 $a LIT024000 $2 bisacsh
072 7 $a DSB $2 thema
082 0 4 $a 822.33 $2 23
090 $a PR3109.A78 $b Y51 2025
100 1 $a Yip, Roweena. $3 3804102
245 1 0 $a Gender in Asian Shakespeare $h [electronic resource] : $b towards intercultural feminism / $c by Roweena Yip.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a x, 274 p. : $b ill. (chiefly col.), digital ; $c 24 cm.
490 1 $a Palgrave Shakespeare studies, $x 2731-3212
505 0 $a Chapter 01: Introduction -- Chapter 02: Witnessing the Performance of Memory and Female Subjectivities in Othello in Noh Style and Lady Macbeth -- Chapter 03: Reading Cross-Gender Performances: A Case Study of Two Shrews -- Chapter 04: Intercultural Relationships between Femininity and Korean Shaman Practice in Uruwang and Yohangza's Hamlet -- Chapter 05: Gender Ambiguity and the Weird Sisters -- Chapter 06: Intercultural Partnership and the Performance of Gender Relations in Romeo at Julieta -- Chapter 07: Conclusion.
520 $a Gender in Asian Shakespeare: Towards Intercultural Feminism is the first full-length study of gender in East and Southeast Asian productions of Shakespeare's plays. Resituating gender theory within new performance contexts, forms and communities, this book explores the ways in which performances of gender produce the terms through which intercultural engagements with Shakespeare take place. By doing so, it explores the possibilities and complications that emerge when theatre practitioners stage gender representations and relations as they negotiate with Shakespeare's legacy in their theatre practices. Across its chapters, this book proposes new ways for thinking about feminist theories in non-Western performances and contexts-even as it remains informed and influenced by feminist theories originating from within the West-and envisions future opportunities for theorising feminism through negotiations with intercultural theatre performances of Shakespeare's plays in Asia. Informed by Western feminist thought, this book offers analyses of non-Western performances and contexts, but envisions new heterogeneous approaches to theorising feminism through engagements with intercultural theatre performances of Shakespeare's plays in Asia. Roweena Yip is a Lecturer at the National University of Singapore (NUS). She received her PhD in Theatre Studies from NUS, having completed her Masters and undergraduate degrees at the University of Edinburgh, UK. Her research has been published in Asian Theatre Journal, The Routledge Companion to Theatre-Fiction and The Asian Family in Literature and Film. She is also Assistant Director of the Asian Shakespeare Intercultural Archive (A/S/I/A).
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Stage history $z East Asia. $3 3804103
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Stage history $z Southeast Asia. $3 3804104
650 0 $a Sex role in the theater. $3 925108
650 0 $a Feminist theater. $3 722729
650 1 4 $a Early Modern and Renaissance Literature. $3 3538690
650 2 4 $a Global and International Theatre and Performance. $3 3538691
650 2 4 $a Gender Studies. $3 898693
650 2 4 $a Feminist Literary Theory. $3 3538703
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave Shakespeare studies. $3 1099038
856 4 0 $u https://doi.org/10.1007/978-3-031-89056-7
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)